本文選題：金田系風(fēng)格 + 金田伊功�。� 參考：《山東藝術(shù)學(xué)院》2017年碩士論文

【摘要】：當(dāng)今日本動(dòng)畫(huà)的發(fā)展成就是眾多日本動(dòng)畫(huà)師不懈努力的結(jié)果。其中,以動(dòng)畫(huà)師金田伊功于20世紀(jì)80年代所創(chuàng)立的“金田系”風(fēng)格最為著名,其以極快的速度占領(lǐng)了日本動(dòng)畫(huà)繪制風(fēng)格的主流并流行至今,并對(duì)歐美等其他國(guó)家的動(dòng)畫(huà)繪制風(fēng)格產(chǎn)生重要影響。現(xiàn)在,日本動(dòng)畫(huà)師的作品借助網(wǎng)絡(luò)的力量廣為傳播,其流派風(fēng)格成為動(dòng)畫(huà)主題元素、角色、配音演員、制作技術(shù)以外的吸引觀眾的重要原因。因此,研究在日本動(dòng)畫(huà)發(fā)展中長(zhǎng)期占有一席之地的金田系動(dòng)畫(huà)風(fēng)格,對(duì)于研究日本動(dòng)畫(huà)有著重要意義。本課題主要從日本動(dòng)畫(huà)的歷史和社會(huì)背景探究金田伊功個(gè)人風(fēng)格的形成及其早期特點(diǎn),分析每個(gè)時(shí)代比較有代表性的金田系動(dòng)畫(huà)師的特點(diǎn),探尋金田系風(fēng)格所產(chǎn)生的影響以及對(duì)我國(guó)動(dòng)畫(huà)創(chuàng)作發(fā)展的啟示。本文論述共分為三個(gè)部分:第一部分為金田系動(dòng)畫(huà)風(fēng)格的創(chuàng)立與基本特征;第二部分為金田系風(fēng)格演變及其代表人物;第三部分為金田系風(fēng)格的影響與啟示。本研究從金田系動(dòng)畫(huà)師風(fēng)格入手分析其動(dòng)畫(huà)師風(fēng)格特點(diǎn),可以增進(jìn)對(duì)日本動(dòng)畫(huà)流派與風(fēng)格的認(rèn)識(shí),豐富動(dòng)畫(huà)繪制相關(guān)理論,對(duì)培養(yǎng)動(dòng)畫(huà)人才與實(shí)踐創(chuàng)作有著重要意義。
[Abstract]:The development achievement of Japanese animation today is the result of unremitting efforts of many Japanese animators. Among them, the "Jintian system" style, which was founded in the 1980s by the animator Yasuki Kuroda, is the most famous one. It has occupied the mainstream of the Japanese animation drawing style at a very fast speed and has become popular to this day. And to Europe and the United States and other countries animation style has an important impact. Now, Japanese animators' work is widely spread through the power of the Internet, and its genre has become an important reason for attracting audiences beyond animation themes, characters, dubbing actors, and production techniques. Therefore, it is of great significance to study the Japanese animation style which has long occupied a place in the development of Japanese animation. From the historical and social background of Japanese animation, this paper mainly explores the formation and early characteristics of the personal style of Yasuhiro Yasuhiro, and analyzes the characteristics of the more representative cartoon animators of the Jintian Department in each era. To explore the impact of Jintian style and the inspiration to the development of animation creation in China. This paper is divided into three parts: the first part is the creation and basic characteristics of the animation style of Jintian system; the second part is the evolution of the style of Jintian system and its representative characters; the third part is the influence and inspiration of the style of Jintian system. This study starts with the style of cartoon animators in Kaneda Department and analyzes the characteristics of their animators' style. It can enhance the understanding of Japanese animation schools and styles, enrich the relevant theory of animation drawing, and have important significance for training animation talents and practical creation.
【學(xué)位授予單位】：山東藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J954

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本文編號(hào)：1808111