【摘要】：因為長子的存在,長女這一特殊的女性身份并不引人注目�，F(xiàn)當代小說中長女情結(jié)的存在一直被很多學者忽視,其中一個重要的原因是傳統(tǒng)社會中女性的身份被男權社會遮蔽,她們只能做男人背后的女人�，F(xiàn)當代小說中的長女情結(jié)研究揭示了長女的生存境遇�，F(xiàn)當代小說中的長女情結(jié)表現(xiàn)為母性情懷和長子責任感的雙重糅合。20世紀的中國,男權社會逐漸呈現(xiàn)衰落之勢,男人不再像之前那樣在家庭和社會中都占有絕對權力,特別是一些家庭里長子的缺失或者長子的羸弱,在父母年邁衰弱之后,只能靠女兒承擔起家庭責任,長女在這個過程中逐漸有了長子使命感。而在不止有一個女兒的家庭里,長女因為在父母面前有較長的管理家庭的實習期,所以能夠更好地承擔家庭責任。傳統(tǒng)的社會性別建構(gòu),讓女性遭受不公的待遇,當這種不公平發(fā)展到一定程度成為女性身體和精神的枷鎖的時候,加上外界思想的影響,她們有了越來越多的需求,便催生了長女的女性意識。長女在遍歷女兒、妻子、母親三個角色的過程中,不同于其他女性的一點是家庭意識貫穿始終。在女兒時期,具有長女情結(jié)的女性就能夠代替母親的部分職能操持家務;結(jié)婚后離開娘家走進夫家,具有長女情結(jié)的女兒仍然沒有忘記承擔娘家的家庭責任;成為母親后,在公婆去世、丈夫無為孱弱或缺失后,具有長女情結(jié)的長女開始掌握整個家庭的權力,甚至干預兒女的生活。作為女兒,在家庭里面對父女、母女、姐妹三種復雜的關系時能夠看出她們在家庭結(jié)構(gòu)中的位置,凸顯出長女不同于其他女性的身份特點。綜合現(xiàn)當代小說中長女形象,長女情結(jié)的文化心理特征可以概括為男權社會的發(fā)言人、為家族命運而放棄自我的犧牲者以及受外界思想影響等原因女性主體意識日益覺醒的長女。這三種文化心理特征幾乎涵蓋了現(xiàn)當代小說中長女情結(jié)的文化心理特征。也表現(xiàn)了整個現(xiàn)當代小說中長女逐漸成長的過程。對長女情結(jié)的研究能夠讓讀者更好地認識現(xiàn)當代小說中的長女形象,關注這類特殊女性的生存境遇可以更好地理解文學作品。
[Abstract]:Because of the existence of the eldest son, the eldest daughter this special female identity is not noticeable. The existence of the eldest girl complex in modern and contemporary novels has been neglected by many scholars, one of the important reasons is that the status of women in the traditional society is obscured by the patriarchal society, and they can only be the women behind men. The study of the eldest daughter complex in modern and contemporary novels reveals the survival situation of the eldest daughter. In modern and contemporary novels, the eldest daughter complex is manifested in the combination of maternal feelings and eldest son responsibility. In China in the 20th century, the patriarchal society is gradually declining, and men no longer have the absolute power in the family and society as before. In particular, some families lack the eldest son or the eldest son is weak, after the parents are old and weak, they can only rely on their daughter to assume the family responsibility. In this process, the eldest daughter gradually has a sense of mission of the eldest son. In families with more than one daughter, the eldest daughter is better able to take on family responsibilities because she has long internships in front of her parents. The traditional construction of gender makes women suffer from unfair treatment. When this kind of injustice develops to a certain extent, it becomes the shackles of women's bodies and minds, and with the influence of external thoughts, they have more and more needs. It gave birth to the eldest daughter's female consciousness. In the process of traversing the roles of daughter, wife and mother, the eldest daughter is different from other women in the sense of family. In the period of daughter, the woman with the eldest daughter complex can take the place of part of the mother's function to handle the housework; after marriage, the daughter with the eldest daughter complex still does not forget to take on the family responsibility of the mother's family, and after marriage, she leaves her mother's home and enters into her husband's house. After becoming a mother, the eldest daughter with the eldest daughter complex began to control the power of the whole family and even interfere with the life of the children after the father-in-law died and the husband was weak or absent. As a daughter, in the family for father and daughter, mother and daughter, sister three kinds of complex relations can see their position in the family structure, highlight the eldest daughter is different from other women's identity characteristics. By synthesizing the images of the eldest girl in modern and contemporary novels, the cultural and psychological characteristics of the eldest girl complex can be summed up as the spokesman of the patriarchal society. The victims who give up themselves for the fate of the family and the eldest daughter whose female subject consciousness is awakening day by day because of the influence of external thoughts. These three cultural psychological characteristics almost cover the cultural psychological characteristics of the eldest daughter complex in modern and contemporary novels. It also shows the growing process of the eldest daughter in the whole modern and contemporary novel. The study of the eldest girl complex can make readers better understand the image of the eldest daughter in modern and contemporary novels, and pay attention to the living conditions of these special women can better understand the literary works.
【學位授予單位】：河北大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.42

