黎巴嫩拉哈巴尼家族作品大眾文化特性研究
發(fā)布時間：2018-08-19 11:52
【摘要】：大眾文化是一個特定范疇,它主要是指隨著現(xiàn)代大眾社會的興起而形成的,并與當(dāng)代大工業(yè)生產(chǎn)密切相關(guān),以大眾傳媒為主要傳播手段、進(jìn)行大批量文化生產(chǎn)的當(dāng)代文化形態(tài)。大眾文化具有多種特性與功能,如流行性、教育性、輻射性、商品性等,其流行性往往與其傳播方式及大眾媒介密切相關(guān),而商業(yè)性則體現(xiàn)在其娛樂大眾、文本標(biāo)準(zhǔn)化等方面,大眾文化的教育性與輻射性則體現(xiàn)出大眾文化產(chǎn)品對其所處大眾社會在某一時間段內(nèi)所起到的作用與影響。音樂劇是當(dāng)今社會大眾文化表現(xiàn)形式的重要組成部分。作為阿拉伯民眾喜聞樂見的藝術(shù)形式,音樂劇在阿拉伯藝術(shù)史上有著舉足輕重的地位。黎巴嫩是阿拉伯現(xiàn)代戲劇、音樂劇的搖籃。阿拉伯音樂劇的集大成者、黎巴嫩音樂劇的代表人物為拉哈巴尼家族,其中阿綏·拉哈巴尼、曼蘇爾·拉哈巴尼兄弟二人與齊亞德·拉哈巴尼地位尤為突出,他們的作品公演后受到觀眾的喜愛,劇中多首歌曲也廣為流傳,影響深遠(yuǎn),部分名劇至今仍在阿拉伯各國上演,經(jīng)久不衰。本論文通過借助大眾文化理論的相關(guān)內(nèi)容,解讀拉哈巴尼家族代表性作品,分析拉哈巴尼家族作品的大眾文化流行于黎巴嫩、阿拉伯世界的原因,尋找其大眾文化的主要特性,透析其作品對于黎巴嫩社會、阿拉伯社會的作用,分析拉哈巴尼家族對黎巴嫩內(nèi)戰(zhàn)前后文藝界的影響。論文分為緒論、正文與結(jié)語三部分,其中緒論部分簡要梳理了大眾文化理論的相關(guān)重點及西方、阿拉伯與中國學(xué)界對阿拉伯大眾文化、拉哈巴尼作品的研究現(xiàn)狀,介紹了論文的研究對象、目的與方法,并對大眾文化的相關(guān)術(shù)語作了說明。正文部分分為五章：第一章首先簡要回顧阿拉伯音樂劇的發(fā)展情況,分析黎巴嫩成為阿拉伯大眾文化重要表現(xiàn)形式—音樂劇生產(chǎn)基地的主要原因,并對拉哈巴尼家族主要成員的生平與作品做較為詳細(xì)的介紹。論文的第二、第三、第四章分別從大眾文化的流行性、教育性與輻射性分析拉哈巴尼家族作品。在第二章第一節(jié)中,筆者對拉哈巴尼家族作品的大眾文化流行性進(jìn)行了詳細(xì)的闡述,認(rèn)為家族作品的流行與二十世紀(jì)初黎巴嫩商品經(jīng)濟(jì)與消費(fèi)經(jīng)濟(jì)的發(fā)展息息相關(guān),當(dāng)時黎巴嫩大眾媒介的迅速發(fā)展推動了拉哈巴尼家族作品在黎巴嫩國內(nèi)外的流行。第二節(jié)與第三節(jié)則從拉哈巴尼家族作品自身的藝術(shù)價值為切入點,詳細(xì)闡述拉哈巴尼家族如何將阿拉伯—黎巴嫩文化遺產(chǎn)恰到好處地運(yùn)用到自己的作品之中,創(chuàng)作出了一個個積極向上、深入人心的人物角色。論文第三章從拉哈巴尼家族作品與公民教育的關(guān)系、家族作品對阿拉伯民族意識覺醒產(chǎn)生的積極作用出發(fā),用文本細(xì)讀與案例研究的方法,分析家族作品的大眾文化教育性。本文第四章論及拉哈巴尼家族經(jīng)歷了,黎巴嫩內(nèi)戰(zhàn)前、內(nèi)戰(zhàn)期間以及內(nèi)戰(zhàn)之后的三個發(fā)展時期。每個時期,家族作品都對當(dāng)時的黎巴嫩社會、藝術(shù)界,尤其是音樂工業(yè)領(lǐng)域的發(fā)展產(chǎn)生了不可忽視的輻射作用。本章以黎巴嫩內(nèi)戰(zhàn)為時間點,認(rèn)為內(nèi)戰(zhàn)前拉哈巴尼家族為黎巴嫩民間文化的官方化與大眾化作出了重大貢獻(xiàn)；內(nèi)戰(zhàn)期間拉哈巴尼家族成員留守巴黎國內(nèi)的事實使家族成為了黎巴嫩人心中實現(xiàn)和平的符號與象征；而年輕一代家族成員對先鋒音樂的積極推廣也為戰(zhàn)時及戰(zhàn)后黎巴嫩大眾文化的發(fā)展、尤其是音樂文化的多樣化發(fā)揮了重要作用。正文最后一章通過分析拉哈巴尼家族作品的制作原則、制作流程、制作內(nèi)容、明星聲音經(jīng)濟(jì)商業(yè)運(yùn)作方式等方面分析其作品作為大眾文化娛樂產(chǎn)品不可避免的商品本性。本文認(rèn)為,拉哈巴尼家族作品在廣泛傳播和流行的過程中,對黎巴嫩社會乃至阿拉伯社會產(chǎn)生了深遠(yuǎn)的教育作用。作品盡管無法擺脫大眾文化商品性的特征,但是拉哈巴尼家族成員充分利用黎巴嫩多元文化的環(huán)境,將黎巴嫩—阿拉伯傳統(tǒng)民間文化與西方文化結(jié)合起來,創(chuàng)作了大批符合大眾審美的卡里斯馬形象,實現(xiàn)了阿拉伯大眾文化音樂藝術(shù)高雅與通俗化的并重,成為了阿拉伯現(xiàn)代音樂產(chǎn)業(yè)的符號與標(biāo)志,對黎巴嫩當(dāng)代音樂工業(yè)的發(fā)展影響深遠(yuǎn),推動黎巴嫩音樂朝著實驗音樂、融合爵士、諷刺歌曲、Urban音樂的方向多元發(fā)展,豐富了阿拉伯大眾文化的藝術(shù)表現(xiàn)形式。本文從大眾文化的角度透視黎巴嫩拉哈巴尼家族的作品,為國內(nèi)研究分析阿拉伯文化藝術(shù)作品提供了一個新的視角。解讀用阿拉伯語黎巴嫩方言撰寫的家族作品,有助于進(jìn)一步深化國內(nèi)學(xué)界有關(guān)阿拉伯語方言作品的研究。論文在分析該家族作品的大眾文化特性時,還對阿拉伯音樂、阿拉伯大眾媒介的發(fā)展以及當(dāng)代黎巴嫩音樂產(chǎn)業(yè)進(jìn)行了相應(yīng)的梳理與總結(jié),這將有助于我國人民增進(jìn)對阿拉伯文化的深入了解,有助于我國文化行業(yè)加強(qiáng)與阿拉伯藝術(shù)界的交流與合作。
