本文關(guān)鍵詞：山西侯馬碗碗腔名家劉秀珍之《昭君出塞》藝術(shù)研析　出處：《天津音樂學(xué)院》2017年碩士論文　論文類型：學(xué)位論文

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【摘要】：山西侯馬碗碗腔是流行于山西省晉南一帶的鄉(xiāng)土戲曲文化藝術(shù),其淵源于陜西華縣一帶碗碗腔皮影戲,因隨著北入晉地尋找生計(jì)的碗碗腔老藝人帶入晉南后與當(dāng)?shù)氐拿耖g音樂元素合流而逐漸形成。山西侯馬碗碗腔的演出形式主要分為兩種,一種是與皮影戲同臺(tái)演出,另一種則是舞臺(tái)呈現(xiàn),而究其兩種演出方式之間一脈相承的關(guān)系,恰巧也說明了山西侯馬碗碗腔的歷史發(fā)展中的具體階段,即山西侯馬碗碗腔的舞臺(tái)呈現(xiàn)是由碗碗腔皮影戲發(fā)展而來。山西侯馬碗碗腔音樂風(fēng)格婉轉(zhuǎn)抒情,優(yōu)美細(xì)膩,深得當(dāng)?shù)厝藗兊南矏叟c推崇,并出現(xiàn)了代代相傳且富有名望的山西侯馬碗碗腔藝術(shù)家:安六、廉振華、劉秀珍等,深得山西侯馬碗碗腔藝術(shù)之精髓,在口耳相傳的民間音樂教育模式下,一代又一代的民間藝術(shù)家他們對(duì)山西侯馬碗碗腔的創(chuàng)作、傳承與發(fā)展做出重要的貢獻(xiàn)。本文著重于對(duì)山西侯馬碗碗腔的藝術(shù)特征進(jìn)行總結(jié)概括,特別是對(duì)山西侯馬碗碗腔的音樂藝術(shù)特色進(jìn)行具體的分析與說明,并通過對(duì)劉秀珍山西侯馬碗碗腔主要代表作品《昭君出塞》的細(xì)致探究,以及對(duì)山西侯馬碗碗腔當(dāng)代代表人物劉秀珍的介紹,詳細(xì)探析了山西侯馬碗碗腔的歷史發(fā)展、藝術(shù)特色、文學(xué)特色、美學(xué)特色以及發(fā)展?fàn)顩r等。本文的研究方法主要有以下幾點(diǎn):一、通過聆聽?wèi)蚯魳贰㈤喿x與碗碗腔音樂有關(guān)的文字與書籍,詳細(xì)了解碗碗腔音樂以及戲曲藝術(shù)的主要特征。二、通過田野采風(fēng),走訪廉振華、劉秀珍等山西侯馬碗碗腔民間藝術(shù)家,深入了解其歷史發(fā)展、重要特色、主要?jiǎng)∧俊⒀莩鰳?gòu)成以及其在當(dāng)下社會(huì)中的生存狀況等。三、通過錄音、視頻資料的收集以及觀摩,詳細(xì)了解山西侯馬碗碗腔的音樂發(fā)展形態(tài)、旋律走向以及唱腔發(fā)聲吐字的特色等。并通過記譜,將其可聽的動(dòng)態(tài)樂音轉(zhuǎn)化為可視的靜態(tài)樂譜,從而對(duì)其音樂本體做更為細(xì)致的探究。
[Abstract]:Shanxi Houma bowl bowl cavity is the art of folk opera culture is popular in the southern Shanxi area, its origin in Shaanxi Huaxian area bowl cavity shadow, as for the livelihood of the North Shanxi bowl cavity into the old artist Jin South and local folk music elements and gradually formed confluence. Shanxi Houma bowl bowl cavity performance form is mainly divided into two types, one is the show and shadow play on the same stage, another is the stage show, the same relationship between the two kinds of performances, it also illustrates the specific historical development stage of Shanxi Houma bowl bowl cavity in the Shanxi Houma bowl the stage is composed of cavity bowl bowl cavity shadow play and. Shanxi Houma bowl bowl cavity melodious music style of lyrical, beautiful and delicate, won the local people love and esteem, and the emergence of the prestigious Shanxi Houma be handed down from age to age and bowl cavity Artist: Lian Zhenhua, Liu Xiuzhen, six, won the Shanxi Houma bowl bowl cavity at the mouth of the essence of art, folk music education mode and make an important contribution to generations of folk artists in Shanxi Houma bowl cavity in the creation, inheritance and development. This paper focuses on the artistic characteristics of the Shanxi Houma bowl bowl cavity were summarized, especially for the Shanxi Houma bowl bowl cavity music artistic characteristics and detailed analysis and explanation, and through careful exploration of the Liu Xiuzhen Shanxi Houma bowl bowl cavity mainly works on behalf of "" Zhaojun ChuSai ", as well as the introduction of Shanxi Houma bowl bowl cavity contemporary representative Liu Xiuzhen of Shanxi, with the Houma bowl bowl cavity art history, characteristics, literary characteristics, aesthetic characteristics and development status. The main research methods of this paper are as follows: first, listen to opera music, reading and bowls and chamber music related words and books, and understand the main characteristics of bowl bowl music and drama art. Two, through field trips, visiting Lian Zhenhua, Liu Xiuzhen Shanxi Houma bowl bowl cavity folk artist, in-depth understanding of its historical development, main characteristics, main performance and its repertoire, in contemporary society, survival status. Three, through audio, video data collection and observation, a detailed understanding of the Shanxi Houma bowl bowl cavity development form, melody and music singing voice articulation features. And through the notation, it transforms the audible dynamic music into the visible static music, so as to make a more detailed inquiry to its music ontology.
【學(xué)位授予單位】：天津音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J825;J617.5

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本文編號(hào)：1339859