本文關鍵詞： 煨桑誦文 神寶山神 文化內涵　出處：《青海師范大學》2014年碩士論文　論文類型：學位論文

【摘要】：貴德縣與尖扎縣交界之處在安多歷史上素有貴德上下之稱。作為藏族贊普時期邊疆士兵活動的重要基地之一,數(shù)千年來該地區(qū)人們世代傳承的以煨桑為主的民俗文化不但歷史悠久,而且匯聚了各種宗教教派的教義特色。同時,該地區(qū)也是傳說中神寶山神的所在地。神寶山神作為藏族安多地區(qū)最大的山神阿尼瑪卿之弟,是該地區(qū)及其周圍廣大民眾崇拜的重要山神之一,信眾們代代相傳的煨桑誦文擁有民間文學和古典文學的雙重文學特征,特別是包含英雄主義色彩的山神誦文在藏族文學作品中占有相當比例。然而由于種種原因,山神誦文長久以來如同是靜待開采的寶藏,少有學者將其納入文學作品當中深入系統(tǒng)地加以研究。為此,本文以神寶山神作為研究的起始點,深入調研以誦文為主的藏族山神文化體系及其帶有的豐富文化內涵,同時以煨桑儀式中的誦文頌詞為主要研究對象,并結合其他山神誦文和前人的相關研究成果,深入探究闡述了煨桑及誦文的文化內涵。文章共有七個部分組成：第一部：前言,主要闡述了選題意義及其研究現(xiàn)狀。第二部：通過歸納整理先者對山神的認識和分類、傳統(tǒng)供桑儀式及其禁忌等,對藏族山神文化體系加以全面陳述。第三部：講述了在唐卡和傳說中以神寶誦文形式出現(xiàn)的關于神寶山神的諸多豐富內容。其中主要包括神寶山神的起源、形象、親屬、以及這些所反映出來的社會等級,親屬關系、宗教教義等內容。第四部：第四部：對誦讀神寶山神的幾種不同誦文文本加以研究,主要探討了藏族山神誦文的文本框架、藝術風格、內容特色等。第五部：從社會學的角度分析了煨桑習俗演變過程中的山神煨桑與社會生活之間的相互作用及其關系。
[Abstract]:At the junction of Guide county and Jianzha County in Guide known as said under the Amdo history. As one of the important bases of frontier soldiers activities of Tibetan Kingdoms period for thousands of years, people in this area for generations to Weisang based folk culture has a long history, but also brought together the various religious sects doctrine characteristics. At the same time, the area is the legendary god of treasure mountain is located. Treasure mountain god as Tibetan Amdo region's largest mountain A'nyemaqen's younger brother, is one of the important mountain and around the area the people worship, double literary features of the believers of Weisang Songwen have be handed down from age to age of folk literature and classical literature, especially including heroic the recitation occupies a considerable proportion in Tibetan literature. However, due to various reasons, the Song Wen long as for mining treasures, few scholars will Included in the literary works deeply and systematically studied. Therefore, the treasures of God as the starting point of the mountain, in-depth research to recite the text based Tibetan mountain culture system and with rich cultural connotation, while the Weisang rites of the tribute Song Wen as the main research object, and combined with other relevant research results mountain Song Wen and former, in-depth study expounds Weisang and recitation culture connotation. The article consists of seven parts: the first part: preface, mainly expounds the significance and research status. Second: through the summary first understanding and classification of gods, traditional ceremonies and taboos for mulberry a comprehensive statement of the mountain, the Tibetan culture system. The third part describes in shinpo recitation form in Thangka and the legendary treasure mountain of God many rich content. Which mainly include the God of Baoshan God's origin, image, relatives, and these reflect the social hierarchy, kinship, religion and so on. Fourth: Fourth: To study several different reading text to read aloud the treasures of god mountain, mainly discusses the text frame, the Tibetan Mountain Song Wen's artistic style, content features fifth. Department: from the perspective of sociology, analyzes the interaction between the custom of Weisang in the evolution process of the Weisang and social life and their relationship.

【學位授予單位】：青海師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：B933

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本文編號：1445460