[Abstract]:Mass culture is a specific category, which mainly refers to the contemporary cultural form formed with the rise of modern mass society and closely related to contemporary large-scale industrial production. Mass media is the main means of dissemination for mass cultural production. Mass culture has a variety of characteristics and functions, such as popularity, education, radiation, commerce. The popularity of popular culture is closely related to its mode of transmission and mass media, while commerciality is reflected in its entertainment and standardization of text. The educational and radiation of popular culture reflects the role and influence of popular cultural products on the mass society in which they live in a certain period of time. Lebanon is the cradle of modern Arabian drama and musicals. The masters of Arabian musicals and the representatives of Lebanese musicals are the Lahabanians. Among them, Azui Rahabani, Mansour Rahabani brothers and Ziad Rahabani are particularly prominent. Their works are loved by the audience after the public performance. Many songs in the play are also widely spread and have far-reaching influence. Some famous plays are still performed in Arab countries for a long time. Relevant contents, interpret the representative works of the Rahabani family, analyze the reasons why the popular culture of the Rahabani family works prevails in Lebanon and the Arab world, find out the main characteristics of its popular culture, analyze the role of its works in Lebanese society and Arab society, and analyze the influence of the Rahabani family on the Lebanese civil war before and after. The thesis is divided into three parts: introduction, text and conclusion. The introduction part briefly combs the related key points of popular culture theory and the current research situation of Arab popular culture and Lahabani's works in the western, Arab and Chinese academic circles. It also introduces the research object, purpose and method of the thesis, and the related terminology of popular culture. The main body is divided into five chapters: The first chapter briefly reviews the development of Arab musicals, analyzes the main reasons why Lebanon has become an important form of Arab popular culture - the production base of musicals, and gives a more detailed introduction to the life and works of the main members of the Rahabani family. In the first section of the second chapter, the author elaborates the popularity of the popular culture of the Lahabani family works in detail, and holds that the popularity of the family works and the development of Lebanon's commodity economy and consumer economy in the early 20th century At that time, the rapid development of Lebanese mass media promoted the popularity of the Lahabani family's works in Lebanon and abroad. Sections II and III elaborate how the Lahabani family used the Arab-Lebanese cultural heritage properly from the artistic value of the Lahabani family's works. In the