本文關鍵詞：論海派繪畫的藝術特色　出處：《吉林大學》2017年碩士論文　論文類型：學位論文

  更多相關文章： 海派繪畫 趙之謙 任伯年 吳昌碩 藝術特色

【摘要】：清末民初,起始于上海的海派繪畫,經(jīng)過一百多年的發(fā)展,成為中國繪畫史上一支重要的藝術流派,參與畫家眾多,持續(xù)時間綿長,繪畫風格多樣,在整個美術史上是不多見的,意義重大影響深遠。本文所關注的就是海派繪畫從形成到發(fā)展到鼎盛期間各代表畫家的藝術特色以及對我創(chuàng)作的感悟的研究。本文通過闡述海派繪畫發(fā)展歷程,分析代表性畫家的藝術風格,從而指導自己今后寫意人物畫的創(chuàng)作。本文由緒論、正文、結論三部分組成。緒論主要是對論文選題背景及研究意義、研究方法和研究現(xiàn)狀進行了介紹,對已有文獻進行整理分析的同時闡述自己的見解與創(chuàng)新之處。論文正文分為五個部分進行論述:第一部分闡述海派繪畫的各個維度的發(fā)展背景,從內(nèi)因到外因,從社會到畫家本人的從藝方式、生存狀態(tài)的變化,以及專業(yè)美術社團的出現(xiàn)和印刷等新技術的出現(xiàn)對海派發(fā)展的影響,全方位刨析海派繪畫崛起的原因;第二部分淺析了海派繪畫各時期代表畫家,趙之謙、任伯年、吳昌碩的繪畫風格,運用大量的圖片素材進行分析闡述;第三部分系統(tǒng)重點總結海派繪畫的藝術特色、時代性、繼承性、創(chuàng)新性、多元性、人文性等;第四部分闡述了海派繪畫的歷史地位以及現(xiàn)實意義;第五部分總結海派繪畫藝術對寫意人物畫創(chuàng)作的影響,闡述海派繪畫對自身學習藝術創(chuàng)作的指導意義,并列舉了幾張在論文撰寫期間的創(chuàng)作,總結寫意人物畫創(chuàng)作的趨勢。
[Abstract]:At the end of the Qing Dynasty and the beginning of the Republic of China, the Shanghai School of painting, which began in Shanghai, after more than 100 years of development, has become an important art school in the history of Chinese painting, taking part in many painters, lasting for a long time, and painting various styles. It is rare in the history of art. This paper focuses on the artistic characteristics of the representative painters from the formation to the development to the peak of the period and the study of my creative perception. This paper expounds the development process of the Shanghai School painting. This paper consists of three parts: introduction, text and conclusion. The introduction is mainly about the background and significance of the thesis. The research methods and research status are introduced. The text of the paper is divided into five parts: the first part describes the development background of each dimension of Shanghai painting, from internal to external causes. From the society to the painter himself from the art way, the survival state change, as well as the specialized fine arts association appearance and the printing and so on new technology appearance to the Shanghai school development influence, omni-directional analysis Shanghai school painting rise reason; The second part analyzes the painting style of the representative painters, Zhao Zhiqian, Ren Bonian and Wu Changshuo in each period of the Shanghai School painting, and uses a large number of picture materials to analyze and expound. The third part systematically summarizes the artistic characteristics, the times, the inheritance, the innovation, the pluralism, the humanity and so on. Part 4th expounds the historical status and practical significance of Shanghai painting; The 5th part summarizes the influence of Shanghai School painting art on freehand figure painting creation, expounds the guiding significance of Shanghai School painting on its own learning art creation, and enumerates the creation of several pieces during the writing of the thesis. Summarize the trend of freehand figure painting creation.
【學位授予單位】：吉林大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J212

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