本文選題：都市劇 + 倫理情感元素　； 參考：《山東師范大學》2013年碩士論文

【摘要】：論文以都市劇敘事中的倫理情感元素作為研究對象，從編劇的角度對其倫理情感元素的敘事變化進行了歷時和共時的考察。論文通過對電視劇個案分析與既有研究的綜合考察，理論結(jié)合實踐，研究民族文化和不同時期的社會現(xiàn)狀對電視劇中倫理情感元素敘事的影響，并為創(chuàng)作實踐提供了理論指導(dǎo)。 在對都市劇中倫理情感表現(xiàn)的歷史關(guān)照的論述上，首先對本文論述的核心詞匯“倫理情感”元素的概念展開界定，為論文的論述范圍做出初步定位，隨后，對都市劇中倫理情感元素敘事的兩個維度進行考察。在對倫理情感元素敘事的歷史維度考察方面，圍繞兩個線索展開：一方面，嚴格按照歷史發(fā)展的線索，對社會倫理情感現(xiàn)狀與創(chuàng)作情況進行相應(yīng)分析；另一方面，從我國城市化發(fā)展進程對倫理情感敘事的影響的角度展開分析，內(nèi)容包括:城鄉(xiāng)倫理情感狀態(tài)在城市化尚未開始時的沒有截然之分，到伴隨城市化進程，城鄉(xiāng)兩種倫理情感敘事日益涇渭分明，和在如今城鄉(xiāng)融合趨勢下，傳統(tǒng)鄉(xiāng)村敘事與一般意義上的都市劇敘事的成功接洽。論文對都市劇倫理情感元素在不同社會狀態(tài)下敘事特點的共時維度考察展開論述，這基于對幾個關(guān)系的處理，即：電視劇中倫理和情感的關(guān)系；電視劇中的倫理情感元素和社會發(fā)展階段不同特點的關(guān)系；電視劇中的倫理情感敘事與社會倫理情感現(xiàn)實狀態(tài)的關(guān)系。 在對這兩個維度進行研讀分析后，本文從創(chuàng)作角度將當下都市劇倫理情感敘事的精神內(nèi)涵分成四類，即：以《渴望》、《金婚》為代表的市民化生活的家庭倫理敘事；以趙寶剛作品為代表的都市青春成長題材敘事；以《王子變青蛙》、《一起去看流星雨》為代表的童話敘事和以《千山暮雪》、《回家的誘惑》為代表的都市虐戀復(fù)仇式敘事。文章進一步探索了四者所包含的倫理情感元素在家庭關(guān)系、權(quán)威人物設(shè)立、反面人物塑造和眾神歸位大團圓結(jié)局的設(shè)計這四個方面展現(xiàn)出來的敘事策略。 論文在從劇本角度研究電視劇中倫理情感敘事的繼承與衍變時，在繼承創(chuàng)作經(jīng)驗和適應(yīng)時代特色的創(chuàng)作實踐這兩個方面分別展開論述。前者重點分析倫理情感元素在電視劇敘事中的成功模式，后者重點分析相應(yīng)模式在不同歷史時期所表現(xiàn)出來的缺憾，以及隨社會倫理情感現(xiàn)狀不斷發(fā)展完善的敘事策略。兩者分析的重點都涉及人物及其關(guān)系的設(shè)置，故事和情節(jié)的敘事套路及矛盾設(shè)計，和倫理情感元素敘事中的臺詞設(shè)計。 編劇利用觀眾的期待視野，在熟練運用既有創(chuàng)作經(jīng)驗的基礎(chǔ)上，適應(yīng)當下社會的倫理情感特點，進行適當?shù)哪吧瘎?chuàng)作，來達到謀求高收視的創(chuàng)作模式與創(chuàng)新成果。倫理情感元素作為獨立的敘事話語，在當代多角度精神內(nèi)涵的電視劇中探索這樣一種成熟的敘事策略和創(chuàng)作技巧——既探索電視劇創(chuàng)作通過倫理情感元素的敘事將民族文化具體展現(xiàn)于大眾面前，又積極應(yīng)對當下“娛樂至死”的大眾文化環(huán)境。
[Abstract]:The thesis takes the ethical and emotional elements in the narrative of the urban drama as the research object, and makes a diachronic and synchronic investigation on the narrative changes of its ethical and emotional elements from the point of view of the dramas. Viewing the influence of the narrative elements of ethics and emotion in drama, and providing theoretical guidance for creative practice.
In the exposition of the historical consideration of the ethical emotional expression in the urban drama, first the definition of the concept of "ethical emotion", which is discussed in this paper, is defined to make a preliminary orientation for the scope of the treatise. Then, the two dimensions of the narrative of the ethical emotional elements in the urban drama are investigated. On the aspect of historical dimension, two clues are carried out: on the one hand, according to the clue of historical development, the present situation of social ethics emotion and the situation of creation are analyzed. On the other hand, from the angle of the influence of the urbanization development process on ethical emotion narration in China, the content includes the ethical emotional state of urban and rural areas in the city. In the process of urbanization, the two kinds of ethical emotional narration in urban and rural areas are more and more distinct, and in the trend of urban and rural integration, the traditional rural narrative is in harmony with the narrative of urban drama in the general sense. The study of dimension is based on the treatment of several relationships, that is, the relationship between ethics and emotions in TV plays, the relationship between ethical emotional elements in TV plays and the different characteristics of social development stage, and the relationship between ethical emotional narration and social ethics and emotional reality in TV plays.
After studying and analyzing the two dimensions, the spiritual connotation of the ethical and emotional narrative of the present urban drama is divided into four categories from the perspective of creation, namely, the family ethical narrative of the civic life represented by "longing for" and "Golden Marriage"; the narrative of the theme of urban youth growth represented by Zhao Baogang's works; Looking at the fairy tale narration represented by the meteor shower and the revenge narrative of the urban masochism represented by the "thousand mountains and twilight snow > the temptation of returning home", the article further explores the four aspects of the ethical emotional elements contained in the four parties in the family relationship, the establishment of the authority figures, the portrayal of the opposite figures and the design of the grand round outcome of the return of the gods. Narrative strategy.
In the study of the succession and evolution of ethical emotional narrative in TV dramas from the perspective of the script, the paper discusses the two aspects, which are the successes of the creative experience and the creative practice adapted to the characteristics of the times. The former focuses on the analysis of the successful mode of the ethical and emotional elements in the narrative of TV dramas, and the latter focuses on the analysis of the corresponding patterns in different historical periods. The shortcomings, as well as the continuous development and perfection of the narrative strategy with the status quo of social ethics, both of which focus on the setting of characters and their relationships, the narrative routines of stories and plots, and the design of contradictions in the narrative of ethical and emotional elements.
Making use of the audience's expectation, the writer, on the basis of skillful use of the existing creative experience, adapted to the ethical and emotional characteristics of the present society and made appropriate defamiliarization to achieve the creation pattern and innovation achievement for high viewing. The ethical emotion element is an independent narrative discourse and in the TV drama of contemporary multi angle spiritual connotation. Explore such a mature narrative strategy and creative skills - not only explore TV drama creation through the narrative of ethical emotional elements to show the national culture in front of the public, but also actively respond to the current "entertainment to death" of the mass cultural environment.

【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J904

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本文編號：1808086