本文關鍵詞： 清代長篇敘事詩 南方唱書 曲藝說唱 俗文學　出處：《山西大學》2016年博士論文　論文類型：學位論文

【摘要】：“唱書”是一種在清代流傳于南方沿江流域的曲藝表演形式,亦指其所使用的長篇敘事詩說唱文本(唱句的組成具有固定結構、押韻規(guī)范)。“唱書”也被稱為“清代說唱詞話”,其傳承自宋代“詞文”、元明“說唱詞話”,在南方影響深遠,與清代北方最大的曲藝曲種“鼓詞”遙相對應�！俺獣蔽谋粳F存約600馀種,多為清代或民國時期的木刻、石印、手抄形式。其表演形式在沿江省份至今仍有流傳,并已進入國家級“非物質文化遺產”保護名錄�！扒宕戏匠獣�,在整個清代傳統文化、俗文學、倫理道德、思想精神層面處于一個怎樣的地位呢?清代社會,“因為平民的知識淺陋,識字不多,耳目所見,只有這種唱書(曲本)世代相傳,遂成為一種不成文的‘法典’,無人能夠推翻。故兒子的孝事父母,妻妾的順事夫婿,臣下的忠事君主,仆傭的勤守職責,皆從這種‘箴規(guī)類’的唱書(曲本)而來,鼓吹鋪敘,深深刻入平民的心中而不可消滅”。①“唱書”所宣揚的思想,全面滲透進了清代平民的家庭與社會生活,在深入分析這一前提的基礎上,本論文旨在從多重角度入手,研究“清代南方唱書”的深層實質內容,并由此揭示出這些深層實質內容流傳久遠的原因所在。本論文共分十一章：第一章緒論,闡釋了“清代南方唱書”的基本概念、選題緣起、前期研究成果綜述以及研究的價值與意義。第二章,在總結前輩學者研究成果的基礎上進一步探討“清代南方唱書”與“清代說唱詞話”的互證與銜接；第三、四章,以清代湖南、湖北、云南、貴州、四川地區(qū)的“唱書”為個案展開對“清代南方唱書”的微觀研究；第五章,著力挖掘清末民初上海石印書局出版的“唱書”流傳情況。第六章,從句式、詞匯、方言等方面解讀清代南方唱書的文本特征；第七、八章,論述清代南方唱書的“元代社會記憶”與“當代社會記憶”；第九章,厘清“清代南方唱書”的曲種變異;第十章,清代南方唱書所折射的底層民眾思想意識形態(tài)；第十一章結語。美國學者保羅·康納頓在他的《社會如何記憶》一書中曾提到“從口頭文化到書面文化的過渡,是從體化實踐(incorporating practices)到刻寫實踐(inscribing practices)的過渡。文字的影響取決于這樣一個事實：用刻寫傳遞的任何記述,被不可改變地固定下來,其撰寫過程就此截止�！雹谠诠P者看來,“清代南方唱書”既是一種記載“體化實踐”的歷史“社會記憶”,也是一種記載清代“刻寫實踐”的現當代“社會記憶”。
[Abstract]:"Sing Book" is a kind of quyi performance form which was circulated in the southern river basin in the Qing Dynasty. It also refers to the long narrative poem rap text (the composition of the singing sentence has a fixed structure). Rhyme standard. "singing book" is also called "Qing Dynasty rap and singing words", which is inherited from Song Dynasty "ci Wen" and Yuan Ming Dynasty "rap and sing ci word", which has far-reaching influence in the south. "Drum ci", the largest kind of quyi song in the north of Qing Dynasty, corresponds to the distance. There are more than 600 kinds of "singing book" texts, most of which are woodcut, lithograph and handwritten form of Qing Dynasty or the Republic of China. Their performance forms are still circulating in the provinces along the Yangtze River. And has entered the national "intangible cultural heritage" protection list. "the south of the Qing Dynasty singing books", in the whole Qing Dynasty traditional culture, vulgar literature, ethics, ideological and spiritual level in a what position? In Qing Dynasty society, "because the common people have little knowledge, little literacy, and what they hear and see, only this kind of singing book (song book) has been handed down from generation to generation, thus becoming an unwritten 'code of', and no one can overthrow it. So the filial piety of the son, the obedient husband of his wife and concubine, The faithful monarchs, servants and maids, all of whom come from this kind of "pro rules" singing books (songs), preach narration and carve it deeply into the hearts of the common people, and cannot destroy the ideas proclaimed by "the Sing Book," On the basis of in-depth analysis of this premise, this paper aims to study the deep substance of the Song Shu in the South of Qing Dynasty from many angles. This paper is divided into eleven chapters: the first chapter introduces the basic concept of "the Southern Song Book of the Qing Dynasty", and the origin of the topic. Chapter two, on the basis of summarizing the previous scholars' research achievements, further discusses the mutual proof and cohesion of "the Southern singing Book of Qing Dynasty" and "Qing Dynasty Rap words"; Chapter three, four chapters, Taking Hunan, Hubei, Yunnan, Guizhou and Sichuan provinces in the Qing Dynasty as a case study, the microcosmic study of "singing Books in the South of Qing Dynasty"; Chapter 5th, Try to excavate the spread of "singing Book" published by Shanghai Shiyin Book Bureau in the late Qing Dynasty and early Republic of China. Chapter 6th, interpretation of the text characteristics of the Southern Song Book in Qing Dynasty from sentence structure, vocabulary, dialect, etc.; 7th, 8 chapters, This paper discusses the "Yuan Dynasty Social memory" and "Contemporary Social memory" of the Southern singing Books of Qing Dynasty; 9th chapters, clarifies the variation of the songs of the Southern Song Books of the Qing Dynasty; 10th chapters, the ideological ideology of the underclass people reflected by the Southern Song Books of the Qing Dynasty; American scholar Paul Connatton, in his book how Society remembers, said, "the transition from oral culture to written culture." It is the transition from practice to writing practice. The influence of words depends on the fact that any description transmitted by engraving is immutable, From the author's point of view, singing books in the south of Qing Dynasty is not only a kind of historical "social memory" which records "practice of writing", but also a kind of "social memory" which records the "writing practice" of Qing Dynasty.
【學位授予單位】：山西大學
【學位級別】：博士
【學位授予年份】：2016
【分類號】：I207.39
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本文編號：1550032