本文關(guān)鍵詞： 清代 才子佳人小說 才子配角　出處：《新疆大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：本論文以清代才子佳人小說中的才子配角為研究對(duì)象。為此,先從文獻(xiàn)資料出發(fā),通過對(duì)文本的細(xì)讀,梳理出相關(guān)的材料;其次再對(duì)之進(jìn)行分類歸納,探析其演變過程,著重分析其在文本中的各方面作用,并通過傳統(tǒng)的小說批評(píng)理論和俄國普洛普的行為功能理論對(duì)之進(jìn)行補(bǔ)充分析。論文由緒論、正文五章和結(jié)論構(gòu)成。緒論部分回顧并反思了前人對(duì)于才子佳人小說和才子配角的研究,明確了才子配角這一方向的空白性和可行性。第一章對(duì)才子配角的定義進(jìn)行明確,并對(duì)范圍進(jìn)行界定。通過對(duì)文本進(jìn)行細(xì)讀,以及考察人物在文本中所占的比例,出現(xiàn)頻次,與主角才子的關(guān)系等方面,來區(qū)分才子配角與其他男性角色。第二章將數(shù)量眾多的才子配角進(jìn)行分類歸納,根據(jù)其呈現(xiàn)的主要特征將之分為文士、狂士、俠士、逸士等幾個(gè)方面,并著重對(duì)文士、俠士這兩個(gè)主要部分進(jìn)行進(jìn)一步的細(xì)化。第三章對(duì)不同文本中的才子配角進(jìn)行分期性考察,主要分為清初到康熙時(shí)期、雍正乾隆時(shí)期、嘉慶及以后等三個(gè)時(shí)期。第四章借助金批《水滸傳》、毛批《三國演義》、張批《金瓶梅》等清代小說批評(píng)理論對(duì)相關(guān)的才子配角形象和作用進(jìn)行分析。第五章主要分兩部分,第一部分是對(duì)才子配角在文本中的角色功能進(jìn)行全面的分析,主要從以下幾個(gè)角度展開:第一,才子配角對(duì)于主角的凸出和襯托作用,包括正面襯托、側(cè)面烘托、反面對(duì)比等幾個(gè)方面;第二,通過才子配角以增添故事線索,豐富情節(jié);第三,在才子配角身上投注作者自身的審美理想;第四,補(bǔ)充作者心中的理想才子形象。第二部分主要是運(yùn)用俄國普洛普的行為功能理論對(duì)于研究范圍內(nèi)的所有才子配角進(jìn)行系統(tǒng)分析,以考察才子配角在情節(jié)構(gòu)建和主角塑造中的作用。結(jié)論對(duì)論文進(jìn)行了整體性的回顧和評(píng)價(jià)。
[Abstract]:This thesis takes the supporting role of the talented person in the novels of the Qing Dynasty as the research object. Therefore, starting from the literature and reading the text carefully, the relevant materials are sorted out. Secondly, it is classified and summarized, analyzes its evolution process, focusing on its role in all aspects of the text. And through the traditional novel criticism theory and the Russian Prope behavior function theory to carry on the supplementary analysis to it. The introduction reviews and reflects on the previous studies on the novel of the talented and beautiful person and the supporting role of the talented person. The first chapter defines the definition of the supporting role of the talent, and defines the scope. By reading the text carefully, the author makes clear the blankness and feasibility of the direction of the supporting role of the talented person. And the proportion of characters in the text, frequency, and the relationship between the protagonists and other aspects, to distinguish the role of supporting talent and other male roles. Chapter two will be a large number of talent supporting actors to classify and sum up. According to its main characteristics will be divided into the literati, crazy, chivalrous, Yi and other aspects, and focus on the scribes. These two main parts of the chivalrous scholars are further refined. The third chapter of the different texts of the talent supporting role in the phased investigation mainly divided into the early Qing Dynasty to the Kangxi period Yongzheng Qianlong period. Jiaqing and later three periods. Chapter 4th with the aid of the Golden criticism "Water margin", Mao "the Romance of the three Kingdoms". Zhang Pai Jin Ping Mei and other Qing Dynasty novel criticism theories analyze the image and role of the supporting talent. Chapter 5th is mainly divided into two parts. The first part is a comprehensive analysis of the role function of the supporting role in the text, mainly from the following angles: first, the protruding and contrasting role of the supporting role for the protagonist, including the positive foil. Flanking, contrastive and other aspects; Second, through the talent supporting role in order to add story clues, enrich the plot; Thirdly, the author's own aesthetic ideal should be bet on the supporting role of the talented person. The second part is the systematic analysis of all the supporting talents in the scope of the study by using the behavioral function theory of Russian Prope. In order to investigate the role of the supporting talent in the plot construction and the protagonist shaping, the conclusion is a comprehensive review and evaluation of the thesis.
【學(xué)位授予單位】：新疆大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.41

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本文編號(hào)：1476777