本文選題：國產(chǎn)動畫 + 成長敘事�。� 參考：《浙江大學(xué)》2013年碩士論文

【摘要】：以“成長”為敘事對象的國產(chǎn)動畫在長期創(chuàng)作中,形成了一種慣用成長敘事模式。這種模式在兒童的成長教育方面,取得了一定的成績,同時也存在很大的問題,不僅影響到了動畫片自身的效果,也影響到了國產(chǎn)動畫的整體發(fā)展。 本文結(jié)合巴赫金的成長敘事理論及我國動畫片實際創(chuàng)作情況,著重界析了國產(chǎn)動畫傾向于淺層次成長敘事的慣用模式——教化式成長敘事模式,以大量動畫片為實例分析該模式下的三種類型特點：自我醒悟模式、外部說教模式、歷險拯救模式,得出慣用成長敘事模式的問題在于成長定位的偏失、意識形態(tài)和說教色彩過強,對受眾欣賞水平的低估,以及對動畫獨特藝術(shù)手段的展現(xiàn)不足(第一章)。 與成長小說和成長電影相比,動畫片成長敘事的獨特價值在于利用動畫自身的特質(zhì)構(gòu)建了一個可視可聽、夸張變形的虛擬世界,給觀眾帶來的各種成長的可能性,釋放觀眾在成長過程中受到的現(xiàn)實壓抑,滿足其在現(xiàn)實社會中無法實現(xiàn)的成長欲望以及對理想成長范式的憧憬。動畫成長敘事模式的理想形態(tài),就內(nèi)容主題而言應(yīng)是以自由而又全面的成長為核心,在輕松而有內(nèi)涵的幽默中表達出對受眾人文而非教化的關(guān)懷(第二章)。 為此,國產(chǎn)動畫的成長敘事亟需改變淺層次成長敘事的創(chuàng)作傾向。革新創(chuàng)作觀念,回歸動畫的藝術(shù)特質(zhì),是本文結(jié)合國產(chǎn)動畫成長敘事的現(xiàn)狀及教化式慣用模式所存在的問題,和他國動畫片中成長敘事所提供的經(jīng)驗和范式,提出的建議和思考(第三章)。 但國產(chǎn)動畫面對外國動畫片的巨大沖擊,如何切實在成長敘事上進一步有所發(fā)展和改善,還需要各界的共同努力和思考(結(jié)語)。
[Abstract]:In the long-term creation of domestic animation, which takes growth as the narrative object, it has formed a kind of customary growth narrative mode. This model not only affects the effect of animation itself, but also affects the overall development of domestic animation. Based on Bakhtin's theory of growth narration and the actual situation of animation creation in China, this paper focuses on the analysis of the customary pattern of domestic animation which tends to be shallow growth narrative-the civilized growth narrative mode. Taking a large number of cartoons as an example, this paper analyzes three types of characteristics of this model: self-awakening mode, external preaching mode, adventure saving mode, and draws the conclusion that the problem of the usual growth narrative mode lies in the bias of growth orientation. The ideology and preaching color is too strong, the audience appreciation level is underestimated, as well as the animation unique artistic means display insufficiency (Chapter 1). Compared with the growth stories and movies, the unique value of the animation growth narration lies in the construction of a visual audible, exaggerated and distorted virtual world using the animation's own characteristics, which brings various possibilities for the audience to grow up. Release the audience in the process of growing up by the reality of repression, meet their unrealizable growth desire in the real society, as well as the ideal growth paradigm vision. The ideal form of the narrative mode of animation growth should be the free and comprehensive growth as the core in terms of the content theme, and express the concern for the humanistic rather than the civilized audience in the relaxed and intension humor (Chapter two). Therefore, the growth narrative of domestic animation needs to change the creative tendency of shallow growth narrative. Innovating the idea of creation and returning to the artistic characteristic of animation are the problems existing in the present situation of the domestic animation growth narrative and the traditional mode of enlightenment, and the experience and paradigm provided by the growth narration in other countries' cartoons. Suggestions and reflections (Chapter III). However, in the face of the great impact of foreign animation, how to further develop and improve the growth narration needs the joint efforts and thinking of all walks of life.
【學(xué)位授予單位】：浙江大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J954

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