發(fā)布時間：2018-06-25 13:04

  本文選題：連用中頓形 + “て”形�。� 參考：《外語研究》2009年06期

【摘要】：以前對于日語連用中頓形的文體分析把其文體特征局限于書面語體,忽視連用中頓形在屬于同一種書面語體的小說(敘述部分)中的文體差異。這導(dǎo)致一些學(xué)者在研究該形式時降低文體分析的重要性。但是,通過回歸文體之本義,連用中頓形在小說中的文體差異可以得到合適的關(guān)注和解釋。對明治時代現(xiàn)代語體小說的語料進(jìn)行的調(diào)查顯示:(1)明治現(xiàn)代語體小說在使用連用中頓形上有兩種截然不同的極端方式:嚴(yán)謹(jǐn)體和疏放體;(2)這些小說中連用中頓形用于特定句子結(jié)構(gòu)的比率形成一個由大到小的連續(xù)統(tǒng);(3)連用中頓形用于特定句子結(jié)構(gòu)的比率與該形式的使用頻率呈顯著負(fù)相關(guān)。
[Abstract]:In the past, the stylistic analysis of Japanese conjunctive Chinese form confined its stylistic features to the writing style, ignoring the stylistic differences of the conjunctive Chinese form in the novel (narrative part) belonging to the same type of written language. This has led some scholars to reduce the importance of stylistic analysis in studying this form. However, by returning to the original meaning of style, the stylistic differences in the novel can be properly paid attention to and explained. An investigation of the corpus of modern style novels in Meiji era shows that: (1) there are two distinct extreme ways in using the conjunctive Chinese style in Meiji modern style novels: rigorous style and sparse style; (2) the use of Zhongdun form in these novels. The ratio used for a particular sentence structure forms a continuum from large to small; (3) the ratio of contiguous middle form used for a particular sentence structure is negatively correlated with the frequency of use of this form.
【作者單位】： 華僑大學(xué)外國語學(xué)院;廣東外語外貿(mào)大學(xué);
【基金】：福建省社會科學(xué)規(guī)劃項目(2008B2046)“日語語法表達(dá)形式的動態(tài)研究” 僑辦科研基金(08QSK08)“古漢語對日語語法演變的影響與作用的研究”的階段性成果
【分類號】：H36
，

本文編號：2066027