third chapter of the thesis, starting from the relationship between the works of the Rahabani family and civic education, and the positive effect of the family works on the awakening of Arab national consciousness, the author analyzes the popular culture and religion of the family works by means of close reading and case study. Fertility. Chapter IV of this paper deals with the three stages of development of the Lahabani family before, during and after the Lebanese Civil War. It is believed that the Rahabani family made a great contribution to the official and popular Lebanese folk culture before the Civil War; the fact that the members of the Rahabani family stayed in Paris during the Civil War made the family a symbol and symbol of peace in Lebanese hearts; and the younger generation of family members actively promoted the pioneer music. It also played an important role in the development of Lebanon's mass culture during and after the war, especially in the diversification of music culture. The last chapter of the main text analyzes the principles of production, production process, production content, star voice economy and commercial operation of the works of the Lahabani family as a popular cultural and entertainment product. This paper argues that the works of the Lahabani family have exerted far-reaching educational effects on Lebanese society and even Arab society in the process of their wide spread and popularity. The combination of Lebanon-Arab traditional folk culture and Western culture has created a large number of images of Karima that conform to the public aesthetic standards. The combination of the refinement and popularization of Arab popular culture and music has become the symbol and symbol of modern Arab music industry and has a profound impact on the development of Lebanon's contemporary music industry. Lebanese music has been developed in a pluralistic way towards experimental music, jazz, satirical songs and Urban music, enriching the artistic forms of Arab popular culture. This paper examines the works of the Lebanese Rahabani family from the perspective of popular culture, and provides a new perspective for domestic research and analysis of Arab cultural and artistic works. Interpretation of family works written in Arabic-Lebanese dialect is helpful to deepen the study of Arabic-dialect works in domestic academic circles. In the analysis of the popular cultural characteristics of the family works, the paper also sorts out the development of Arabic music, the Arab mass media and the contemporary Lebanese music industry. In conclusion, this will help the Chinese people to deepen their understanding of Arab culture, and help the Chinese cultural industry to strengthen exchanges and cooperation with the Arab art community.
