本文選題：貴州 + 水族�。� 參考：《貴州民族大學(xué)》2017年碩士論文

【摘要】：水族墓葬石雕是在歷史的發(fā)展中逐漸形成。水族墓葬石雕裝飾作為貴州一種獨(dú)特的民間文化現(xiàn)象,體現(xiàn)民族的多元文化特征,在民族文化鏈條中具有研究價(jià)值。由于水族墓葬石雕裝飾在民間文化藝術(shù)的地方化和邊緣性,在裝飾藝術(shù)研究中除了美術(shù)學(xué)、民族學(xué)、歷史學(xué)等相關(guān)理論分析外,還需要結(jié)合考古文獻(xiàn)和田野調(diào)查等相關(guān)資料來考證。通過查閱考古文獻(xiàn)和歷史文獻(xiàn)。結(jié)合實(shí)地考察,運(yùn)用藝術(shù)形式分析、圖像學(xué)理論、藝術(shù)美學(xué)、民族學(xué)及社會(huì)歷史分析等多學(xué)科相結(jié)合的研究方法,對(duì)水族墓葬石雕裝飾進(jìn)行深入剖析;從民族文化、生活及精神狀態(tài)進(jìn)行深度思考,水族人對(duì)永生理想的向往,分析水族墓葬石雕在民間藝術(shù)中的價(jià)值。水族墓葬石雕有豐富的紋樣內(nèi)容,題材包括社會(huì)生活類、動(dòng)植物類、幾何類等多種紋樣。其墓葬的形制多樣,有石板墓、長方形石圍墓、圓形石圍墓,石雕裝飾主要在地上的龕式墓碑和石板墓外觀的大石板上。墓葬石雕融合了建筑、雕刻、繪畫、文字等裝飾藝術(shù)形式,是貴州民族地區(qū)墓葬建筑和民間美術(shù)的典型代表,也是研究水族民俗信仰和審美觀念的重要資料。墓葬石雕制作工藝手法多樣,分為粗雕和細(xì)雕,雕刻方法主要有畫、雕、刻、鏤等,其過程中采用的刀具和鐵錘有不同型號(hào),表現(xiàn)不同的雕刻語言,使得石雕裝飾豐富多彩。通過對(duì)水族墓葬石雕裝飾的研究,解析石雕題材內(nèi)容;表達(dá)了水族人的一種文化、生活、永生的向往,對(duì)精神狀態(tài)的思考。在研究過程中認(rèn)識(shí)到水族墓葬石雕的文化價(jià)值,并提出了自己對(duì)保護(hù)水族墓葬石雕的一些見解及方法。
[Abstract]:The stone carvings of aquarium tombs were gradually formed in the development of history. As a unique folk cultural phenomenon in Guizhou Province, the stone carving decoration of the Shui nationality tomb reflects the multi-cultural characteristics of the nation and has research value in the chain of national culture. Due to the localization and marginality of stone carving decoration in the folk culture and art, in the study of decorative art, in addition to the theoretical analysis of art, ethnology, history and other related theories, Also need to combine archaeological literature and field investigation and other relevant materials to verify. By consulting archaeological and historical documents. Combining with the field investigation, using the multi-disciplinary research methods, such as artistic form analysis, graphic theory, art aesthetics, ethnology and social history analysis, this paper makes a deep analysis of the burial and stone carving decoration of the aquarium, and analyzes the national culture from the point of view of the national culture, Life and spiritual state of the deep thinking, water people yearning for the ideal of eternal life, analysis of the value of the tomb stone sculpture in folk art. The burial stone carvings of the Shui nationality have rich patterns, including social life, animals and plants, geometry and so on. There are many kinds of tombs, including slate tombs, rectangular stone tombs, round stone enclosing tombs, and stone carvings are mainly decorated on the niche tombstones on the ground and the large slate on the appearance of the slate tombs. The tomb stone carving is a typical representative of the tomb architecture and folk art in Guizhou ethnic areas, and it is also an important material for studying the folk beliefs and aesthetic concepts of the aquatic people. There are various techniques for making stone carvings in tombs, which can be divided into coarse carving and fine carving. The carving methods are mainly painting, carving, engraving, engraving and so on. The cutting tools and hammer used in the process have different models and different engraving languages, which make the decoration of stone carving rich and colorful. Through the study on the decoration of stone carvings in the tomb of the Shui nationality, this paper analyzes the contents of the stone carving, and expresses a kind of culture, life, eternal life yearning and thinking about the spiritual state of the aquatic people. In the course of the research, the author recognized the cultural value of the stone sculpture of the aquarium tomb, and put forward some opinions and methods of protecting the stone sculpture of the tomb of the water race.
【學(xué)位授予單位】：貴州民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J314.3

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本文編號(hào)：1931057