本文關(guān)鍵詞：日偽電影報(bào)刊研究及其“滿映”宣傳（1937-1945）　出處：《中國電影藝術(shù)研究中心》2014年碩士論文　論文類型：學(xué)位論文

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【摘要】：本文主要通過查閱《滿洲映畫》、《電影畫報(bào)》、《電影報(bào)》、《華北映畫》、《新影壇》、《華影周刊》六種分別出版于偽滿、北平、上海三地,受控于各出版地日偽電影機(jī)構(gòu)(“滿映”、‘‘華電”、“中聯(lián)”[華影])的電影類報(bào)刊,分析各報(bào)刊中呈現(xiàn)的日偽電影機(jī)構(gòu)宣傳風(fēng)格,綜索各報(bào)刊中涉及的“滿映”(“株式會(huì)社滿洲映畫”)的有關(guān)報(bào)道文本,對(duì)比同時(shí)期三地頗有影響力的報(bào)刊雜志(如偽滿的《大同報(bào)》、《康德新聞》；北平的《新民報(bào)》；上海《上海影壇》)中電影類報(bào)道的要點(diǎn)新聞與主要觀點(diǎn),從多重維度展示1937年至1945年間日偽電影機(jī)構(gòu)控制下的對(duì)話“滿映,,宣傳的原始狀態(tài),同時(shí)試圖甄辨三地在涉“滿映”新聞的報(bào)道中呈現(xiàn)出差異性的內(nèi)因與外因。 研究結(jié)果表明：就偽滿、華北、上海三地區(qū)各自的“滿映”整體性形象而言,上述報(bào)刊中“滿映”的宣傳的確發(fā)揮出了強(qiáng)大的輿論引導(dǎo)效果,甚至突破地域限制,實(shí)現(xiàn)宣傳與信息共享。同時(shí)三地各報(bào)刊均對(duì)其他兩地如何評(píng)判本地電影保持著長期地關(guān)注。然而,這種輿論引導(dǎo)的效力并非是獨(dú)斷的,也沒有形成真正意義上的輿論霸權(quán),本地區(qū)其他媒體的“滿映”評(píng)論與觀眾口碑始終是各地“滿映”印象最終確立的重要來源�！皾M映”電影于三地間的放映數(shù)量、放映方式、放映時(shí)機(jī)以及觀眾對(duì)影片的認(rèn)識(shí)與接受時(shí)的具體狀況是導(dǎo)致三地“滿映”印象呈現(xiàn)出差異性的重要原因,這種差異性通過編讀互動(dòng)、電影評(píng)論以及訪談座談等多重手段,傳遞回各日偽控制下的各電影機(jī)構(gòu),反作用于三地各刊物日常的“滿映”宣傳之中,使得偽滿、北平、上海三地六種報(bào)刊中的“滿映”宣傳不斷與此相呼應(yīng)。這種自我宣傳與外界認(rèn)定的集合,最終塑造并強(qiáng)化了偽滿、北平、上海三地日偽電影機(jī)構(gòu)控制下的“滿映”宣傳所營造出的“滿映”形象。 本論文的寫作旨在為后續(xù)的“滿映”研究做出一些必要的資料性的積累。資料的獲取程度從根本上決定著“滿映”宣傳研究這一研究課題的進(jìn)展與深入程度。隨著近幾年多種匯編型中國電影史料文獻(xiàn)資料的出版,“滿映”研究的資料荒得到了一定程度的緩解。相信在不久的將來,隨著更多與“滿映”相關(guān)的出版物甚至于影像資料的不斷現(xiàn)世,“滿映”研究的深度與廣度都將會(huì)有所拓展。
[Abstract]:This paper mainly through the Manchuria film < >, < < > cinema, film news >, < < New > North China film, the film < >, > six respectively Huaying weekly published in Manchuria, Beijing, Shanghai three, controlled by the Japanese Publishing film Agency ("man Ying", "Huadian", "joint" []) Chinese shadow film press, analysis of the propaganda style puppet film institutions showing the newspapers, in cable man Ying involved "in the newspapers" ("Manchuria film") reports text, compared three influential newspapers and magazines (such as pseudo full the < Datong Newspaper >, < > < Kant news; Peking Xinmin Shanghai Shanghai cinema > >; <) points and main points in the movie news reports, from 1937 to 1945 the Japanese film agency under the control of the dialogue "full Ying, from the multiple dimensions of display, publicity of the original state, trying to Biansan Zhen involved in" full at the same time The reports of the news show the internal and external causes of the business travel.
The results show that: the north, Shanghai area three, their "full reflecting" overall image of the newspaper, "full Ying" propaganda indeed played a strong public opinion guiding effect, and even break the regional limit, realize the sharing of information and propaganda. At the same time, newspapers and three places are on how to judge the other two the local film maintained long-term attention. However, this effect is not the public opinion guidance is arbitrary, but also no real sense of public opinion in other media hegemony, the "man Ying" comments and audience reputation has always been an important source of world of "man Ying" impression finally established. "Man Ying" movie in three between the number of screenings, screening, screening time and the specific situation of the film and the audience know when receiving is the result of three "full Ying" impression showed an important reason of the opposite sex, this difference. Have read interactive movie reviews and interviews on multiple means to transfer back to the Japanese under the control of the reaction in the three film, the daily publication "full reflects" propaganda, making the six kinds of newspapers, Beijing, Shanghai and three in the "full Ying" propaganda constantly in concert with this phase. This set of self promotion with the outside world that the final shape and enhance Manchuria, Beijing, Shanghai and the three Japanese film agency under the control of the "man Ying" propaganda to create a "full Ying" image.
This thesis aims to further study "man Ying" to make the necessary data accumulation. Degree of access to information fundamentally determines the progress of "full Ying" publicity on this research and depth. In recent years, a variety of assembly type Chinese historical movie literature publishing. "Full Ying" research data shortage eased to a certain degree. I believe that in the near future, with the continuous life more associated with the "full mapping of the publications and image data, the depth and breadth of the full mapping will have to expand.

【學(xué)位授予單位】：中國電影藝術(shù)研究中心
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J909.2

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