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荒漠之花—?dú)W姬芙繪畫藝術(shù)特質(zhì)分析

發(fā)布時間:2018-01-16 01:36

  本文關(guān)鍵詞:荒漠之花—?dú)W姬芙繪畫藝術(shù)特質(zhì)分析 出處:《山東大學(xué)》2017年碩士論文 論文類型:學(xué)位論文


  更多相關(guān)文章: 喬治亞·歐姬芙 花卉 象征性 簡約性 獨(dú)特視角


【摘要】:喬治亞·歐姬芙,是美國當(dāng)代最具盛名的畫家之一,她的成就斐然,是美術(shù)史上極少數(shù)女畫家所能比擬的。她的作品融入了美國本土繪畫風(fēng)格和東方繪畫的審美意境并且極具原創(chuàng)性,作品的主題非常豐富,以"花卉"題材最具影響力,在繪畫手法上多使用同色調(diào)間的細(xì)微變化,極具韻律美,并且以微觀視角描繪花卉,荒漠中的骨頭,和荒涼的美國內(nèi)陸景觀。歐姬芙的一生作品多達(dá)兩千多幅,風(fēng)格變化多端,她從不止步于已有的成就,并且不停地尋找著能夠表達(dá)自我的藝術(shù)風(fēng)格。本文從歐姬芙不同時期的作品和人生經(jīng)歷交叉入手,將其藝術(shù)的發(fā)展脈絡(luò)分為了三個階段。通過研究她繪畫的發(fā)展階段進(jìn)一步分析歐姬芙作品的藝術(shù)特征和獨(dú)特語言,了解她的作品為什么具有獨(dú)特的魅力。歐姬芙在美術(shù)史的地位不僅僅是一位女性的個人成就,而且影響了很大一批當(dāng)代藝術(shù)家,雖然她一生從未承認(rèn)自己屬于任何一個女性藝術(shù)家或者女權(quán)主義陣營(并且要求他人將其作為一名畫家看待,而非女性畫家),但是她的作品風(fēng)格和繪畫理念仍然讓當(dāng)代女性畫家受益匪淺。所以本文第三部分從歐姬芙對繪畫和其他藝術(shù)門類的影響入手,解析了她對當(dāng)代藝術(shù)的影響。在筆者繪畫的經(jīng)歷中,歐姬芙也正是作為這樣一位女性潛移默化地影響著我,所以本文的最后,筆者結(jié)合了自身繪畫經(jīng)歷去分析了歐姬芙對我的影響。
[Abstract]:Georgia O'Keefe, one of the most famous painters of America's time, has achieved a great deal. It is a few female painters in art history can compare. Her works incorporate the American native painting style and the aesthetic conception of oriental painting and have originality, the theme of her works is very rich. "Flower" theme is the most influential, in painting techniques more use of the same tone between the subtle changes, very rhythmic beauty, and the microscopic perspective to describe flowers, bones in the desert. And the desolate landscape of the American interior. With more than 2,000 works in her lifetime and varied styles, Ogilvy never stops at what she has achieved. And constantly looking for the artistic style that can express oneself. This article starts with the works and the life experience of the different periods of Ogilvy. The development of her art is divided into three stages. Through the study of her painting development stage further analysis of the artistic characteristics and unique language of Ogilvy's works. Understand why her work has a unique charm. Ogilvy's status in art history is not only a woman's personal achievement, but also affects a large number of contemporary artists. She never admitted in her life that she belonged to any female artist or feminist camp (and asked others to treat it as a painter, not a female painter). However, her style and concept of painting still benefit contemporary female painters. So the third part of this paper starts with the influence of Ogilvy on painting and other art categories. Analysis of her influence on contemporary art. In the author's painting experience, it is as such a woman Ogilvy is imperceptibly affecting me, so the last part of this article. The author combined his own painting experience to analyze the influence of Ogilvy on me.
【學(xué)位授予單位】:山東大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:J205

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