天堂国产午夜亚洲专区-少妇人妻综合久久蜜臀-国产成人户外露出视频在线-国产91传媒一区二区三区

云南音樂學術成果及其影響研究

發(fā)布時間:2018-01-01 01:13

  本文關鍵詞:云南音樂學術成果及其影響研究 出處:《云南藝術學院》2017年碩士論文 論文類型:學位論文


  更多相關文章: 云南 音樂學術 學科建設 方法論 影響


【摘要】:云南地處祖國邊疆,從人文結構上看,漢文化、藏文化、東南亞各民族幾大文化群落東行西向、南遷北走、相互融合、構成分化變遷的一個重要剖面。從地理結構上看,其地理地貌復雜多樣,在空間坐標上東接黔桂、北接川藏、西鄰印緬老越諸國,更以特殊的“山地”和“壩子”地形,將其切分成若干個“文化圈”,更為重要的是:從遠古時代起,高原上就有古氐羌系統(tǒng)、古百越系統(tǒng)、古百濮系統(tǒng)以及古苗-盤瓠系統(tǒng)各族群在此居住,經過歷史的分化、融合,云南逐漸成為目前擁有26個民族聚居、社會和諧發(fā)展的行政區(qū)域。從而構成了一體多元、文化薈萃的獨特景觀,模塑了一方水土中民眾不經意的文化尊嚴。云南是我國原住民族數(shù)量最多的省份,也是單一省區(qū)中獨有民族最多的省份,云南擁有25個少數(shù)民族,幾乎占全國55個少數(shù)民族的一半,其族源復雜、原生社會形態(tài)多樣,自然地理環(huán)境特殊,不僅音樂形態(tài)千姿百態(tài),音樂與社會文化生活的關系也十分緊密而獨特,僅從以上立場出發(fā),本選題的個案研究,就可以此文化心理與地緣關系為基礎,探測云南音樂學術延展的軌跡。世界上一切事物的發(fā)展都具有從簡單到復雜這樣一個基本過程,辯證唯物論的基本原理告訴我們:世界是物質的世界,這個物質世界是按照辯證法的規(guī)律,由低級到高級,由簡單到復雜,曲折地向前發(fā)展的永無止境的客觀過程。本文擬從建國初期入手,開展對云南音樂學術研究的歷時梳理,依托橫向的學術觀點,努力將地方歷史脈絡與社會文化背景進行一種縫合,從時間文化大背景之下,對云南各個時期音樂學術研究的成果進行一種歸納和總結,特別是把研究的目光投放到學術得以代代傳承的“人”的身上開展研究,由此,成為本文寫作的基本思路。作為一種寫作架構,文章從上世紀五十年代,云南省文化廳音樂工作室從無到有的開拓寫起,說明只有在新的時代,作為“社會公器”,音樂學術才在社會生活中得到應有的重視。從而,建國后的十七年云南的少數(shù)民族音樂研究有了開拓性的成果并在全國產生了影響;文革時期,雖然社會生活受到極大的沖擊,但由于音樂的感性材料具有直接深入人心的獨特特征,音樂作為一種特殊的工具,傳達著政府的方針政策,因此,音樂的舞臺實踐與學術活動卻在根本上沒有受到太大的沖擊,由于倡導“與工農兵結合”的文化導向,藝術家深入生活成為常態(tài),因而加強了音樂工作者對民族音樂的感性了解,促進了學術書寫;改革開放以后,國家文化政策更加開放,1987年,錢天白教授發(fā)送了中國第一封電子郵件,internet從此進入中國,國外新的學術研究方法漸漸引入:從1970年代的比較音樂學、到1980年代的民族音樂學、再到1990年代的音樂人類學,以及西方的各種哲學方法等,促進了云南音樂學術研究漸漸蓬勃發(fā)展的速度。正式這種碩果累累的風景,成為筆者選題的重要動力。全文由緒論、第一章、第二章、第三章、第四章和結語七個部分組成。緒論探測了云南音樂學術研究從無到有的開拓、直到如今欣欣向榮的局面,在這里,筆者對云南音樂學術研究取得的成果做了大致梳理,從整體上把握了云南音樂學術研究在特殊時代社會大背景下的發(fā)展脈絡,明確了本文的研究目標,厘清了材料來源,設定了研究的路徑和關注的方法。第一章分四節(jié)內容,建國后,國內相對穩(wěn)定的政治環(huán)境下,音樂的學術研究成為國家公器的有機構成,文本摹繪了云南音樂學術研究的發(fā)端,以省文化廳音樂工作室的同志們的開拓到省內各州市群藝館的陸續(xù)建立,為這一工作的開展提供了物質和人力的保障。第二章從省內各高校音樂學科的陸續(xù)建立并完善的歷史脈絡,關注了高等院校音樂學科建設的成就,特別是對相關高校教師的音樂學術成果進行了梳理。第三章著重論述了省內專業(yè)性音樂學術機構的學術成果,由此,二、三章構成了有機的聯(lián)系,高校音樂辦學機構與政府事業(yè)單位齊頭并進,共同推動了云南音樂學術研究的大好局面。第四章對省內第一個社會音樂學術組織的成立—云南省音樂評論學會開展的相關工作的敘事,并對省內音樂學術活動日益繁盛進行了論述。結語部分總結了云南音樂學術研究的現(xiàn)狀和今后的發(fā)展趨勢,立足“文化的心態(tài)”指出,云南音樂學術研究的繁榮是與社會發(fā)展和國家文化政策開明的必然結果。
[Abstract]:Yunnan is located in the frontier of the motherland, from the cultural structure, Chinese culture, Tibetan culture, cultural community of nations in Southeast Asia several East to the west, South, north, merging, constitute an important section of differentiation changes. From the geographical point of view, the complexity and diversity of the geographical landscape, the Guizhou Guangxi, in space the East North West Sichuan Tibet coordinates, India and Burma old more countries, in a special "mountain" and "dam" terrain, which are divided into a plurality of "cultural circle", more important is: from ancient times, the plateau has ancient Diqiang system, ancient Baiyue system, ancient Bai Pu system and ancient Miao - Panhu ethnic groups living in this system, through the history of the differentiation, integration, gradually become Yunnan currently has 26 ethnic groups, the administrative area of the harmonious development of the society. So as to constitute one of the diverse, unique cultural landscape, the molded one soil people casual paper Of dignity. Yunnan is China's largest number of indigenous ethnic provinces, is a single unique national provinces in most provinces, Yunnan has 25 ethnic groups, accounting for almost half of the 55 ethnic minorities, the ethnic origin is complex, the primary social forms, special geographical environment, not only the music form in different poses and with different expressions, the relationship between live music and social culture are also very close and unique, only from the above standpoint, a case study of this topic, can the cultural psychology and geopolitical relations based on the detection of Yunnan music academic extension of the track. The world all things are from simple to complex such a basic process, the basic principle of dialectical materialism tells us: the world is a material world, the physical world is in accordance with the law of dialectics, from low to high, from simple to complex, development of twists and turns the world without end The objective process. This paper starts from the founding of new China, to carry out diachronic study of Yunnan Music Academy, relying on the lateral academic point of view, to the local history and social and cultural background of a