本文選題：諜戰(zhàn)劇 + 敘事價(jià)值�。� 參考：《上海大學(xué)》2013年碩士論文

【摘要】：從2002年的《誓言無聲》到2006年的《暗算》，再到2009年的《潛伏》、2010年的《黎明之前》、2011年的《借槍》、2012年的《懸崖》等，不難發(fā)現(xiàn)新世紀(jì)諜戰(zhàn)劇正以其獨(dú)特的話語體系與敘事策略躋身主流電視劇類型。新世紀(jì)諜戰(zhàn)劇在價(jià)值取向、敘事聚焦、敘事時(shí)空及其敘事類型上分別呈現(xiàn)出了嶄新的特征，同時(shí)，在其創(chuàng)作過程中也遭遇了不可避免的瓶頸與困境。 新世紀(jì)諜戰(zhàn)劇價(jià)值取向上的變化特征為，將鮮明的階級(jí)對(duì)抗置換為不同對(duì)立集團(tuán)的才智較量，逐漸拋棄掉了五六十年代反特片所攜帶的明確意識(shí)形態(tài)內(nèi)容及政治功能，主控思想更加關(guān)注倫理價(jià)值的表達(dá)、注入更多對(duì)良知的探討、對(duì)人性的關(guān)懷，出現(xiàn)這種變化的原因，正是由于市場(chǎng)經(jīng)濟(jì)大潮催生下的消費(fèi)語境的產(chǎn)生。 為適應(yīng)這種變化，新世紀(jì)諜戰(zhàn)劇出現(xiàn)了新的講述機(jī)制和相應(yīng)的形式特征。首先，在敘事聚焦策略上用零聚焦方式構(gòu)成了有意識(shí)的多重聚焦轉(zhuǎn)換；其次，對(duì)敘事時(shí)間的處理更加靈活，，更加注重時(shí)序、時(shí)長的變形化處理，在敘事空間的優(yōu)化與開拓上，更加注重心理空間的營造及其對(duì)自然空間的納入。 主控思想的變化以及對(duì)倫理價(jià)值的關(guān)懷，使新世紀(jì)諜戰(zhàn)劇在市場(chǎng)化背景下呈現(xiàn)出新的類型雜糅趨勢(shì)，它本身既結(jié)合了家庭倫理劇中的日常性敘事特征，又包含了懸疑推理劇中的非日常性表現(xiàn)元素。正是不同類型元素的雜糅造就了這種嶄新的類型集合，而新世紀(jì)諜戰(zhàn)劇最明顯的類型雜糅特征即對(duì)家庭倫理劇及懸疑推理劇的類型元素的交錯(cuò)與重疊。 但值得注意的是，題材優(yōu)越與市場(chǎng)環(huán)境的恰逢其時(shí)并不能為創(chuàng)作者提供任何長盛不衰的保障，成功的原因在于品質(zhì)而不是類型。新世紀(jì)諜戰(zhàn)劇仍然存在情節(jié)與人物失衡等創(chuàng)作問題，這也提醒廣大創(chuàng)作者在重情節(jié)的同時(shí)應(yīng)該更加注重新世紀(jì)諜戰(zhàn)劇思辨品格的建設(shè)，注入更多的價(jià)值思考，使其獲得更為長久的生命力。
[Abstract]:From "vow silent" in 2002 to "secret computing" in 2006, "latent" in 2009, "before dawn" in 2010, "borrow guns" in 2011, "cliff" in 2012, etc. It is not difficult to find that espionage drama is becoming the mainstream TV series with its unique discourse system and narrative strategy. The new century espionage drama shows new characteristics in value orientation, narrative focus, narrative time and space and its narrative type. At the same time, it also encounters the inevitable bottleneck and predicament in the process of its creation. The changing characteristics of the value orientation of the new century espionage drama are that the distinct class confrontation has been replaced by the intellectual contest of different opposing groups, and the explicit ideological content and political function carried by anti-special films in the 1950s and 1960s have been gradually abandoned. The main control thought pays more attention to the expression of the ethical value, injects more discussion to the conscience, the concern for human nature, and the reason for this change is precisely because of the emergence of the consumer context under the market economy tide. In order to adapt to this kind of change, new narration mechanism and corresponding form characteristic appeared in the new century espionage drama. First of all, in the narrative focusing strategy, the zero-focus method constitutes a conscious multi-focus transformation; secondly, the processing of narrative time is more flexible, more attention is paid to the time sequence, the time is deformed, and the narrative space is optimized and developed. Pay more attention to the construction of psychological space and the integration of natural space. The change of the master control thought and the concern for the ethical value make the espionage drama in the new century present a new type and hybridity trend under the background of marketization, which not only combines the daily narrative characteristics of the family ethics drama, but also combines the daily narrative characteristics of the family ethics drama. It also contains the abnormal performance elements in the suspense reasoning drama. It is the blending of different types of elements that makes up this new type set, and the most obvious type hybridity of the new century espionage drama is the staggered and overlapping of the type elements of family ethics drama and suspense reasoning drama. It is worth noting, however, that the timing of the superior subject matter and the market environment does not provide the creators with any lasting protection. The reason for success is quality, not type. In the new century, there are still problems in the creation of espionage dramas, such as the imbalance between plot and characters. This also reminds the majority of creators to pay more attention to the construction of the speculative character of the new century espionage drama while stressing the plot, and inject more value thinking into it. To give it a longer life.
【學(xué)位授予單位】：上海大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J905

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