本文關(guān)鍵詞：莫扎特歌劇選段《年輕的姑娘應(yīng)該懂得》的音樂(lè)分析與演唱處理　出處：《云南藝術(shù)學(xué)院》2017年碩士論文　論文類型：學(xué)位論文

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【摘要】：《年輕的姑娘應(yīng)該懂得》,選自歌劇《女人心》,由奧地利作曲家莫扎特作曲。歌劇第一次呈現(xiàn)于維也納。歌劇圍繞著對(duì)情感態(tài)度的處理,傳達(dá)出人性的對(duì)于平等民主的追求�，F(xiàn)在它被認(rèn)為是最富于人情味的最優(yōu)秀的喜劇之一。筆者圍繞《年輕的姑娘應(yīng)該懂得》的音樂(lè)分析與演唱處理,通過(guò)文獻(xiàn)查閱,視頻學(xué)習(xí),自身演唱實(shí)踐體驗(yàn)等多方面,從音樂(lè)作品的和聲與曲式結(jié)構(gòu),歌詞大意,藝術(shù)風(fēng)格特性,演唱實(shí)踐分析等多方面對(duì)作品進(jìn)行研究與實(shí)踐分析,提高對(duì)作品的認(rèn)知水平以及演唱水平。本論文重點(diǎn)在于演唱的實(shí)踐分析方面,在演唱時(shí)對(duì)于演唱中的氣息控制,速度與節(jié)奏的把握,演唱中的情感處理等方面都進(jìn)行了詳細(xì)的分析。同時(shí)通過(guò)自我演唱實(shí)踐體會(huì),對(duì)于演唱中對(duì)藝術(shù)特性的演繹方面,有了更加深入的認(rèn)知。莫扎特的歌劇作品有著其獨(dú)特的藝術(shù)風(fēng)格特性,包括歌劇的戲劇性、民族性,以及人文性。個(gè)人在演唱反復(fù)實(shí)踐中,也有一定的感悟,要通過(guò)演唱技巧與表現(xiàn)力烘托出人物的內(nèi)心世界。莫扎特的詠嘆調(diào)《年輕的姑娘應(yīng)該懂得》是一首有著較高演唱要求的歌曲,演唱時(shí)從氣息的保持性,連貫性,跳躍性,以及音域的較寬的跨度性的演繹,才能將莫扎特所要表現(xiàn)的強(qiáng)烈夸張的喜劇性傳遞出來(lái)。演唱時(shí)要將其戲劇性表現(xiàn)的更加淋漓盡致,通過(guò)演唱的技巧以及對(duì)歌曲與詞意的理解,將角色的內(nèi)心感情世界演繹得更加生動(dòng)形象,將自己置身于作品中。
[Abstract]:"Young Girls should know", from the Opera "the Heart of Women", composed by Austrian composer Mozart. Opera is presented for the first time in Vienna. Opera revolves around the treatment of emotional attitudes. It conveys humanity's pursuit of equality and democracy. Now it is considered one of the best comedies of humanity. I deal with music analysis and singing around "Young Girls should know". Through literature review, video learning, singing experience and other aspects, from the harmony of music and music structure, lyric general, artistic style characteristics. Singing practice analysis and other aspects of the work of research and practical analysis to improve the level of cognition of the work as well as singing level. This paper focuses on the practical analysis of singing. In the performance of the breath control, speed and rhythm of the grasp, singing in the emotional processing are analyzed in detail. At the same time through the experience of self-singing practice. Mozart's opera has its unique artistic style, including opera drama and nationality. As well as humanism. Individuals in the repeated practice of singing, there is also a certain feeling. Mozart's aria "young girl" should understand that it is a song with higher singing requirements. Jump, as well as the wide range of the interpretation of span, Mozart will be able to show the strong exaggeration of the comedy, singing to its dramatic performance more incisive and incisive. Through singing skills and understanding of the song and the meaning of words, the role of the inner feelings of the world of interpretation more vivid, put themselves in the work.
【學(xué)位授予單位】：云南藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J617.2

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