本文關(guān)鍵詞： 天柱山景區(qū) 地域文化 導(dǎo)向系統(tǒng) 視覺(jué)設(shè)計(jì) 黃梅戲藝術(shù)　出處：《安徽工程大學(xué)》2017年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：我國(guó)地域縱橫東西南北,山川風(fēng)貌各異,文化風(fēng)俗精彩紛呈,貢獻(xiàn)了豐富的旅游資源,經(jīng)濟(jì)的快速發(fā)展使旅游業(yè)有了快速的發(fā)展。各種景區(qū)服務(wù)設(shè)施得到建設(shè)和改善,吸引了世界各地的游客前來(lái)旅游觀光。如何使不同文化、不同語(yǔ)言的游客初到景區(qū),就能準(zhǔn)確的找到目的地,這需要具有國(guó)際化、人性化的景區(qū)導(dǎo)向系統(tǒng)導(dǎo)引。設(shè)計(jì)合理的景區(qū)導(dǎo)向系統(tǒng),除了具備自身的實(shí)用性功能外,還需使游客旅游的同時(shí),感受到景區(qū)地域文化的特有魅力。景區(qū)導(dǎo)向系統(tǒng)的研究,不應(yīng)僅僅局限于功能的組合,而應(yīng)該弘揚(yáng)民族文化、展示地方文化,滿(mǎn)足公眾具有時(shí)代感的審美需求�；谶@樣的目的與方向,本文以安徽天柱山景區(qū)導(dǎo)向系統(tǒng)為研究對(duì)象,嘗試從天柱山獨(dú)具特色的地域文化出發(fā),對(duì)天柱山導(dǎo)向系統(tǒng)進(jìn)行分析、定位,以天柱山風(fēng)景區(qū)的現(xiàn)狀為研究基礎(chǔ),對(duì)其導(dǎo)向系統(tǒng)建設(shè)進(jìn)行設(shè)計(jì)定位,并以最大程度的發(fā)揮導(dǎo)向系統(tǒng)在景區(qū)游覽環(huán)境中的功能為目的,對(duì)其進(jìn)行再設(shè)計(jì)。使天柱山景區(qū)文化形象規(guī)范統(tǒng)一且具有自身的特色,具有文化底蘊(yùn)和人文關(guān)懷,增加景區(qū)的魅力,使其能向著使用規(guī)范、人性關(guān)懷、文化個(gè)性的方向發(fā)展,為景區(qū)的發(fā)展貢獻(xiàn)它的力量。本文首先通過(guò)分析景區(qū)導(dǎo)向系統(tǒng)的研究現(xiàn)狀,說(shuō)明存在的問(wèn)題,闡述研究的方法與內(nèi)容。對(duì)景區(qū)導(dǎo)向系統(tǒng)及其必要性進(jìn)行闡述,分析什么是景區(qū)導(dǎo)向系統(tǒng)。結(jié)合案例分析導(dǎo)向系統(tǒng)的概念與要求、功能、分類(lèi)等。通過(guò)對(duì)天柱山景區(qū)導(dǎo)向系統(tǒng)進(jìn)行調(diào)查分析,就天柱山地理特征、歷史與文化要素,整理出能夠代表天柱山導(dǎo)向系統(tǒng)的重點(diǎn)。從天柱山導(dǎo)向系統(tǒng)的地域文化展開(kāi)設(shè)計(jì)分析,從地質(zhì)面貌自然特征中提煉的相應(yīng)的圖形,從相關(guān)繪畫(huà)中提煉視覺(jué)元素的表達(dá)樣式,從具有天柱山地域文化特色的黃梅戲經(jīng)典劇目《天仙配》中尋找相關(guān)的設(shè)計(jì)概念等。以上這些都是對(duì)其地域文化的思考。在遵循設(shè)計(jì)原則的基礎(chǔ)上,以國(guó)際化視野,試圖呈現(xiàn)既有天柱山地域文化特色,又能展現(xiàn)現(xiàn)代設(shè)計(jì)文化的視覺(jué)符號(hào);既有便捷的傳達(dá)信息的實(shí)用功能,又有獨(dú)特審美價(jià)值的導(dǎo)向系統(tǒng)設(shè)計(jì)。從而完成從設(shè)計(jì)研究到設(shè)計(jì)實(shí)踐體驗(yàn)的過(guò)程。
[Abstract]:China has a wide range of mountains and rivers, rich tourism resources, rapid development of economy, rapid development of tourism, construction and improvement of various scenic areas and service facilities. Attracting tourists from all over the world to come to visit. How to make tourists from different cultures and different languages can find their destination accurately when they first arrive at the scenic spot, this needs to be internationalized. The guide of humanized scenic spot guidance system. The design of reasonable scenic spot guidance system, besides having its own practical function, it is necessary to make tourists travel and feel the unique charm of scenic area culture at the same time. It should not be limited to the combination of functions, but should promote national culture, display local culture and meet the aesthetic needs of the public with a sense of the times. Based on this purpose and direction, this paper takes the guiding system of Tianzhu Mountain scenic spot in Anhui Province as the research object. Based on the unique regional culture of Tianzhu Mountain, this paper tries to analyze and locate the guiding system of Tianzhu Mountain, and based on the present situation of Tianzhu Mountain Scenic spot, designs and orientates the construction of the guiding system. In order to give full play to the function of the guiding system in the tourist environment of the scenic area, it is redesigned to make the cultural image of Tianzhu Mountain scenic spot standardized and unified with its own characteristics, with cultural background and humanistic concern. Increase the charm of scenic spot, make it develop towards the direction of using norm, human nature care, cultural individuality, and contribute its strength to the development of scenic spot. Firstly, this paper explains the existing problems by analyzing the present research situation of scenic spot guidance system. This paper expounds the methods and contents of the research, expounds the guiding system of scenic spot and its necessity, analyzes what is the guiding system of scenic spot, and analyzes the concept, requirements and functions of the guiding system in combination with the case study. Through the investigation and analysis of the guiding system of Tianzhu Mountain Scenic spot, the geographical characteristics, historical and cultural elements of Tianzhu Mountain are discussed. Sorting out the key points that can represent the Tianzhu Mountain guiding system. From the regional culture of the Tianzhu Mountain guidance system, the design analysis is carried out, the corresponding graphics extracted from the natural features of the geological features, and the expression patterns of visual elements extracted from the related paintings. Looking for the relevant design concepts from the Huangmei Opera classical play with Tianzhu Mountain regional culture. All of these are reflections on its regional culture. On the basis of following the design principles, we should have an international view. Trying to present both the regional cultural characteristics of Tianzhu Mountain and the visual symbols of modern design culture, as well as the practical functions of conveying information conveniently, There is also a unique aesthetic value of the guiding system design, so as to complete the process from design research to design practice experience.
【學(xué)位授予單位】：安徽工程大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J524

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