本文選題：滿足欲望 + 齊澤克��； 參考：《當(dāng)代電視》2017年12期

【摘要】：正網(wǎng)絡(luò)文學(xué)改編的電視劇繼承了原文本的話語邏輯和快感機(jī)制,精細(xì)計算過的服化道配置、演員年輕俊美的顏值、歷經(jīng)艱難曲折終獲成功的果實(shí),為受眾編造了一個美輪美奐的"白日夢",為在都市生活中感到身心疲憊的現(xiàn)代受眾建構(gòu)起滿足欲望而又放縱欲望的幻象空間。正如齊澤克所言,"可以說,正是幻象本身,提供了我們欲望的坐標(biāo)系—它建立了一個框架,使得我們能夠欲求某物","在幻象場景中,欲望不是被實(shí)現(xiàn)、‘滿足’,而是被
[Abstract]:The TV series adapted from the network literature inherits the discourse logic and pleasure mechanism of the original text, the meticulous arrangement of the service path, the handsome appearance of the young actors, and the fruit of success after many difficulties and setbacks. A beautiful "daydream" is fabricated for the audience, and the illusion space of satisfying desire and indulging desire is constructed for the modern audience who feels tired in the city life. As Zizek puts it, "it is the illusion itself that provides the coordinate system of our desires-it establishes a framework that enables us to desire something".
【作者單位】： 廣西藝術(shù)學(xué)院人文學(xué)院;
【分類號】：I207.42;J905

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