suture, from under the cultural background of the time, in different periods of Yunnan music research conducted a summary especially the research focus on the academic to be passed from generation to generation person who carry out research, therefore, become the basic idea of this writing. As a writing framework, from the last century in 50s, the Yunnan Provincial Department of culture, music studio from scratch to develop writing, only in the new era, as "social justice, academic music to receive due attention in social life. Thus, minority music study seventeen years after the founding of the Yunnan has a pioneering achievement and in The influence of social life; during the cultural revolution, although a tremendous impact, but because of the unique characteristics of the musical perceptual materials directly popular, music as a special tool to convey the government policies, therefore, stage practice and academic activities of music are fundamentally not too big impact, the advocacy of "cultural orientation and gongnongbing combination", the artist life deeply has become the norm, thus strengthening the music workers emotional understanding of folk music, and promote academic writing; after the reform and opening up, the national cultural policy more open, in 1987, the money sent China Tian taught without charge gives sends the first email, Internet entered Chinese, academic research a new method was introduced to foreign music: from comparative 1970s to 1980s, the national music school, and then to the Anthropology of music in 1990s, to And the western philosophy method, to promote the study of Yunnan music academic gradually booming speed. The official this fruitful scenery, has become an important driving force of the author. The full text of the introduction, the first chapter, the second chapter, the third chapter, the fourth chapter and the conclusion of seven parts. Introduction the detection of the Yunnan music academic research from the development, until now thriving situation, here, the author studied the Yunnan music academic achievements made roughly comb on the whole study of the development of Yunnan Academy of music under the special historical background of society, the research goal of this paper, clarify the source material, set the path and method pay attention to research. The first chapter is divided into four sections, after the founding of the PRC, China is relatively stable political environment, the academic research of music become an organic part of the national public tool, text copy The study of Yunnan music academic originator, to continue to build up to the province city art museum Provincial Department of culture of the Comrades music studio, provides the material and manpower safeguard to carry out this work. The second chapter from the province of the College of music discipline has been established and end the history of good, pay attention to the music achievement of discipline construction of universities, especially of the sort of music teachers in Colleges and universities academic achievements. The third chapter focuses on the province of professional music academic institutions, academic achievements, the two and three chapters constitute the organic relation, educational institutions and government college music institutions go hand in hand, and jointly promote the good situation study on the Yunnan music academic. The fourth chapter set up related work on the province's first social music academic organization in Yunnan province to carry out the music review narrative, and the sound of the province Le academic activities flourish are discussed. The conclusion part summarizes the status quo of Yunnan music academic and future development trend, based on the "cultural mentality" pointed out that the study of Yunnan music academic prosperity is the inevitable result of social development and national culture and liberal policy.

【學位授予單位】:云南藝術學院
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:J692

【參考文獻】

相關期刊論文 前1條

1 侯瑞云;;《民族音樂》閱評[J];民族音樂;2011年01期

相關博士學位論文 前1條

1 金紅;德宏傣族樂器“光邦”研究[D];云南大學;2015年

,

本文編號:1362280

資料下載
論文發(fā)表

本文鏈接:http://sikaile.net/shoufeilunwen/zaizhiboshi/1362280.html


Copyright(c)文論論文網All Rights Reserved | 網站地圖 |

版權申明:資料由用戶dfe90***提供,本站僅收錄摘要或目錄,作者需要刪除請E-mail郵箱bigeng88@qq.com