本文選題：書籍設(shè)計(jì) + 互動(dòng)性設(shè)計(jì)　； 參考：《北京印刷學(xué)院》2017年碩士論文

【摘要】：讀者永遠(yuǎn)是書籍和書籍設(shè)計(jì)的意義所在。對(duì)書籍設(shè)計(jì)中互動(dòng)性的探索,就是在當(dāng)今數(shù)媒時(shí)代的背景下,順應(yīng)時(shí)代的發(fā)展,力求對(duì)傳統(tǒng)書籍自身的豐富,來(lái)滿足讀者的閱讀需求、情感需求以及多元的市場(chǎng)需求。書籍設(shè)計(jì)中的互動(dòng)性目的是在人與書之間建立相互溝通的交流方式。讀者不再是被單向傳遞的信息接受者,而是共同參與到書中來(lái),是閱讀活動(dòng)中的主要實(shí)施者。論文的第一章,通過(guò)分析論述書籍中互動(dòng)性存在的價(jià)值,說(shuō)明其重要意義。論文的第二章,對(duì)互動(dòng)性設(shè)計(jì)的含義及互動(dòng)性在其他設(shè)計(jì)領(lǐng)域應(yīng)用進(jìn)行分析,為論述和研究書籍設(shè)計(jì)中的互動(dòng)性做指引;經(jīng)調(diào)研和實(shí)驗(yàn)分析歸納出書籍設(shè)計(jì)中互動(dòng)性的實(shí)現(xiàn)手法,并簡(jiǎn)述各手法帶給讀者的魅力;重點(diǎn)闡述書籍設(shè)計(jì)中互動(dòng)性的五個(gè)主要特征,說(shuō)明書籍中的互動(dòng)性設(shè)計(jì)具有多樣性,并能帶給讀者不同的體驗(yàn)。論文的第三章,筆者結(jié)合理論的分析,為作品實(shí)踐做啟發(fā),立足于五個(gè)主要表現(xiàn)特征,基于五種設(shè)計(jì)實(shí)現(xiàn)手法,做出能給讀者帶來(lái)樂(lè)趣和情感體驗(yàn)的書籍設(shè)計(jì)作品。論文的第四章為結(jié)論部分,對(duì)書籍設(shè)計(jì)中的互動(dòng)性的理論與實(shí)踐的結(jié)合研究,展現(xiàn)互動(dòng)性帶給書籍設(shè)計(jì)的多樣化,幫助讀者多角度理解書籍,論述其未來(lái)的發(fā)展空間。筆者傾盡全力,作品的實(shí)踐探索不敢去妄想愉閱大眾,但想盡自己微薄之力,在傳統(tǒng)書籍正經(jīng)歷變革的時(shí)代中,和愛(ài)好書籍的設(shè)計(jì)者們一起開創(chuàng)一場(chǎng)書籍的“文藝復(fù)興”。
[Abstract]:Readers are always the meaning of books and book design. The interactive exploration of book design is to adapt to the development of the times and strive to enrich the traditional books in order to meet the readers' reading needs, emotional needs and diversified market needs under the background of the current digital media era. The interactive purpose of book design is to establish a way of communication between people and books. Readers are no longer one-way recipients of information, but participate in the book together, and are the main implementers of reading activities. The first chapter discusses the value of interactivity in books and explains its significance. In the second chapter, the meaning of interactive design and its application in other design fields are analyzed in order to guide the discussion and study of interactive design in book design. Through investigation and experimental analysis, this paper sums up the methods of realizing interactivity in the design of books, and briefly describes the charm brought to the readers by the techniques, and emphasizes on the five main features of the interaction in the design of books, which shows that the interactive design in books has diversity. And can bring the reader different experience. In the third chapter, the author combines the theoretical analysis to inspire the work practice, based on the five main performance characteristics, based on the five design implementation techniques, to make the reader can bring fun and emotional experience of book design works. The fourth chapter is the conclusion part, which combines the theory and practice of the interaction in the book design, shows the diversity of the interaction brought to the book design, helps the readers to understand the book from various angles, and discusses the future development space of the book. I try my best to explore the practice of the works dare not to read the public, but want to do their own meager, in the traditional books are undergoing change in the era, and book designers to create a book "Renaissance".
【學(xué)位授予單位】：北京印刷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J524

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 楊純;;裝在薯片袋里的詩(shī)歌——試論《鮑勃·迪倫詩(shī)歌集》書籍設(shè)計(jì)之互動(dòng)體驗(yàn)[J];美與時(shí)代(上);2017年07期

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本文編號(hào)：1961631