民國時期唐詩學(xué)研究
發(fā)布時間：2018-08-08 19:20
【摘要】：民國時期是唐詩學(xué)史上的一個關(guān)捩點,此期古典唐詩學(xué)走向終結(jié),現(xiàn)代意義上的唐詩學(xué)處于開啟階段,隨著陳寅恪、聞一多、楊啟高等學(xué)者對唐詩的深入研究,“唐詩學(xué)”學(xué)科得以形成。此期唐詩學(xué)思想豐厚,當(dāng)時的詩話、唐代詩歌史、唐詩選本、唐詩研究專著及研究論文中包含著豐富的唐詩學(xué)思想。對這些唐詩學(xué)思想進(jìn)行挖掘,有助于進(jìn)一步深化唐詩學(xué)的研究。本論文擬在從唐至清學(xué)術(shù)史梳理的基礎(chǔ)上,對民國時期的唐詩學(xué)進(jìn)行系統(tǒng)研究。 本論文共分為六部分： 第一部分為緒論,綜述唐詩學(xué)的研究現(xiàn)狀、選題意義,界定本論文的研究對象,分析研究的可行性及論文的創(chuàng)新、價值與不足。 第一章民國時期唐詩學(xué)形成的社會背景。本章從民國時期的社會環(huán)境、本土文化思潮與外來文化思潮三個方面分析了民國時期唐詩學(xué)形成的社會文化背景。 第二章民國時期唐詩研究的方法。論文從把民國時期的唐詩學(xué)方法分為社會學(xué)研究法、文化學(xué)研究法和文藝學(xué)研究法三種,分別對這三種研究方法進(jìn)行了理論總結(jié)。 第三章民國時期唐詩學(xué)的發(fā)展歷程。論文把民國時期分為三段,對每一段的唐詩學(xué)成果進(jìn)行了詳細(xì)統(tǒng)計,在此基礎(chǔ)上,對每一階段唐詩學(xué)的概況進(jìn)行了系統(tǒng)總結(jié)。 第四章唐詩史論。在回溯唐詩分期及各期地位論學(xué)術(shù)史的基礎(chǔ)上,首先,論文對民國時期唐詩分期及各期地位論的相關(guān)學(xué)術(shù)觀點進(jìn)行梳理。其次,論文對民國時期學(xué)者關(guān)于唐詩歷史地位論的主要學(xué)術(shù)觀點進(jìn)行梳理。再次,論文對民國時期學(xué)者關(guān)于唐詩興盛原因的主要學(xué)術(shù)觀點進(jìn)行梳理。 第五章唐詩藝術(shù)論。在回溯唐詩藝術(shù)論研究學(xué)術(shù)史的基礎(chǔ)上,對民國時期學(xué)者關(guān)于唐詩藝術(shù)論的相關(guān)學(xué)術(shù)觀點進(jìn)行梳理。 第六章唐詩體派論。在回溯唐詩體派研究學(xué)術(shù)史的基礎(chǔ)上,對民國時期唐詩體論和流派論的相關(guān)學(xué)術(shù)觀點進(jìn)行梳理。 第七章,唐代詩人個案研究。對民國時期對唐代五位大詩人李白、杜甫、李商隱、李賀、白居易研究的主要學(xué)術(shù)觀點進(jìn)行了梳理。 第八章唐詩學(xué)思想分論。論文以民國第一期、民國第二期、民國第三期主要學(xué)者的唐詩學(xué)思想為線索,分別對每一時期的唐詩學(xué)思想進(jìn)行了闡釋。其中論文重點對王國維、聞一多、陳寅恪、黃節(jié)、錢鐘書、胡云翼、楊啟高七位學(xué)者在民國時期的唐詩學(xué)思想及其唐詩學(xué)方法進(jìn)行了系統(tǒng)闡釋。 總之,民國時期,隨著西學(xué)東漸,科學(xué)的學(xué)術(shù)方法被運用于唐詩學(xué)研究之中,現(xiàn)代唐詩學(xué)研究學(xué)術(shù)規(guī)范逐漸形成,唐詩學(xué)的理論體系得到確立,出現(xiàn)了一批唐詩學(xué)專家,唐詩學(xué)研究走向了自覺。此期歷史學(xué)、文藝學(xué)、文獻(xiàn)學(xué)、社會學(xué)研究的融通拓展了唐詩學(xué)研究的理論境界。民國時期的唐詩研究在方法論和理論建樹方面對當(dāng)代唐詩研究產(chǎn)生了深遠(yuǎn)影響。
[Abstract]:The period of the Republic of China is a key point in the history of Tang poetics. In this period, the classical poetics of Tang Dynasty is coming to an end, and the study of Tang poetics in the modern sense is in an opening stage. With the in-depth study of Tang poetry by Chen Yinke, Wen Yiduo, Yang Qicao and other scholars. The subject of Tang Poetry was formed. Tang poetics thought was rich in this period. The poems of the time, the history of Tang poetry, the anthology of Tang poetry, the monographs of Tang poetry research and the research papers contained abundant Tang poetics thoughts. It is helpful to further deepen the study of Tang poetics. On the basis of combing the academic history of Tang and Qing dynasties, this thesis makes a systematic study of Tang poetics in the Republic of China. This thesis is divided into six parts: the first part is the introduction, which summarizes the current research situation, the significance of the selected topic, defines the research object, analyzes the feasibility of the research and the innovation, value and deficiency of the thesis. The first chapter is the social background of the formation of Tang poetics during the Republic of China. This chapter analyzes the social and cultural background of Tang poetics in the period of the Republic of China from three aspects: the social environment, the trend of thought of native culture and the trend of thought of foreign culture. The second chapter is the research methods of Tang poetry during the Republic of China. The thesis classifies Tang poetics methods into three kinds: sociological research, culturology and literature and art research, and summarizes the three research methods in theory. Chapter three: the development of Tang poetics during the Republic of China. The thesis divides the period of the Republic of China into three sections, and makes detailed statistics on the achievements of Tang poetics in each section. On this basis, the general situation of Tang poetics in each stage is systematically