艾麗絲·默多克是愛爾蘭著名小說家。小說《黑王子》是她的代表作。該小說曾獲得1973年詹姆斯·泰勒·布萊克紀(jì)念獎。這部小說一經(jīng)問世就受到了學(xué)術(shù)界的廣泛關(guān)注。中外學(xué)者對其研究的成果較為豐碩。然而學(xué)術(shù)界用修辭性敘事理論對其不可靠敘事的研究甚少,更是鮮有人系統(tǒng)地用詹姆斯·費倫的修辭敘事學(xué)理論對其進(jìn)行研究。在這部小說中,多敘事視角并置,且每一位敘事者的敘事都是不可靠的。本文運用詹姆斯·費倫的修辭敘事學(xué)理論,剖析了《黑王子》中的不可靠敘事,展現(xiàn)了默多克高超的修辭藝術(shù)。本論文由費倫的修辭敘事學(xué)理論指導(dǎo)完成。首先,論文運用費倫所分類的不可靠性發(fā)生的交際軸,詳細(xì)分析主要敘事者布拉德利與次要人物克里斯蒂安、弗朗西斯、雷切爾和朱利安的不可靠敘事。并且指出編輯羅西亞斯是隱含作者的代言人。第二,費倫把不可靠性又分為“疏遠(yuǎn)型不可靠性”與“密切型不可靠性”。本論文又以費倫的此分類為指導(dǎo),探究了在《黑王子》中由于不可靠敘事而產(chǎn)生的讀者效果。對讀者而言,不可靠敘事產(chǎn)生了對敘事者的反諷的效果,且一定程度上模糊了讀者對真兇的判斷,從而使讀者遠(yuǎn)離了敘事者。而當(dāng)讀者意識到布拉德利在逐漸接近作者規(guī)范時又對其產(chǎn)生認(rèn)同感,并通過與其... 

【文章來源】：內(nèi)蒙古大學(xué)內(nèi)蒙古自治區(qū) 211工程院校

【文章頁數(shù)】：98 頁

【學(xué)位級別】：碩士

【文章目錄】：
ACKNOWLEDGEMENTS
ABSTRACT
摘要
Chapter One INTRODUCTION
    1.1 Iris Murdoch and The Black Prince
    1.2 Significance of the Thesis and the Basic Framework
Chapter Two LITERATURE REVIEW
    2.1 The Studies on The Black Prince Abroad
    2.2 The Studies on The Black Prince at Home
Chapter Three THE THEORETICAL FRAMEWORK
    3.1 Rhetorical Approaches to Narrative
        3.1.1 Wayne C. Booth’s classical theory
        3.1.2 James Phelan’s post-classical theory
    3.2 Research Methods of James Phelan’s Theory
        3.2.1 Three axes of unreliability
        3.2.2 Estranging unreliability and bonding unreliability
        3.2.3 Narrative progression and narrative judgment
Chapter Four UNRELIABLE NARRATION IN THE BLACK PRINCE
    4.1 Main Narrator Bradley
        4.1.1 Controversial identity as a writer
        4.1.2 Disputed love to Julian
        4.1.3 Questioned relationship between Bradley and his families
    4.2 Minor Narrators
        4.2.1 Christian as a strong and calculating woman
        4.2.2 Francis as a paranoid psychoanalyst
        4.2.3 Rachel as a hypocritical murderer
        4.2.4 Julian as an evasive victim
    4.3 Loxias as the Agent of the Implied Author
Chapter Five THE READERLY EFFECTS OF UNRELIABLE NARRATION
    5.1. Estranging Unreliability
        5.1.1 Irony
        5.1.2 Ambiguity
    5.2 Bonding Unreliability
        5.2.1 Bradley’s partially progress to the norm of the implied author
        5.2.2 Bonding through optimistic comparison
Chapter Six UNRELIABLE NARRATION IN NARRATIVE PROGRESSION AND NARRATIVE JUDGMENT
    6.1 Unreliable Narration in the Instabilities of Narrative Progression
        6.1.1 Erotic entanglements among Bradley and the Baffin families
        6.1.2 Destiny of Priscilla
        6.1.3 Bradley’s road to a real writer
    6.2 Unreliable Narration in Narrative Judgment of Authorial Audience
        6.2.1 Interpretive judgment: the thematic interpretation
        6.2.2 Ethical judgment: the norm of the implied author
        6.2.3 Aesthetic judgment: literary and philosophical aesthetics of unreliable narration
Chapter Seven CONCLUSION
WORKS CITED



本文編號：3004678