【摘要】：《惡趣清凈怛特羅》多用于喪葬儀禮,自吐蕃時代已被翻譯成藏文并收錄于當時王室公認的譯經(jīng)典籍《丹噶目錄》中。在現(xiàn)存的新舊兩個譯本中,尤其是屬惡趣清凈怛特羅新譯本中,九佛頂曼荼羅圖像在吐蕃占領(lǐng)期的敦煌、西夏時期的榆林3窟及西藏西部的帕爾噶爾布等諸多石窟寺院中均有發(fā)現(xiàn)。本文擬據(jù)此并結(jié)合漢藏佛教史籍中與惡趣清凈新譯派九佛頂曼荼羅有關(guān)的文獻,探討屬惡趣清凈系九佛頂曼荼羅圖像的配置及該曼荼羅在敦煌、西藏西部各時期思想功能的轉(zhuǎn)變。
[Abstract]:It has been translated into Tibetan since the Tubo era and included in Danga catalogue, which was recognized by the royal family at that time. Of the two existing versions, especially the new version of the evil taste, pure and clean, the mandala images of the nine Buddhas were in Dunhuang during the occupation of Tubo. Three grottoes of Yulin in Xixia period and Parggar in western Tibet are found in many grottoes. Based on this, and combining with the literature on the mandala of the nine Buddhas in the historical books of Han and Tibetan Buddhism, this paper probes into the arrangement of the mandala images of the nine Buddhas and the mandala of the nine Buddhas in Dunhuang. The change of ideological function in western Tibet.
【作者單位】： 首都師范大學漢藏佛教美術(shù)研究所;
【基金】：北京市社會科學基金項目“七至十三世紀漢藏與多民族文明關(guān)系史”(項目編號:14ZDA11)成果之一
【分類號】：K892.22;B948

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本文編號：2183842