發(fā)布時間：2018-05-13 10:50

  本文選題：作者電影 + 主題��； 參考：《山西師范大學(xué)》2014年碩士論文

【摘要】：自法國新浪潮領(lǐng)軍人物弗朗索瓦·特呂弗(Francois Truffaut)提出“電影作者論”之后，這一理論就正式進入藝術(shù)電影的研究中。在中國電影人當(dāng)中,倡導(dǎo)“作者論”并將其運用到熟練地步的要數(shù)香港導(dǎo)演王家衛(wèi)。王家衛(wèi)的每一部作品都是自編自導(dǎo)的,并且他的電影都有著獨異的電影系統(tǒng)，從而映現(xiàn)出其特有的電影風(fēng)格。從某種意義上來說，王家衛(wèi)站在前人的肩膀上將“作者”之路走向了更遠(yuǎn)。 本論文將從王家衛(wèi)導(dǎo)演的電影作品出發(fā),以作者電影作為指導(dǎo)研究的方法論,將王家衛(wèi)放于香港電影的大背景中去考量其電影作者的身份，并對其電影作品展開爬梳，力求對王家衛(wèi)電影的深刻主題、詩意般的視聽語言進行分析,并以其電影中最引人矚目的“畫外音”即“旁白”和“獨白”為文本做深入考察，研析其作為電影“作者”獨特的電影藝術(shù)風(fēng)格；標(biāo)舉出王家衛(wèi)電影作品所獨有的藝術(shù)風(fēng)格和精神內(nèi)蘊。 論文分為五個部分：一、分析研究現(xiàn)狀，闡釋論文研究意義以及撰文的研究方法；二、論述王家衛(wèi)的從影歷程以及王家衛(wèi)電影中體現(xiàn)出的“作者”特征，并通過法國新浪潮電影的影響和特呂弗的作者電影理論結(jié)合王家衛(wèi)自身的個人經(jīng)歷和時代背景分析其“作者電影”的形成之路；三、闡釋王家衛(wèi)電影的主題內(nèi)涵；四、以王家衛(wèi)電影中獨特的視聽語言為樣本,深入考察其電影的畫面、鏡頭、音樂的審美特質(zhì)；五、從王家衛(wèi)電影中的“畫外音”即“旁白”和“獨白”入手，，用文本細(xì)讀的方式展開考察，來進一步深入剖析王家衛(wèi)電影作者的身份。 王家衛(wèi)電影反映和觀照現(xiàn)代都市生活面貌，并用風(fēng)格化的視聽影像表征構(gòu)筑了“王家衛(wèi)式”的電影風(fēng)格，而這一風(fēng)格恰是電影“作者”精神的某一體現(xiàn),就某種意義來說，值得進行深入的研究。本文立基于前人的研究,把王家衛(wèi)電影放于“作者電影”論的視野下進行全面的研究,使得王家衛(wèi)電影研究更加理論化、體系化。同時，對王家衛(wèi)導(dǎo)演“作者電影”的研究,可以作為華語電影導(dǎo)演研究的一個樣本。通過它，近可以窺探整個華語電影圈的狀貌；遠(yuǎn)甚至可以作為探析整個中國當(dāng)代電影創(chuàng)作的一把鑰匙。
[Abstract]:Since Francois Truffaut, the leader of the new wave in France, put forward the theory of "the author of the film", this theory has formally entered the study of art film. Among Chinese filmmakers, Hong Kong director Wang Jiawei is the one who advocates and applies the "author theory" to a level of proficiency. Each of Wang Jiawei's works is self-directed, and his films have a unique film system, reflecting their unique film style. In a sense, Wang Jiawei stood on the shoulders of his predecessors and took the author further. Starting from the film works directed by Wang Jiawei and taking the author's film as the methodology of the research, this paper will put Wang Jiawei in the background of Hong Kong film to consider the identity of its film author, and start a crawl comb on his film works. This paper tries to analyze the profound theme and poetic audiovisual language of Wang Jiawei films, and makes an in-depth study of the most striking "voiceover" and "monologue" in his films. This paper analyzes his unique film art style as an author, and points out the unique artistic style and spiritual connotation of Wang Jiawei's film works. The thesis is divided into five parts: first, analyzing the current situation of the research, explaining the significance of the research and the research methods of the article; second, discussing the process of Wang Jiawei's film and the characteristics of "author" in the Wang Jiawei film. And through the influence of the French New Wave Film and Trevor's author film theory combined with Wang Jiawei's own personal experience and the background of the times to analyze the formation of his "author's film"; third, to explain the theme of Wang Jiawei film connotation; fourth, Taking the unique audiovisual language in Wang Jiawei film as a sample, the aesthetic characteristics of the picture, lens and music of the film are thoroughly investigated. (5) starting with the "voice-over" and "monologue" in the Wang Jiawei film, In order to analyze the identity of the author of Wang Jiawei film, the author of Wang Jiawei film is analyzed in detail. Wang Jiawei films reflect and reflect the modern urban life, and construct the "Wang Jiawei" style with stylized audio-visual images, which is just a reflection of the spirit of the film "author", in a sense. It is worthy of further study. Based on the previous studies, this paper makes a comprehensive study of Wang Jiawei films from the perspective of "author's movies", which makes the study of Wang Jiawei films more theoretical and systematic. At the same time, the research on the author's film directed by Wang Jiawei can be used as a sample of the study of Chinese film directors. Through it, we can get a glimpse of the whole Chinese film circle and even serve as a key to the analysis of contemporary Chinese film creation.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

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