本文選題：歲朝清供　切入點(diǎn)：年節(jié)畫　出處：《中央美術(shù)學(xué)院》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：本文以乾隆朝宮廷的"歲朝清供圖"為研究對象。這類本流行于江浙地區(qū)的年節(jié)繪畫題材在乾隆朝突然風(fēng)靡宮廷,從參與創(chuàng)作群體的廣泛性、存世作品數(shù)量以及受帝王的重視程度來看,"歲朝清供"一度成為了清宮最為盛行的年節(jié)繪畫題材。這場突如其來的清宮"歲朝清供熱"是怎樣發(fā)生的?為何滿族統(tǒng)治者乾隆皇帝會對這種往往被認(rèn)為具有諧俗性的繪畫題材給予特殊的關(guān)注?"歲朝清供圖"在宮廷語境中究竟有著怎樣的意義呢?本文認(rèn)為,"歲朝清供圖"最初是在江浙籍詞臣和畫工在清宮占主導(dǎo)地位的背景下傳入宮廷的。一系列歲朝清供偽作的出現(xiàn)讓乾隆皇帝誤認(rèn)為這是一種源自宋代,具有悠久傳統(tǒng)的繪畫題材,這一點(diǎn)正契合了他企圖復(fù)興前代傳統(tǒng),建立清宮節(jié)慶典儀的需求。在帝王的倡導(dǎo)之下,詞臣與宮廷畫家主動迎合,君臣之間的互動與相關(guān)作品的不斷進(jìn)獻(xiàn),最終形成了這一場盛極一時的年節(jié)圖像風(fēng)尚。
[Abstract]:In this paper, the Qianlong court of the Qing Dynasty as the research object. This kind of popular paintings in Jiangsu and Zhejiang areas during the Qianlong Dynasty suddenly swept the palace, from participating in the creation of a wide range of groups. In terms of the number of works in the world and the importance attached to them by emperors, "the year of the Qing Dynasty" once became the most popular annual painting theme in the Qing Dynasty. How did this sudden Qing Palace "the year of the Qing Dynasty heating" happen? Why did Emperor Qianlong, the Manchu ruler, pay special attention to this kind of painting subject, which is often regarded as a kind of harmony and vulgarity? What kind of meaning does "the year old Chao Qing supply picture" have in the court context? In this paper, the author thinks that "the painting of the Qing Dynasty" was first introduced to the court under the background of the dominant position of the Qing Dynasty. The emergence of a series of years old Qing Dynasty for pseudo-works made the Emperor Qianlong mistake that it was originated from the Song Dynasty. The painting subject matter with a long tradition coincides with his desire to revive the tradition of the previous generation and to establish a festival ceremony for the Qing Dynasty. At the initiative of the emperor, ci ministers and court painters took the initiative to cater to it. The interaction between monarch and minister and the continuous contribution of related works finally formed the year-time image fashion.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 趙琰哲;;節(jié)令、災(zāi)異與祈�！迩〕度栭_泰圖》仿古繪畫的趣味與意涵[J];美術(shù)研究;2014年01期

相關(guān)博士學(xué)位論文 前1條

1 張曉紅;宋代帖子詞研究[D];西北師范大學(xué);2010年

相關(guān)碩士學(xué)位論文 前2條

1 姜鵬;乾隆朝“歲朝行樂圖”、“萬國來朝圖”與室內(nèi)空間的關(guān)系及其意涵[D];中央美術(shù)學(xué)院;2010年

2 孟玉芳;乾隆皇帝對女畫家陳書作品的鑒藏及其原因[D];中央美術(shù)學(xué)院;2009年

，

本文編號：1579372