本文關(guān)鍵詞：災(zāi)難片研究　出處：《西南大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 災(zāi)難 災(zāi)難片 數(shù)字技術(shù) 災(zāi)難意識

【摘要】：災(zāi)難片是當(dāng)今好萊塢非常重要的類型片之一,同時它也是電影誕生以來非常老舊的一種經(jīng)典類型,早在默片時期就已經(jīng)出現(xiàn)了災(zāi)難片的雛形,歷經(jīng)一百多年的發(fā)展,二十世紀(jì)九十年代以來,災(zāi)難片的熱潮非但沒有消退,反而呈現(xiàn)出愈演愈烈的趨勢,得到了空前的發(fā)展和重視,其生命力之強盛、對觀眾的吸引力之巨大都是空前的,此外,它所帶來的巨大商業(yè)利潤以及創(chuàng)造的藝術(shù)價值,不能不引起我們的重視。 二十世紀(jì)九十年代之前,受到技術(shù)條件的制約和資金投入的限制,災(zāi)難片一直處于平緩發(fā)展的階段,雖然在五十年代和七十年代也出現(xiàn)過一段時間的創(chuàng)作熱潮,但始終沒有達到它的全盛階段,直到二十世紀(jì)九十年代以來,科學(xué)技術(shù)的飛速發(fā)展,數(shù)字化技術(shù)的日益完善與電影藝術(shù)的完美結(jié)合,災(zāi)難片終于迎來了它的繁盛時期,無論是情節(jié)結(jié)構(gòu)還是人物安排,災(zāi)難片都在這一時期實現(xiàn)了空前的突破。另一方面,科學(xué)技術(shù)的飛速發(fā)展,人類對自然資源無限制的索取和開發(fā),在得到豐厚物質(zhì)回報的同時,接二連三現(xiàn)實災(zāi)難的來襲使得人類的災(zāi)難意識逐漸被喚醒,自人類出現(xiàn)以來,災(zāi)難意識便一直伴隨著人類的成長,人類災(zāi)難意識的衍變可以說也是影響災(zāi)難片發(fā)展的一個不可或缺的因素。 鑒于之前對災(zāi)難片的研究過于零散,缺乏系統(tǒng)性,本文將對災(zāi)難片的發(fā)展歷史作出系統(tǒng)的梳理和總結(jié),力圖將災(zāi)難片的發(fā)展軌跡清晰地展現(xiàn)在大家面前。
[Abstract]:Disaster film is one of the most important types of Hollywood film, and it is also a very old classic type since the birth of the film. As early as the silent film period, disaster film has already appeared the embryonic form of the disaster film. After more than 100 years of development, since 1990s, the upsurge of disaster film not only has not gone away, but has shown a trend of intensified, has been unprecedented development and attention, its vitality is strong. The attraction to the audience is unprecedented, in addition, it brings huge commercial profits and create the artistic value, can not but cause our attention. Before 1990s, under the restriction of technical conditions and capital investment, disaster film has been in the stage of smooth development. Although in 50s and 70s there was a period of creative boom, but it never reached its heyday, until 1990s, the rapid development of science and technology. With the improvement of digital technology and the perfect combination of film art, disaster film finally ushered in its prosperous period, regardless of the plot structure or character arrangement. Disaster films have achieved unprecedented breakthroughs in this period. On the other hand, with the rapid development of science and technology, human beings have unlimited access to and exploitation of natural resources, while getting rich material returns. Since the emergence of human beings, disaster awareness has been accompanied by the growth of human beings. The evolution of human disaster consciousness can be said to be an indispensable factor affecting the development of disaster film. In view of the previous research on disaster film is too scattered, lack of systematization, this paper will make a systematic review and summary of the development history of disaster film, trying to clearly show the development track of disaster film in front of everyone.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J905

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