莫高窟“三兔藻井”圖像釋義
發(fā)布時(shí)間:2018-12-21 18:06
【摘要】:在敦煌莫高窟的16個(gè)洞窟的藻井位置中都繪制有"三兔共耳"圖案,此圖案最早出現(xiàn)于隋代,最晚消失于晚唐。長時(shí)間以來,學(xué)界對(duì)其來源和蘊(yùn)意頗有爭(zhēng)論。經(jīng)過研究可以看出,"三兔藻井"圖像與中國傳統(tǒng)文化中的蓮荷崇拜、北斗、月神以及佛教信仰有直接關(guān)系。
[Abstract]:In the 16 caves of Mogao Grottoes in Dunhuang, there is a pattern of "three rabbits in common ears", which first appeared in the Sui Dynasty and disappeared in the late Tang Dynasty at the latest. For a long time, scholars have been arguing about its origin and implication. Through the study, we can see that the image of "three Rabbit Caojing" is directly related to lotus worshiping, Beidou, moon god and Buddhist belief in Chinese traditional culture.
【作者單位】: 敦煌研究院考古研究所;
【分類號(hào)】:K879.21
,
本文編號(hào):2389268
[Abstract]:In the 16 caves of Mogao Grottoes in Dunhuang, there is a pattern of "three rabbits in common ears", which first appeared in the Sui Dynasty and disappeared in the late Tang Dynasty at the latest. For a long time, scholars have been arguing about its origin and implication. Through the study, we can see that the image of "three Rabbit Caojing" is directly related to lotus worshiping, Beidou, moon god and Buddhist belief in Chinese traditional culture.
【作者單位】: 敦煌研究院考古研究所;
【分類號(hào)】:K879.21
,
本文編號(hào):2389268
本文鏈接:http://sikaile.net/shekelunwen/zjlw/2389268.html
教材專著