本文選題：主流文化 + 電視紀(jì)錄片��； 參考：《西北大學(xué)》2014年碩士論文

【摘要】：2009年以來(lái),陜西影視創(chuàng)作領(lǐng)域刮起了一股強(qiáng)烈的電視紀(jì)錄片旋風(fēng)。在短短的三、四年間,從2009年的《望長(zhǎng)安》開(kāi)始,一直到2012年5月播出的《大風(fēng)歌陜西敘事》,陜西省一共出品了十余部主流文化電視紀(jì)錄片。這些作品均由我省主流影視單位投資制作出品,大部分作品更是邀請(qǐng)國(guó)內(nèi)頂尖紀(jì)錄片團(tuán)隊(duì)參與制作。制作完成后,這些作品都能夠在我省主流媒體平臺(tái)乃至國(guó)家級(jí)媒體平臺(tái)播出,產(chǎn)生較為深遠(yuǎn)的影響力。 本論文以近年來(lái)陜西主流文化電視紀(jì)錄片為研究對(duì)象,綜合運(yùn)用多種研究方法,從類型特征、美學(xué)特征和文化特征三個(gè)維度介入研究這批作品,對(duì)其進(jìn)行類型上的劃分和美學(xué)特征、創(chuàng)作手法、文化特征的分析。同時(shí),本論文將還將針對(duì)這批作品存在的缺陷和所暴露出的問(wèn)題做簡(jiǎn)要分析。首先,本論文從理論上界定了主流文化電視紀(jì)錄片的概念,簡(jiǎn)要闡述我國(guó)和陜西主流文化電視紀(jì)錄片的發(fā)展歷程；其次,從類型上對(duì)研究對(duì)象進(jìn)行劃分并分析不同類型作品具有的不同類型特征；再次,對(duì)研究對(duì)象進(jìn)行美學(xué)特征和文化特征上的分析研究；最后,分析近年來(lái)陜西主流文化電視紀(jì)錄片存在的問(wèn)題及缺陷,提出相應(yīng)的解決方案并對(duì)今后陜西主流文化電視紀(jì)錄片的發(fā)展前景做出展望。希望本研究能夠?yàn)樵诜治隹偨Y(jié)近年來(lái)陜西主流文化電視紀(jì)錄片創(chuàng)作的基礎(chǔ)上,為其未來(lái)的發(fā)展提供一定程度的理論支持。
[Abstract]:Since 2009, Shaanxi film and television creation field has a strong TV documentary whirlwind. In a short period of three or four years, from "Wang Chang'an" in 2009 to "Wind Song Shaanxi narration" broadcast in May 2012, Shaanxi Province produced more than ten mainstream cultural TV documentaries. These works are produced by our province's mainstream film and television units, most of the works are invited to China's top documentary team to participate in the production. After the production, these works can be broadcast on the mainstream media platform and even the national media platform of our province. This thesis takes Shaanxi mainstream cultural television documentary as the research object in recent years, synthetically uses a variety of research methods, from the type characteristic, the esthetics characteristic and the cultural characteristic three dimensions to intervene to study this batch of works, The classification of its types and aesthetic characteristics, creative techniques, cultural characteristics of the analysis. At the same time, this thesis will also briefly analyze the defects and problems of these works. First of all, this paper defines the concept of mainstream cultural TV documentary in theory, and briefly expounds the development course of mainstream cultural television documentary in China and Shaanxi. From the type of research objects and analysis of different types of works with different types of characteristics; thirdly, the research object of aesthetic characteristics and cultural characteristics of the analysis; finally, This paper analyzes the problems and defects existing in Shaanxi mainstream cultural TV documentary in recent years, puts forward corresponding solutions and makes a prospect for the future development of Shaanxi mainstream cultural TV documentary. I hope this research can provide some theoretical support for its future development on the basis of analyzing and summarizing the creation of Shaanxi mainstream cultural TV documentary in recent years.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J952

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