發(fā)布時間：2018-06-08 10:36

  本文選題：薛愛華 + 神女��； 參考：《華東師范大學(xué)》2017年碩士論文

【摘要】："神女" 一詞源于宋玉《神女賦》,在古典詩歌中常作為巫山神女的簡稱。受宋玉《高唐賦》、《神女賦》的影響,神女在中國古典文學(xué)中逐漸具有了性愛意味,因而"神女"不僅指巫山神女,而且可指稱大膽奔放的女性。實際上,在中國古典文學(xué)中"神女"還可泛指一切神話傳說中的女性神靈。它既可指巫山神女,也可指女媧、洛神、湘夫人、漢女等古老的女性神靈,還可指杜蘭香、成公智瓊等各種道教女仙。美國漢學(xué)家薛愛華的《神女:唐代文學(xué)中的龍女和雨女》則是以巫山神女、女蝸、洛神、湘夫人、漢女、龍女等古老的女性神靈為研究對象的專著。本論文以薛愛華專著《神女:唐代文學(xué)中的龍女和雨女》為研究對象,一方面對薛愛華神女研究進(jìn)行梳理與評析,另一方面則對其文學(xué)中神女的研究進(jìn)行擴展,探討神女與中國古典文言小說的關(guān)系。本論文共分為六部分:緒論,綜述國內(nèi)外神女研究的現(xiàn)狀,以及薛愛華神女研究的特點、價值;第一章,分析薛愛華神女研究的理論,探究西方學(xué)者研究中國神女的獨特視角與方法;第二章、第三章,梳理、評析薛愛華對唐代宗教及文學(xué)中神女的研究;第四章,研究中國古典文言小說中神女形象、神女故事的原型與變形,以及這些故事的文本價值,以補充薛愛華神女研究的不足;最后為結(jié)語。本文對薛愛華的神女研究進(jìn)行再研究,有助于吸收和借鑒國外漢學(xué)家獨特的文學(xué)研究視角與研究方法;有助于對中國古典文學(xué)中"神女"這一重要的文學(xué)形象進(jìn)行系統(tǒng)性研究,從而發(fā)現(xiàn)神女與神話、文學(xué)、宗教的關(guān)系以及中國古典文學(xué)尤其是古典文言小說中有關(guān)神女的各個文學(xué)作品相互之間的關(guān)聯(lián)。
[Abstract]:The word "Goddess" originates from Song Yu's Fu of God and is often used as the acronym of Wushan Goddess in classical poetry. Influenced by Song Yu's Fu of the Tang Dynasty and the Fu of the Gods and daughters, the Gods and daughters gradually had the meaning of sex in Chinese classical literature, so the "God-Girl" not only refers to the Wushan Gods, but also refers to the bold and unrestrained women. In fact, in Chinese classical literature, "Goddess" can also refer to all mythological and legendary female deities. It can refer to Wushan Goddess, Nu WA, Luo Shen, Xiang Lady, Han woman and other ancient female deities, but also refers to du Lanxiang, into Gong Zhiqiong and other Taoist female immortals. American Sinologist Xue Aihua: Dragon Women and Rain Women in Tang Literature is a monograph of ancient female deities such as Wushan Goddess, female Spirit, Luoshen, Xiang Lady, Han woman, Longnu and so on. This thesis takes Xue Aihua's monograph Shennu: Dragon woman and Rain woman in Tang Dynasty as the research object. On the one hand, it combs and comments the study of Xue Aihua, on the other hand, it expands the research on the Gods and daughters in his literature. This paper discusses the relationship between Shennu and Chinese classical Chinese novels. This paper is divided into six parts: introduction, the review of the current situation of the study of gods and daughters at home and abroad, as well as the characteristics and value of the study of Xue Aihua, the first chapter, the analysis of the theory of the study of the gods and daughters of Xue Aihua, Chapter two, Chapter three, combing and analyzing Xue Aihua's research on the gods and girls in the religion and literature of the Tang Dynasty, the fourth chapter, the study of the images of the gods and girls in the classical Chinese novels, The archetypal and metamorphosis of the stories and the textual value of these stories complement Xue Aihua's deficiency in the study of the gods and daughters; finally, the conclusion. This paper restudies Xue Aihua's study of god and daughter, which is helpful to absorb and draw lessons from the unique literary research perspective and research methods of foreign Sinologists, and to systemically study the important literary image of "god and daughter" in Chinese classical literature. The relationship between the gods and girls and the mythology, literature, religion and the relationship between the Chinese classical literature, especially the literary works of the gods and girls in the classical Chinese novels.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.41;I206.2

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本文編號：1995506