【摘要】：本文以加拿大學(xué)者諾思羅普·弗萊的原型理論為依據(jù),研究美籍阿富汗作家卡勒德·胡賽尼《追風(fēng)箏的人》(簡稱《追》,下同)的神話原型——波斯詩人菲爾多西的《沙那瑪》(或譯為《王書》、《列王記》)。該史詩與荷馬史詩《伊利亞特》等被并稱為"世界四大史詩",影響深遠,其中的勇士故事"羅斯坦與索拉博"最廣為流傳。本文通過對比這部小說與史詩原型,分析兩部作品間的內(nèi)在聯(lián)系,探討小說創(chuàng)作的源動力。本文將從以下幾方面展開論述:引言介紹了胡賽尼及其作品《追》,簡述了《追》的國內(nèi)外研究現(xiàn)狀,介紹了其理論依據(jù)神話原型批評,并進一步論證了用神話原型理論來研究這部小說的可行性和必要性。第一章詳細說明了《沙那瑪》的文學(xué)地位、重要情節(jié)及其英譯版本問題。后兩個章節(jié)是本文的主體部分。第二章論證了史詩原型對小說人物形象塑造的作用,包括爸爸與勇士羅斯坦、阿米爾與暴君卡烏斯、以及哈桑與正直的小勇士索拉博之間的對應(yīng)關(guān)系,以及反面人物阿塞夫的魔鬼形象原型。第三章分析了作者的創(chuàng)作動因和史詩原型賦予小說的教育意義。首先,波斯勇士的父子相承關(guān)系,體現(xiàn)了小說中"爸爸"這一角色的重要性,強調(diào)了父親在子女成長道路上的引導(dǎo)作用。其次,《沙那瑪》中的魔鬼對國王卡烏斯的誘惑,乃至小說中阿米爾誤入歧途及浪子回頭的情節(jié),展現(xiàn)了個體在成人之路上對善惡的分辨與選擇。此外,羅斯坦與索拉博的血緣關(guān)系象征著阿富汗各民族緊密相連的血脈,而父子相殘的悲劇則加深了讀者的同情,引發(fā)了更多的反思。以此,作者反對強勢民族對弱勢民族的歧視與壓迫,呼喚各民族間的認同與和解。原型理論揭示了創(chuàng)作主題的根深蒂固,但在不同的文本中,在不同的作者筆下,又煥發(fā)出新的活力。從本小說來看,原型中的英雄故事莊嚴肅穆,至親相殘令人同情,象征著深陷戰(zhàn)亂的阿富汗民族的悲傷命運。《沙那瑪》這部波斯文經(jīng)典,是阿富汗少數(shù)民族文化的結(jié)晶,是其文化瑰寶不可分割的一部分。基于弗萊的理論,本文認為,《沙那瑪》的神話原型進入胡賽尼的作品,是其創(chuàng)作中無意識的選,也說明他受到本民族文化的深刻影響。
[Abstract]:This paper is based on the archetypal theory of Canadian scholar Northrop Fry. The mythological archetype of the American Afghan writer Khaled Husseni, the Kite pursuer, is the Persian poet Phil Dorsey's Shanama. The epic and Homer epic "Iliad" and others are called "the four epics of the world" and have far-reaching influence. Among them, the story of the Warriors "Rothstein and Solabo" is the most popular. By comparing this novel with the epic archetype, this paper analyzes the internal relationship between the two works and probes into the source power of the novel creation. This paper will discuss from the following aspects: the introduction introduces Houseni and his works "chasing", briefly describes the domestic and foreign research situation of "chasing", and introduces its theoretical basis for mythological archetypal criticism. Furthermore, the feasibility and necessity of using mythological prototype theory to study this novel are further demonstrated. The first chapter explains the literary status, the important plot and the English translation of Sanama in detail. The last two chapters are the main part of this paper. The second chapter demonstrates the role of epic archetypes in shaping the characters of the novel, including the corresponding relationship between father and warrior Rothstein, Amir and tyrant Kaus, and Hassan and the upright little warrior Solabo. And the evil image archetype of the villain Arsef. The third chapter analyzes the author's creative motivation and the educational significance of the epic prototype. First of all, the father-son relationship of the Persian warrior embodies the importance of the role of "father" in the novel, and emphasizes the guiding role of the father in the path of children's growth. Secondly, the temptation of the devil in Sanamar to King Kaus, and the plot of Amir's misguided and prodigal son's return in the novel, reveal the individual's discrimination and choice of good and evil on the road to adulthood. In addition, the blood relationship between Rothstein and Sorabo symbolizes the close connection of Afghanistan's ethnic groups, while the tragedy of father and son's mutilation deepens the readers' sympathy and leads to more introspection. In this way, the author opposes the discrimination and oppression of the weak ethnic groups and calls for the recognition and reconciliation among the different ethnic groups. Archetypal theory reveals the deep-rooted theme of creation, but in different texts and in the works of different authors, it coruscates with new vitality. From this novel, the hero story in the archetype is solemn and solemn, and the bereavement of the closest relatives is sympathetic, symbolizing the sad fate of the Afghan nation in deep war. The Persian classic, "Sanama", is the crystallization of the culture of the Afghan minority. Is an integral part of its cultural treasures. Based on Frye's theory, this paper argues that the mythological prototype of Sanamar entered Houseni's works, which is an unconscious choice in his works, and it also shows that he is deeply influenced by his own culture.
【學(xué)位授予單位】：浙江大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I712.074

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