本文選題：電視劇　切入點(diǎn)：翻拍　出處：《蘭州大學(xué)》2014年碩士論文

【摘要】：隨著我國(guó)電視劇產(chǎn)業(yè)的迅速發(fā)展,電視劇類型化創(chuàng)作的手段逐漸多樣化。翻拍作為影視劇創(chuàng)作的重要途徑和手段,自熒幕作品產(chǎn)生之日起,便與其生存與共。隨著技術(shù)的革新與進(jìn)步,許多優(yōu)秀的文學(xué)作品被搬上了大銀幕。同時(shí),國(guó)外電視劇在中國(guó)內(nèi)地青年受眾群中掀起了一股收視熱潮,為了迎合青年受眾的收視需求,翻拍劇成為人們的新寵。基于國(guó)產(chǎn)影視劇的現(xiàn)狀,本文著重從編劇技巧到市場(chǎng),在劇集產(chǎn)業(yè)化的各個(gè)環(huán)節(jié)來(lái)分析國(guó)產(chǎn)影視劇為何高產(chǎn)低出,從類型劇到定制劇,從火熱跟風(fēng)的現(xiàn)象背后去揭示原創(chuàng)性稀缺的國(guó)產(chǎn)劇硬傷。通過分析比較當(dāng)前國(guó)產(chǎn)電視劇的良莠高低,討論眾多劇集成功的各有所長(zhǎng)以及失敗的各有所短,作者認(rèn)為,在加大原創(chuàng)力度的同時(shí)能夠適度借鑒各方經(jīng)驗(yàn),將成為未來(lái)國(guó)產(chǎn)電視劇的一條出路。 本論文從一定的理論視域和若干社會(huì)、文化角度對(duì)近期國(guó)產(chǎn)電視劇的翻拍進(jìn)行研究。全文共分為四章,在第一章中對(duì)翻拍理論以及翻拍劇集的整體情況和研究現(xiàn)狀進(jìn)行了宏觀的綜述,從翻拍的定義、發(fā)展歷程、翻拍的理論方法來(lái)說(shuō)明翻拍這一大概念,又從文獻(xiàn)的層面研究了當(dāng)前翻拍領(lǐng)域的學(xué)術(shù)研究現(xiàn)狀；第二章國(guó)產(chǎn)電視劇的翻拍現(xiàn)狀分為兩個(gè)部分,首先從數(shù)量、品質(zhì)、內(nèi)容、特點(diǎn)等方面,對(duì)國(guó)產(chǎn)電視劇的生存現(xiàn)狀進(jìn)行了整體的闡述,其次歸納了國(guó)產(chǎn)電視劇翻拍的具體情況,并立足于電視劇翻拍的內(nèi)容來(lái)源,分三個(gè)方面來(lái)闡述翻拍素材的出處,又從電視劇拍攝的歷程入手,再總結(jié)國(guó)產(chǎn)翻拍劇的現(xiàn)狀；第三章側(cè)重分析了國(guó)產(chǎn)電視劇的翻拍情況,以具體的影片進(jìn)行比較歸納,以較成功和相對(duì)比較失敗的案例總結(jié)翻拍中應(yīng)注意的問題,最后概述翻拍要素在各種節(jié)目形式中的利與弊；第四章基于前幾章的基礎(chǔ)上梳理出電視劇翻拍的問題和對(duì)策,分別歸納翻拍劇中出現(xiàn)的問題和解決的方法,從社會(huì)、受眾、市場(chǎng)等多角度全面分析國(guó)產(chǎn)電視劇集成功的要素以及國(guó)產(chǎn)電視劇的出路。
[Abstract]:With the rapid development of TV series industry in our country, the means of TV drama genre creation are gradually diversified. As an important way and means of film and TV drama creation, remake has been since the day of screen production. With the innovation and progress of technology, many excellent literary works have been put on the big screen. At the same time, foreign TV plays have set off an upsurge in the audience of young people in the mainland of China. In order to meet the needs of the young audience, remake plays have become the new favorite of people. Based on the present situation of domestic film and television dramas, this paper focuses on the analysis of why domestic movies and TV plays are produced and low in every aspect of the production of TV series, from the writing skills to the market. From type drama to custom drama, from the phenomenon of hot and hot follow the trend to reveal the original rare domestic drama harms. By analyzing and comparing the good and bad of the current domestic TV series, we discuss the success of many TV series each has its own strengths as well as the failure of each short. The author thinks that it will be a way out for domestic TV dramas in the future. This paper studies the recent remake of domestic TV series from a certain theoretical perspective and a number of social and cultural perspectives. The full text is divided into four chapters. In the first chapter, the author gives a macro overview of the theory of remake and the whole situation and research status of the remake series, and explains the concept of remake from the definition of remake, the course of development, and the theoretical method of remake. Chapter two is divided into two parts: first, from the aspects of quantity, quality, content, characteristics, etc. The survival status of domestic TV series is expounded as a whole. Secondly, the specific situation of domestic TV series remake is summarized, and based on the content source of TV series remake, the source of remake material is expounded in three aspects. The third chapter focuses on the analysis of the situation of domestic remake TV dramas, and compares them with specific films. Finally, it summarizes the advantages and disadvantages of remake elements in various program forms. The fourth chapter combs out the problems and countermeasures of TV remake based on the previous chapters. This paper summarizes the problems and solutions in the remake, and analyzes the factors of success of domestic TV series and the outlet of domestic TV series from the perspectives of society, audience, market and so on.
【學(xué)位授予單位】：蘭州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J909.2

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