本文選題：風(fēng)景油畫 + 構(gòu)圖　； 參考：《云南藝術(shù)學(xué)院》2017年碩士論文

【摘要】：油畫傳入我國已有幾百年歷史,油畫風(fēng)格及語言也隨著時代變遷發(fā)展至今,已不僅僅是借鑒模仿西方繪畫傳統(tǒng)方式,油畫的繪畫方式呈現(xiàn)多樣化趨勢。因此,油畫創(chuàng)作的各大構(gòu)成因素被分解放大,出現(xiàn)形式各異的油畫創(chuàng)作風(fēng)格。創(chuàng)作出一幅能夠成功打動欣賞者的油畫作品,取景、構(gòu)圖、色彩、用筆等等因素都是舉足輕重。此次我所研究的論題便是當(dāng)代油畫風(fēng)景創(chuàng)作各大元素中的構(gòu)圖因素,及其準(zhǔn)確傳達(dá)作者思想與意圖的方法研究。本文試以部分中國當(dāng)代油畫作品為例,通過觀察研究,解析構(gòu)圖的典型特征與構(gòu)圖過程形成這些特征所運(yùn)用的各種手法。第一章主要淺談中國當(dāng)代風(fēng)景油畫與構(gòu)圖,解釋構(gòu)圖在本文中的具體含義。第二章探討中國當(dāng)代風(fēng)景油畫作品構(gòu)圖的典型特征,分別表現(xiàn)為畫面焦點(diǎn)與畫面氛圍兩個方面。畫家通常編排畫面各因素的主次、變化、節(jié)奏、對比等構(gòu)建出畫面的焦點(diǎn),通過物體的形態(tài)、擺放與塑造手法等差異營造畫面所需氛圍,使作品主題突出、層次豐富、和諧統(tǒng)一。第三章探析了四種畫家常用的構(gòu)圖手法,分別為取舍、變形、置位、統(tǒng)籌。并試論其作為構(gòu)圖的常用手法,如何表現(xiàn)著創(chuàng)作者審美意趣,從而形成了當(dāng)代風(fēng)景油畫作品構(gòu)圖特征。第四章結(jié)合風(fēng)景油畫作品談?wù)撜n題研究對本人的影響與啟發(fā)。
[Abstract]:Oil painting has been introduced into our country for hundreds of years, and the style and language of oil painting have also developed with the change of the times. Therefore, the major elements of oil painting are decomposed and magnified, resulting in different styles of oil painting creation. The creation of a successful oil painting to impress the viewer, setting, composition, color, pen and other factors are important. The thesis I have studied is the composition of the elements of contemporary oil painting landscape creation, and the method of accurately conveying the author's thoughts and intentions. Taking some contemporary Chinese oil paintings as an example, this paper analyzes the typical characteristics of composition and the various methods used to form these characteristics through observation and research. The first chapter mainly discusses Chinese contemporary landscape oil painting and composition, explains the concrete meaning of composition in this article. The second chapter discusses the typical features of Chinese contemporary landscape oil paintings, which are shown in two aspects: the focus of the picture and the atmosphere of the picture. The painter usually arranges the main, the change, the rhythm, the contrast and so on of the picture each factor constructs the picture focal point, through the object shape, the arrangement and the molding technique and so on difference creates the picture the need atmosphere, causes the work theme to be prominent, the level is rich, Harmony and unity. The third chapter analyzes four kinds of painters' common composition techniques, namely, trade-off, deformation, placement and coordination. And try to discuss its as the common method of composition, how to express the aesthetic interest of the creator, thus forming the composition characteristics of contemporary landscape oil painting works. The fourth chapter discusses the impact and inspiration of the research on the subject of landscape oil painting.
【學(xué)位授予單位】：云南藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J213

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本文編號：1996998