summarized. The fourth chapter is about the history of Tang poetry. On the basis of reviewing the period of Tang poetry and the academic history of the status theory of each period, the thesis firstly combs the relevant academic viewpoints of the stage of Tang poetry and the status theory in each period of the Republic of China. Secondly, the thesis combs the main academic views of scholars in the period of the Republic of China on the historical position of Tang poetry. Thirdly, the thesis combs the main academic viewpoints of the scholars in the period of the Republic of China on the reasons for the prosperity of Tang poetry. The fifth chapter is about the art of Tang poetry. On the basis of reviewing the academic history of the art theory of Tang poetry, this paper combs the relevant academic viewpoints of the scholars in the period of the Republic of China on the art theory of Tang poetry. The sixth chapter is about the style of Tang poetry. On the basis of reviewing the academic history of Tang poetry school, this paper combs the relevant academic viewpoints of Tang poetry style theory and school theory during the Republic of China. Chapter seven, the case study of Tang Dynasty poet. In the period of the Republic of China, the main academic viewpoints of the five great poets Li Bai, du Fu, Li Shangyin, Li he and Bai Juyi in the Tang Dynasty were combed. The eighth chapter is about the theory of Tang poetics. Taking the Tang poetics thought of the first period of the Republic of China, the second period of the Republic of China and the third period of the Republic of China as the clue, the thesis explains the Tang poetics thought of each period. Among them, seven scholars, including Wang Guowei, Wen Yiduo, Chen Yinke, Yellow Festival, Qian Zhongshu, Hu Yunyi and Yang Qicao, systematically explained the Tang poetics and the methods of Tang poetics in the period of the Republic of China. In a word, during the period of the Republic of China, with the development of western learning and the application of scientific academic methods to the study of Tang poetics, the academic norms of modern Tang poetics were gradually formed, the theoretical system of Tang poetics was established, and a group of Tang poetics experts appeared. The study of Tang poetics moved towards self-consciousness. The combination of history, literature and art, philology and sociology has expanded the theoretical realm of Tang poetics. The study of Tang poetry during the period of the Republic of China has exerted a profound influence on the study of contemporary Tang poetry in terms of methodology and theoretical achievements.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2014
【分類號】：I207.22
[Abstract]:The period of the Republic of China is a key point in the history of Tang poetics. In this period, the classical poetics of Tang Dynasty is coming to an end, and the study of Tang poetics in the modern sense is in an opening stage. With the in-depth study of Tang poetry by Chen Yinke, Wen Yiduo, Yang Qicao and other scholars. The subject of Tang Poetry was formed. Tang poetics thought was rich in this period. The poems of the time, the history of Tang poetry, the anthology of Tang poetry, the monographs of Tang poetry research and the research papers contained abundant Tang poetics thoughts. It is helpful to further deepen the study of Tang poetics. On the basis of combing the academic history of Tang and Qing dynasties, this thesis makes a systematic study of Tang poetics in the Republic of China. This thesis is divided into six parts: the first part is the introduction, which summarizes the current research situation, the significance of the selected topic, defines the research object, analyzes the feasibility of the research