【參考文獻】

相關期刊論文 前10條

1 郭瑞;;母性 雄性 人性——莫言《豐乳肥臀》中人物命運的現(xiàn)實思考[J];鄂州大學學報;2015年11期

2 趙德利;;20世紀中國小說長女形象的文化心理透視[J];社會科學;2012年10期

3 王穎;;論中國當代女性小說中的“母性”命題[J];德州學院學報;2010年01期

4 解浩;;“負重的蝸�！迸c“繡在屏風上的鳥”——中國現(xiàn)代家族文學長子形象淺析[J];中州大學學報;2008年06期

5 謝西嬌;;不同的潛在時代場域不同的女性話語空間——蕭紅、張潔、鐵凝女性創(chuàng)作比較[J];湖北經(jīng)濟學院學報(人文社會科學版);2008年12期

6 江倩;;兄弟關系在思想與文化的選擇中變遷——論民族國家建構(gòu)與中國現(xiàn)代家族小說的人倫底蘊[J];西安電子科技大學學報(社會科學版);2008年02期

7 耿麗萍;;呼喚自然母性情懷——論鐵凝小說的母性意識[J];中華女子學院學報;2007年04期

8 李海燕;;女性命運的變異──張愛玲與張潔的婚戀敘事[J];山東師范大學學報(人文社會科學版);2007年01期

9 汪素芳;在關系中呈現(xiàn)人性的復雜性——鐵凝小說中的父女關系[J];石家莊職業(yè)技術學院學報;2005年01期

10 鄭積梅;對歷史蒙昧的去蔽與敞亮——論鐵凝女性意識小說創(chuàng)作[J];鄭州輕工業(yè)學院學報(社會科學版);2005年01期

相關碩士學位論文 前10條

1 王俞萱;畢飛宇筆下的母性書寫[D];東北師范大學;2014年

2 林小燕;《四世同堂》的女性形象[D];中南民族大學;2013年

3 崔國軍;哀其不幸　怒其不爭[D];山東師范大學;2009年

4 �？※i;論現(xiàn)當代文學中的長子形象[D];華中科技大學;2007年

5 丁明秀;深沉而悲愴的生命旋律[D];東北師范大學;2007年

6 王曉祥;論現(xiàn)代家族小說中的長子形象[D];湖南師范大學;2007年

7 陳然;論二十世紀中國家族家庭小說中的“父與子”[D];福建師范大學;2005年

8 王玉明;黑暗中的言說[D];山東師范大學;2004年

9 陳麗;變革時代真實的人性范本[D];四川大學;2004年

10 王蕾;論中國現(xiàn)代家族敘事文學中的生命群像[D];黑龍江大學;2003年

，

本文編號：2374958