本文選題：視覺元素 + 構(gòu)圖�。� 參考：《湖北美術(shù)學(xué)院》2017年碩士論文

【摘要】：獨(dú)特的視覺元素運(yùn)用是電影《被嫌棄的松子的一生》成功的關(guān)鍵,本文將分析研究電影中視覺元素運(yùn)用方式、特點(diǎn)和表現(xiàn)效果,從構(gòu)圖、色彩、光影的角度去探討導(dǎo)演中島哲也在電影《被嫌棄的松子的一生》中的視覺表現(xiàn)。電影中視覺元素運(yùn)用主要表現(xiàn)在這幾個(gè)方面。第一,在構(gòu)圖上,導(dǎo)演運(yùn)用了劇場感的場景設(shè)計(jì)、陌生化的鏡頭運(yùn)用和強(qiáng)化觀者投入感的中特寫,導(dǎo)演通過這樣的處理方式營造電影獨(dú)特的視覺風(fēng)格;第二,在色彩上,導(dǎo)演對電影中主要的色彩表現(xiàn)賦予了情感意義,并且將高度飽和的暖色調(diào)作為電影的基調(diào),以此塑造電影人物角色的性格,彰顯電影的主旨情感;第三,在光影上,導(dǎo)演大量運(yùn)用制造夢幻效果的過度曝光和找不到現(xiàn)實(shí)來源的光線,強(qiáng)化了導(dǎo)演反諷的拍攝手法,加深了電影的宗教意味。電影《被嫌棄的松子的一生》視覺元素的藝術(shù)價(jià)值表現(xiàn)在敘事、剪輯、構(gòu)圖、色彩、用光等方面,并在平面設(shè)計(jì)和導(dǎo)演其他的電影中得到表現(xiàn)與發(fā)展。
[Abstract]:The unique use of visual elements is the key to the success of the film "Life of the rejected Pine seed". This paper will analyze and study the ways, characteristics and performance of visual elements in the film, from composition, color, From the perspective of light and shadow, this paper discusses the visual performance of director Nakajima in the film Life of the rejected Pine seed. The use of visual elements in the film is mainly reflected in these aspects. First, in the composition, the director uses the scene design of the theater sense, the strangeness lens use and the Chinese feature that strengthens the viewer's sense of engagement. The director creates the unique visual style of the film through this way of processing. Second, in the color, the director creates the unique visual style of the film. The director gives emotional meaning to the main color expression in the film, and takes the highly saturated warm tone as the movietone, thus shaping the character of the character of the movie and showing the movie-themed emotion. Thirdly, in the light and shadow, The director's extensive use of excessive exposure to create dreamy effects and the lack of light from real sources reinforce the director's ironic shooting techniques and deepen the religious meaning of the film. The artistic value of the visual elements of the film "Life of the rejected Pine" is expressed in the aspects of narrative, editing, composition, color, light, and so on, and has been shown and developed in graphic design and other films directed by the director.
【學(xué)位授予單位】：湖北美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J905

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 譚佩里;后藤繁雄;蜷川[熁，

本文編號：1865484