【摘要】：隨著馬匹政治、軍事功能的弱化與經(jīng)濟(jì)功能的進(jìn)一步增強(qiáng),官方逐漸退出馬神祭祀,馬神的經(jīng)典解釋范式日漸被打破,皮影戲等民間戲劇卻通過最通俗、最有效的方式重新建構(gòu)了一個(gè)新的"馬王成圣"故事,塑造了一個(gè)新的馬神。馬神信仰通過這種變遷暫時(shí)沿續(xù)了下來,但馬神從此卻變成了一個(gè)游移于精英文化之外的尷尬民神,并具有了非常強(qiáng)烈的地方性區(qū)隔特征。
[Abstract]:With the weakening of horse politics, the weakening of military function and the further enhancement of economic function, the official gradually withdrew from the sacrifice of the horse god, and the classical explanation paradigm of the horse god was gradually broken, but the folk drama such as shadow play passed through the most popular. The most effective way to reconstruct a new story of the Horse is to shape a new Horse God. Through this change, the belief of the horse god continued temporarily, but the horse god became an awkward folk god who moved outside the elite culture and had a very strong characteristic of local division.
【作者單位】： 成都博物院、中國皮影博物館;
【分類號(hào)】：B933
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本文編號(hào)：2142526