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論博斯繪畫(huà)的獨(dú)特性和獨(dú)特美的當(dāng)代意義

發(fā)布時(shí)間:2018-01-08 01:15

  本文關(guān)鍵詞:論博斯繪畫(huà)的獨(dú)特性和獨(dú)特美的當(dāng)代意義 出處:《湖北美術(shù)學(xué)院》2017年碩士論文 論文類型:學(xué)位論文


  更多相關(guān)文章: 博斯 特殊性 特殊美 影響 價(jià)值 跨媒介


【摘要】:談到博斯和他的繪畫(huà),出現(xiàn)在大家腦海里的第一印象就是博斯他是個(gè)畫(huà)家中最具神秘色彩的獨(dú)行者,是個(gè)極其孤僻另類的超高技藝和敏銳觀察力的大師。對(duì)于其作品而言,大家更多的是關(guān)注他的作品里的鬼魅奇幻恐怖的氛圍和情景,以及他源源不斷的創(chuàng)造力。他幾乎神奇的描繪了所有的內(nèi)容,從天上到地下、從人間到地獄、從生到死等,這正是博斯之所以如此迷人的原因之一。博斯作品里繪畫(huà)層面的內(nèi)容同樣也是他令人著迷的另一重要原因。他對(duì)繪畫(huà)的實(shí)驗(yàn)性、創(chuàng)造性和前瞻性,都充分的說(shuō)明了他的繪畫(huà)藝術(shù)的獨(dú)特性和獨(dú)立性,并成為后來(lái)藝術(shù)家的營(yíng)養(yǎng)的重要來(lái)源。博斯在繪畫(huà)里精準(zhǔn)的類似制圖一般的繪畫(huà),對(duì)景觀和植物等的臆想和再創(chuàng)造,那些長(zhǎng)了大腦袋的植物,長(zhǎng)了牙齒還流著血的樹(shù),長(zhǎng)了耳朵似乎會(huì)傾聽(tīng)森林里的對(duì)話的樹(shù)。①這些足以證實(shí)博斯的繪畫(huà)的獨(dú)特的美,異于同時(shí)代的一切藝術(shù)家作品的"美"。在這里討論博斯的藝術(shù),最終目的不是討論博斯作品表面的美學(xué)價(jià)值,而是通過(guò)討論博斯這樣的一個(gè)存在普遍矛盾中的特殊矛盾來(lái)表達(dá)博斯個(gè)案的特殊性和特殊美帶來(lái)的價(jià)值,這也就是該文討論更側(cè)重于博斯繪畫(huà)藝術(shù)在當(dāng)代語(yǔ)境中的意義和為什么對(duì)當(dāng)代藝術(shù)話語(yǔ)表達(dá)產(chǎn)生深遠(yuǎn)影響的原因,追尋博斯繪畫(huà)藝術(shù)在當(dāng)代藝術(shù)中的意義,不是在對(duì)博斯繪畫(huà)藝術(shù)的總結(jié)和概括,而是更深刻的討論博斯藝術(shù)作品的獨(dú)特性和獨(dú)特美的意義在當(dāng)代藝術(shù)話語(yǔ)中的種種影響和與跨媒介藝術(shù)的曖昧關(guān)系的互動(dòng)對(duì)比。此篇論文主要分為四大部分,且這幾大部分之間是相互關(guān)聯(lián)的,都是從不同角度層面來(lái)討論博斯的藝術(shù)的美學(xué)價(jià)值和意義。第一部分主要介紹博斯。第二部分討論博斯的作品和同時(shí)期的藝術(shù)家的關(guān)系,也就是博斯作品為何有如此的生命力,為何在浩瀚的藝術(shù)史的河流中沒(méi)有被沖刷掉,反而是更加的璀璨奪目,主要從博斯作品的特殊性和獨(dú)特美這個(gè)角度來(lái)討論。第三部分討論博斯繪畫(huà)藝術(shù)在當(dāng)代藝術(shù)和當(dāng)代話語(yǔ)下的跨媒介的種種影響。第四部分是博斯與我的創(chuàng)作的關(guān)系。最后通過(guò)綜合這四大塊來(lái)總結(jié)博斯的藝術(shù)作品和藝術(shù)觀在當(dāng)代藝術(shù)話語(yǔ)中的不可或缺的重要性和意義。
[Abstract]:When it comes to Bosch and his painting, the first impression in our mind is the boss. He is a painter in the most mysterious loner, is an extremely eccentric offbeat ultra high skills and keen observation of the masters. For its work, everyone is more concerned about his work in the ghostly fantasy horror atmosphere and the scene, and he Everfount creativity. He almost magical shows all of the content, from the sky to the ground, from the world to hell, from birth to death, this is one of the reasons the boss is so attractive. Another important reason for the content of Bosch works in terms of painting is also his fascinating. He is drawing on the experimental, creative and forward-looking, fully illustrates the uniqueness and independence of his art of painting, and become an important source of nutrition. Bosch later artists in the painting of precision Similar to general drawing painting, landscape and plants of imagination and creation, the plant has large head, long teeth and bleeding tree, long ears seem to will listen to the dialogue in forest trees. The confirmed Bosch's painting unique beauty to different from all these. The artist works with the era of "beauty". Discuss the Bosch's art here, the final purpose is not to discuss the aesthetic value of a work surface, but through the discussion at such a special general contradiction in contradiction to the expression of Bosch special cases and the special beauty of the value, which is also discussed in the paper Bosch's focus on painting art in the contemporary context and the significance of why expression of contemporary art discourse influence reason, meaning Bosch painting art in the contemporary art, not in the Bosch painting art total Node and generalized, but more profound discussion interactive contrast ambiguous relationship influences the uniqueness of Bosch art works and unique aesthetic significance in contemporary art discourse and cross media art. This article is mainly divided into four parts, and the majority are related to each other, are discussed. The art of aesthetic value and significance from different angles. The first part mainly introduces the Bosch. The second part discusses the works of Bosch and at the same time between artists, is also at work such vitality, why in the vastness of the art history river has not been washed away, but is more dazzling, mainly from special Bosch works and unique beauty of this perspective is discussed. The third part discusses Bosch painting art in the contemporary art and contemporary discourse under the cross media influences. In the fourth part Is the relationship between the boss and my creation. Finally, integrated the four blocks to summarize Bosch's art works and the concept of the importance and significance of the indispensable in contemporary art discourse.

【學(xué)位授予單位】:湖北美術(shù)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 李肇豪;;顛覆傳統(tǒng)的當(dāng)代藝術(shù)——由參加第十二屆德國(guó)卡塞爾文獻(xiàn)展解讀當(dāng)代藝術(shù)[J];安徽建筑工業(yè)學(xué)院學(xué)報(bào)(自然科學(xué)版);2008年03期

2 朱其;;觀念性和波普化:1990年以來(lái)的中國(guó)當(dāng)代雕塑[J];藝術(shù)與投資;2007年04期

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