【學(xué)位授予單位】：北京外國語大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2016
【分類號】：I378.06
本文編號：2191577
[Abstract]:Mass culture is a specific category, which mainly refers to the contemporary cultural form formed with the rise of modern mass society and closely related to contemporary large-scale industrial production. Mass media is the main means of dissemination for mass cultural production. Mass culture has a variety of characteristics and functions, such as popularity, education, radiation, commerce. The popularity of popular culture is closely related to its mode of transmission and mass media, while commerciality is reflected in its entertainment and standardization of text. The educational and radiation of popular culture reflects the role and influence of popular cultural products on the mass society in which they live in a certain period of time. Lebanon is the cradle of modern Arabian drama and musicals. The masters of Arabian musicals and the representatives of Lebanese musicals are the Lahabanians. Among them, Azui Rahabani, Mansour Rahabani brothers and Ziad Rahabani are particularly prominent. Their works are loved by the audience after the public performance. Many songs in the play are also widely spread and have far-reaching influence. Some famous plays are still performed in Arab countries for a long time. Relevant contents, interpret the representative works of the Rahabani family, analyze the reasons why the popular culture of the Rahabani family works prevails in Lebanon and the Arab world, find out the main characteristics of its popular culture, analyze the role of its works in Lebanese society and Arab society, and analyze the influence of the Rahabani family on the Lebanese civil war before and after. The thesis is divided into three parts: introduction, text and conclusion. The introduction part briefly combs the related key points of popular culture theory and the current research situation of Arab popular culture and Lahabani's works in the western, Arab and Chinese academic circles. It also introduces the research object, purpose and method of the thesis, and the related terminology of popular culture. The main body is divided into five chapters: The first chapter briefly reviews the development of Arab musicals, analyzes the main reasons why Lebanon has become an important form of Arab popular culture - the production base of musicals, and gives a more detailed introduction to the life and works of the main members of the Rahabani family. In the first section of the second chapter, the author elaborates the popularity of the popular culture of the Lahabani family works in detail, and holds that the popularity of the family works and the development of Lebanon's commodity economy and consumer economy in the early 20th century At that time, the rapid development of Lebanese mass media promoted the popularity of the Lahabani family's works in Lebanon and abroad. Sections II and III elaborate how the Lahabani family used the Arab-Lebanese cultural heritage properly from the artistic value of the Lahabani family's works. In the third chapter of the thesis, starting from the relationship between the works of the Rahabani family and civic education, and the positive effect of the family works on the awakening of Arab national consciousness, the author analyzes the popular culture and religion of the family works by means of close reading and case study. Fertility. Chapter IV of this paper deals with the three stages of development of the Lahabani family before, during and after the Lebanese Civil War. It is believed that the Rahabani family made a great contribution to the official and popular Lebanese folk culture before the Civil War; the fact that the members of the Rahabani family stayed in Paris during the Civil War made the family a symbol and symbol of peace in Lebanese hearts; and the younger generation of family members actively promoted the pioneer music. It also played an important role in the development of Lebanon's mass culture during and after the war, especially in the diversification of music culture. The last chapter of the main text analyzes the principles of production, production process, production content, star voice economy and commercial operation of the works of the Lahabani family as a popular cultural and entertainment product. This paper argues that the works of the Lahabani family have exerted far-reaching educational effects on Lebanese society and even Arab society in the process of their wide spread and popularity. The combination of Lebanon-Arab traditional folk culture and Western culture has created a large number of images of Karima that conform to the public aesthetic standards. The combination of the refinement and popularization of Arab popular culture and music has become the symbol and symbol of modern Arab music industry and has a profound impact on the development of Lebanon's contemporary music industry. Lebanese music has been developed in a pluralistic way towards experimental music, jazz, satirical songs and Urban music, enriching the artistic forms of Arab popular culture. This paper examines the works of the Lebanese Rahabani family from the perspective of popular culture, and provides a new perspective for domestic research and analysis of Arab cultural and artistic works. Interpretation of family works written in Arabic-Lebanese dialect is helpful to deepen the study of Arabic-dialect works in domestic academic circles. In the analysis of the popular cultural characteristics of the family works, the paper also sorts out the development of Arabic music, the Arab mass media and the contemporary Lebanese music industry. In conclusion, this will help the Chinese people to deepen their understanding of Arab culture, and help the Chinese cultural industry to strengthen exchanges and cooperation with the Arab art community.
【學(xué)位授予單位】：北京外國語大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2016
【分類號】：I378.06
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