本文選題：五山文學(xué)　切入點(diǎn)：漢詩　出處：《長(zhǎng)春工業(yè)大學(xué)》2015年碩士論文

【摘要】：本論文是以中世文學(xué)集的《五山文學(xué)全集》(思文閣昭和48年2月15)為研究對(duì)象,旨在研究詩文中的漢字意義。從鐮倉末期開始到南北朝室町時(shí)代興盛的五山時(shí)期正直中國(guó)宋元明時(shí)期,兩國(guó)的禪僧往來密切,形成了鄰邦文學(xué)在禪僧的手中傳播的新傾向。五山文學(xué)是繼平安朝漢文學(xué)興盛平息后的第二黃金期,在日本漢文學(xué)史上占有特殊的地位。縱觀中日兩國(guó)關(guān)于五山文學(xué)的先行研究,關(guān)于對(duì)中國(guó)漢詩的受容及禪僧思想方面的研究有很多。然而,關(guān)于文字、漢字方面的研究并不多見。對(duì)于中日兩國(guó)來說,漢字是文化傳承的手段,以文字的形式保存了文學(xué)、社會(huì)、思想、生活等方面,是重要的財(cái)產(chǎn)。因此,筆者旨在從漢字為出發(fā)點(diǎn),對(duì)五山禪僧漢字的使用特征進(jìn)行考究。本稿將《五山文學(xué)全集》中關(guān)于“床·林”的詩句整理出來。并將“床·r@”從意思方面分成兩大類,分別對(duì)其進(jìn)行分析說明,得出結(jié)論：對(duì)“床·r@”的意思提出了新的見解。除此之外,日本五山時(shí)期“床·r@”同中國(guó)的“床·r@”在使用上有不相同的地方,有日本特有的用法。也就是說,日本五山詩僧所作的五山漢詩并不僅僅是單純的模仿,而是結(jié)合時(shí)代背景與禪僧心情所創(chuàng)作的作品。本論文由五個(gè)部分構(gòu)成,首先是對(duì)先行研究進(jìn)行綜述,對(duì)研究對(duì)象,問題提起和研究方法進(jìn)行概述。然后,對(duì)五山文學(xué)的背景以及五山詩僧進(jìn)行簡(jiǎn)單的闡明。其次,問題發(fā)現(xiàn)部分。并且,對(duì)《五山文學(xué)全集》中整理出的“床·林”的字例進(jìn)行分類和論述。最后對(duì)“床·r@”的特征進(jìn)行全面論述。
[Abstract]:This thesis focuses on the collection of literature of the Middle World, "the complete Collection of five Mountains Literature" (Siwengge, Zhaohe, February 15, 48). The purpose is to study the meaning of Chinese characters in poetry and prose. From the end of Kamakang to the flourishing period of Muromachi in the Southern and Northern dynasties, the upright period of Song, Yuan and Ming dynasties of China, the Zen monks of the two countries had close exchanges. The literature of the five Mountains is the second golden period after the prosperity of the Han literature in the peace dynasty. In the history of Japanese Chinese literature, there is a special position in the history of Japanese Chinese literature. There are a lot of studies on the acceptance of Chinese poetry and Zen monks' thoughts in the literature of the five Mountains between China and Japan. However, there is a lot of research on the writing. There are few studies on Chinese characters. For China and Japan, Chinese characters are a means of cultural inheritance, preserving literature, society, thought, life and so on in the form of words. Therefore, The author aims at studying the characteristics of the use of the Chinese characters of the monks of the five Mountains Zen from the Chinese characters. In this draft, the poems about "bed Forest" in the complete Collection of Literature of the five Mountains are sorted out, and "bed @" is divided into two categories in terms of meaning. In addition, there are differences in the use of "bed r @" between Japan's five Mountains period and China's "bed r @". There is a unique usage in Japan. That is to say, the Chinese poems written by the Japanese monks of the five Mountains are not merely imitations, but are created in combination with the background of the times and the feelings of the Zen monks. This paper is composed of five parts. The first part is the summary of the first research, the research object, the problem raising and the research method. Then, the background of the five mountains literature and the monk of the five mountains poetry are briefly expounded. Secondly, the problem discovery part. This paper classifies and discusses the characters of "bed forest" in the complete works of "five Mountains Literature". Finally, the characteristics of "bed r @" are discussed in an all-round way.
【學(xué)位授予單位】：長(zhǎng)春工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：H36

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本文編號(hào)：1684488