and the innovation, value and deficiency of the thesis. The first chapter is the social background of the formation of Tang poetics during the Republic of China. This chapter analyzes the social and cultural background of Tang poetics in the period of the Republic of China from three aspects: the social environment, the trend of thought of native culture and the trend of thought of foreign culture. The second chapter is the research methods of Tang poetry during the Republic of China. The thesis classifies Tang poetics methods into three kinds: sociological research, culturology and literature and art research, and summarizes the three research methods in theory. Chapter three: the development of Tang poetics during the Republic of China. The thesis divides the period of the Republic of China into three sections, and makes detailed statistics on the achievements of Tang poetics in each section. On this basis, the general situation of Tang poetics in each stage is systematically summarized. The fourth chapter is about the history of Tang poetry. On the basis of reviewing the period of Tang poetry and the academic history of the status theory of each period, the thesis firstly combs the relevant academic viewpoints of the stage of Tang poetry and the status theory in each period of the Republic of China. Secondly, the thesis combs the main academic views of scholars in the period of the Republic of China on the historical position of Tang poetry. Thirdly, the thesis combs the main academic viewpoints of the scholars in the period of the Republic of China on the reasons for the prosperity of Tang poetry. The fifth chapter is about the art of Tang poetry. On the basis of reviewing the academic history of the art theory of Tang poetry, this paper combs the relevant academic viewpoints of the scholars in the period of the Republic of China on the art theory of Tang poetry. The sixth chapter is about the style of Tang poetry. On the basis of reviewing the academic history of Tang poetry school, this paper combs the relevant academic viewpoints of Tang poetry style theory and school theory during the Republic of China. Chapter seven, the case study of Tang Dynasty poet. In the period of the Republic of China, the main academic viewpoints of the five great poets Li Bai, du Fu, Li Shangyin, Li he and Bai Juyi in the Tang Dynasty were combed. The eighth chapter is about the theory of Tang poetics. Taking the Tang poetics thought of the first period of the Republic of China, the second period of the Republic of China and the third period of the Republic of China as the clue, the thesis explains the Tang poetics thought of each period. Among them, seven scholars, including Wang Guowei, Wen Yiduo, Chen Yinke, Yellow Festival, Qian Zhongshu, Hu Yunyi and Yang Qicao, systematically explained the Tang poetics and the methods of Tang poetics in the period of the Republic of China. In a word, during the period of the Republic of China, with the development of western learning and the application of scientific academic methods to the study of Tang poetics, the academic norms of modern Tang poetics were gradually formed, the theoretical system of Tang poetics was established, and a group of Tang poetics experts appeared. The study of Tang poetics moved towards self-consciousness. The combination of history, literature and art, philology and sociology has expanded the theoretical realm of Tang poetics. The study of Tang poetry during the period of the Republic of China has exerted a profound influence on the study of contemporary Tang poetry in terms of methodology and theoretical achievements.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2014
【分類號】：I207.22
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