本文選題：舒伯特　切入點(diǎn)：費(fèi)拉布拉斯　出處：《華東師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：奧地利作曲家弗朗茨·舒伯特(Franz Schubert,1797-1828)作為浪漫主義音樂先驅(qū),他的作品與19世紀(jì)德國(guó)浪漫主義音樂有著緊密聯(lián)系。1814年-1823年期間,舒伯特為劇院創(chuàng)作了 18部作品,其中包含了歌劇、歌唱?jiǎng)�、情�?jié)劇等體裁�！顿M(fèi)拉布拉斯》(Fierrabras)(D796)是作曲家于1823年5月23日開始創(chuàng)作并完成于同年10月2日的一部英雄式浪漫主義歌劇,其腳本來(lái)自于作曲家的好友杰瑟夫·庫(kù)珀?duì)柾䴘伞１疚膶㈩}目定位于研究舒伯特歌劇《費(fèi)拉布拉斯》,其主要從舒伯特的歌劇創(chuàng)作出發(fā)分析歌劇《費(fèi)拉布拉斯》,并將創(chuàng)作背景、音樂分析、角色、戲劇動(dòng)作、場(chǎng)景、結(jié)構(gòu)手法和音樂風(fēng)格等要素構(gòu)成統(tǒng)一整體,從而較全面、多元化地來(lái)解讀《費(fèi)拉布拉斯》的歌劇創(chuàng)作特征。本文共有五個(gè)章節(jié)。第一章節(jié)為緒論部分。第二章為全文的概述部分,闡述舒伯特與他的歌劇創(chuàng)作并進(jìn)一步論述舒伯特與德國(guó)歌劇的關(guān)系。第三章、第四章是歌劇《費(fèi)拉布拉斯》的研究,前一章節(jié)是對(duì)三幕音樂的故事劇情和音樂部分的分析,后一章節(jié)則從歌劇藝術(shù)風(fēng)格、創(chuàng)作手法進(jìn)行分析。其中第四章為全文的重點(diǎn)章節(jié),本章進(jìn)一步從結(jié)構(gòu)特色、人物形象塑造、其他音樂特色等三個(gè)方面深入探索舒伯特的歌劇創(chuàng)作手法。第五章為歌劇《費(fèi)拉布拉斯》的藝術(shù)價(jià)值,此章節(jié)將從歌劇本身和歷史意義兩個(gè)方向進(jìn)行總結(jié)。文章最后為結(jié)論部分,舒伯特歌劇《費(fèi)拉布拉斯》是舒伯特歌劇創(chuàng)作中最具典型性代表作品之一,《費(fèi)》不僅為全面研究舒伯特歌劇思想和創(chuàng)作手法提供依據(jù),同時(shí)也重新定位它在19世紀(jì)德國(guó)歷史歌劇的重要性。
[Abstract]:Austria composer Franz Schubert (Franz Schubert, 1797-1828) as a romantic music pioneer, his works with the nineteenth Century German romantic music is closely linked to.1814 years -1823 years, Schubert created 18 Works for the theatre, including singing opera, drama, drama and other genres. FELA Blass > (Fierrabras) (D796) a hero is the composer of romantic opera creation and was completed in October 2nd of the same year in May 23, 1823, the script from the composer's friend Joseph Kuper waitzer. This topic is located in the study of Schubert opera "Blass the Fira >, mainly from Schubert's opera creation of opera" Blass FELA >, and creative background. The analysis of music, drama, character, scene, constitute a unified whole structure technique and style of music, which is more comprehensive, more The characteristics of Yuan opera creation to interpret < Blass > Fira. This thesis consists of five chapters. The first chapter is an introduction. The second chapter is the introduction part of the thesis, describes Schubert and his opera creation and further discussion of Schubert and the German opera. The third chapter, the fourth chapter is the study of opera "Blass" FELA the previous section is analyzed, the story and the music section of the three act of music, after a section from the style of opera art, creative techniques were analyzed. The fourth chapter is the key chapter of this paper, this chapter further from the structure features of characters, three other music features in-depth exploration of opera creation Schubert. The fifth chapter is the opera < Ferla Blas > artistic value, this chapter will be from the opera itself and historical significance of the two directions are summarized. The last part is the conclusion, Schubert song series. Ferla Blas > is one of the most representative works in Schubert's opera creation. "Fei" not only provides a basis for comprehensively studying Schubert's Opera thoughts and creative techniques, but also repositioning its importance in nineteenth Century's German Historical opera.

【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J832;J617.2

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本文編號(hào)：1626073