本文關(guān)鍵詞：“和聲”之“雄渾”-百年中國合唱與美頌關(guān)系的文化、美學(xué)解讀　出處：《暨南大學(xué)》2014年博士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 中國合唱 美頌精神 中國傳統(tǒng)文化 和聲 雄渾

【摘要】：在中國,現(xiàn)代意義的合唱始于20世紀(jì)初,至今只有近百年歷史。但百年來,站在西方已經(jīng)相當(dāng)成熟的創(chuàng)作技法,和中國源遠(yuǎn)而又深厚的文化傳統(tǒng)的基礎(chǔ)上,中國合唱從取之不盡的民間音樂寶庫中吸取營養(yǎng),迅速成長,融西方技法與中國文化于一爐,走出一條中國特色的合唱發(fā)展之路。本論文以中國合唱內(nèi)容上的“美頌”特質(zhì)為邏輯主線,分上下兩篇,分別從文化和詩學(xué)兩個(gè)層面切入,對百年中國合唱進(jìn)行了宏觀整體性闡釋。伴隨著中國百年的政治巨變,合唱從產(chǎn)生到發(fā)展成熟經(jīng)歷了跟政治的膠著到逐漸疏離,然而,合唱因其“群體性歌唱的人聲屬性”,始終與時(shí)代聯(lián)系跟主流意識(shí)同步,承載著傳統(tǒng)的“美頌”精神,只是頌贊的主題由相對單一到多元拓展。論文在對近百年的合唱作品(以大中型為主)與美頌精神的關(guān)系進(jìn)行分時(shí)期梳理之后,揭示出中國合唱的美頌特質(zhì)與中國傳統(tǒng)“和”文化及“樂教”思想的內(nèi)在聯(lián)系,將合唱在不同歷史時(shí)期的社會(huì)功能總結(jié)為“情和、心和、人和”。中國合唱是合唱這種藝術(shù)形式與中國社會(huì)現(xiàn)實(shí)的結(jié)合,表現(xiàn)的是中國人的實(shí)際人生,表達(dá)的是民族的精神、思想和情感,而創(chuàng)作主體和審美主體均與中國文化母體密切聯(lián)系。即使在聲部構(gòu)建的技法上借鑒了西方,但所使用的音樂材料是中國的、民族的,傳統(tǒng)美學(xué)思維會(huì)隱性或顯性地滲透在音樂的組織原則中。因此,論文下篇以極具中國文化特質(zhì)的“雄渾”范疇為統(tǒng)攝,來解讀百年中國合唱的美學(xué)特征:合唱的多聲部屬性以及中國合唱承載著美頌精神所具的浩然之氣,決定了它的雄健,“大”和“力”是它的審美形態(tài)。而中國文化語境中合唱具有極大的美學(xué)涵容性,力的剛?cè)嵯酀?jì)是“中和”思想在集體無意識(shí)下的審美心理積淀。所以中國合唱的美學(xué)特征只能是“雄渾”,而不能是西方的“崇高”,其審美本質(zhì)跟中國文論史上對“有與無”、“言與意”,及“生命精神”的探討關(guān)聯(lián),體現(xiàn)在“形與神的關(guān)系”,“意象意境的主體性”及“氣為合唱生命本體”三個(gè)方面。
[Abstract]:In Chinese, modern chorus began in the early twentieth Century, has only a history of nearly 100 years. But for hundreds of years, standing in the West has been quite mature literary techniques, basic and profound cultural tradition and the source Chinese far, Chinese chorus of folk music from inexhaustible treasure absorb nutrients, grow rapidly, western harmony techniques and China culture in a furnace, out of a characteristic development road China chorus. In this paper, the content of the "beauty Chinese chorus song" character as a logical clue, is divided into two parts, respectively from the two aspects of culture and Poetics of Chinese chorus cut, hundred years the macro overall interpretation. With the China hundred years of political upheaval, the chorus from generation to mature experience with the political stalemate to alienation, however, because of the chorus "group singing voice properties, and the time synchronization contact with the mainstream consciousness, bearing Carrying the traditional "beautiful song" spirit, just praise theme from single to multiple expansion. In the nearly hundred years of choral works (mainly to large and medium-sized) after the period of carding and relationship between the spirit of song, reveals the inner link Chinese chorus Meisong traits and China tradition "and" the culture and the "music education" concept, will be summed up as "emotion and chorus, heart and in different historical periods of social function, and. China chorus is a combination of the chorus of this art form and China social reality, is the performance of real life Chinese, as is the national spirit and thought emotion, creation subject and aesthetic subject and China culture closely. Even in the construction of the voice from the western techniques, but the music material is China, national, traditional aesthetic thinking will be implicit or explicit penetration in music The principle of organization. Therefore, in the last part of the paper to China culture very "vigorous" category as the unifying aesthetic features to interpret the Chinese 100 years: multi voice chorus chorus chorus and the China attribute carries the spirit of song with magnanimous, determines its vigorous, "big" and "force" is the aesthetic form of it. The chorus China cultural context has great aesthetic connotation, the force is move among force and soft "and" thinking in the collective consciousness of aesthetic psychological accumulation. So the aesthetic features of China chorus is only "vigorous", not western "lofty" the aesthetic essence with the China the history of "and", "words and meaning", and to explore the relationship between "life spirit", embodied in the "relationship" with God, "subjectivity" and "artistic image gas into three aspects of chorus of life ontology".

【學(xué)位授予單位】：暨南大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2014
【分類號】：J616.2

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本文編號：1377862