【摘要】：本文旨在通過對德勒茲(和瓜塔里)論述文學(xué)的著作和材料的細(xì)讀與梳理,以生成思想為核心,試圖比較系統(tǒng)地繪制出德勒茲的文學(xué)思想和觀念。本文對德勒茲文學(xué)理論的構(gòu)建從兩條線索展開,一是通過突破語言的界限,創(chuàng)造語言的新功能實(shí)現(xiàn)生成文學(xué)創(chuàng)作,二是通過瓦解主體的虛假統(tǒng)一性,不斷生成他者進(jìn)行生成文學(xué)創(chuàng)作。最后指出,生成文學(xué)創(chuàng)作的前提是明確生成的基礎(chǔ),其次是創(chuàng)造有效的生成通道。同時(shí)指明,生成文學(xué)沒有自己的文學(xué)史,具有一定的實(shí)用價(jià)值和政治意義。 本文首先勾勒德勒茲的生平及學(xué)術(shù)思想軌跡,初步明晰生成思想在他哲學(xué)思想中的位置。繼而圍繞生成思想對國內(nèi)外的相關(guān)研究資料進(jìn)行梳理,廓清德勒茲文學(xué)研究現(xiàn)狀,然后闡明本文選題的思路及研究內(nèi)容,確立從生成角度研究德勒茲文學(xué)思想的合理性和可行性。德勒茲明確指出,生成文學(xué)的獨(dú)特性在于文學(xué)可以通過創(chuàng)造感覺聚塊進(jìn)行創(chuàng)造,這樣的感覺聚塊必須是給予人們?nèi)碌捏w驗(yàn),為人與人、社會和世界之間的思考方式提供新的橋梁。從德勒茲的論述生成文學(xué)的材料看,生成文學(xué)不是文學(xué)創(chuàng)作手法的創(chuàng)制,而是通過文學(xué)的方式對強(qiáng)勢存在和權(quán)力系統(tǒng)不斷弱化的結(jié)果。語言在具體的應(yīng)用中,和社會權(quán)力形成同構(gòu),從而獲得表達(dá)的合法性。生成文學(xué)在文學(xué)空間中通過創(chuàng)造新的語言形式和用法,在突破合法語言表達(dá)形式的同時(shí),也動搖了與之同構(gòu)的社會配置,這種新的語言表達(dá)形式,形成了弱勢文學(xué)的獨(dú)特文學(xué)現(xiàn)象,創(chuàng)造了去—物質(zhì)性的符號世界,配置出一部多樣體的文學(xué)機(jī)器,既構(gòu)建了一個(gè)新的藝術(shù)空間,同時(shí)也指涉著尚未成形的社會權(quán)力形式。在對主體權(quán)威性地位的攻擊中,生成文學(xué)通過生成—?jiǎng)游锶∠巳祟愖陨淼耐恍?通過生成—女人動搖了男性中心秩序的合法性,通過不斷生成—難以感知者,不斷突破人類感知方式的閾限,為世界創(chuàng)造和增添全新的維度。 本文的結(jié)論是,生成文學(xué)是一種全新的文學(xué)現(xiàn)象,明確生成的基礎(chǔ)是進(jìn)行生成文學(xué)創(chuàng)作的前提,確定生成的通道和策略是生成文學(xué)創(chuàng)作的關(guān)鍵。生成文學(xué)沒有自己的文學(xué)史,是一種不合時(shí)宜的實(shí)用主義文學(xué),它具有潛在的革命性與社會價(jià)值。
[Abstract]:The purpose of this paper is to make a detailed reading and combing of the works and materials of Deleuze (and Guatari) on literature, taking the generative thought as the core, and trying to draw out Deleuze's literary thoughts and ideas in a more systematic way. In this paper, the construction of Deleuze's literary theory starts from two clues: one is to create literary creation by breaking through the boundary of language and to create new functions of language, and the other is to disintegrate the false unity of the subject. The generation of the other is the creation of literary creation. Finally, it is pointed out that the premise of generating literary creation is the basis of explicit generation, followed by the creation of effective generation channels. At the same time, it is pointed out that the generation of literature has certain practical value and political significance without its own literary history. This paper first outlines Deleuze's life and academic thoughts, and clarifies the position of generative thought in his philosophical thought. Then combing the relevant research materials at home and abroad around the generative thought, clarifying the current situation of Deleuze literature research, and then clarifying the ideas and research content of this topic. To establish the rationality and feasibility of the study of Deleuze's literary thought from the perspective of generation. Deleuz made it clear that the uniqueness of creating literature is that it can be created by creating sensory chunks, which must give people a new experience and be personal. The way of thinking between society and the world provides a new bridge. From the point of view of the materials from which Deleuze discusses the creation of literature, the generation of literature is not the creation of literary creation techniques, but the result of the strong existence and the weakening of power system through the way of literature. Language in concrete application, and social power form isomorphism, thus obtain the legitimacy of expression. By creating new forms of language and usage in literary space, the generation of literature breaks through the legal forms of language expression, and at the same time shakes the social configuration of its isomorphism, which is a new form of language expression. It has formed the unique literary phenomenon of weak literature, created the symbolic world of de- materiality, and configured a literary machine of various forms, which not only constructs a new artistic space, but also refers to the form of social power that has not yet taken shape at the same time. In the attack on the authoritative position of the subject, the generative literature removes the identity of the human being by generation-animal, by generation-woman shakes the legitimacy of the male-centered order, by constantly generating the unperceptible. Constantly breaking through the threshold of human perception, creating and adding new dimensions to the world. The conclusion of this paper is that the generation of literature is a new literary phenomenon, and the basis of creation is the premise of literary creation, and the key to the creation of literature is to determine the channel and strategy of generation. Generating literature without its own literary history is an anachronistic pragmatic literature with potential revolutionary and social value.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2014
【分類號】：I109

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