【摘要】：由宋人記錄與建構(gòu)的鐘馗文化程式,對后世影響深遠(yuǎn)。宋代以前關(guān)于鐘馗的文獻(xiàn)記載僅存零星片段。史書中記載了南北朝時(shí)期有鐘葵(馗)、辟邪、白澤為名或字者數(shù)例,通過名與字的互文關(guān)系與類比分析,推斷在其所處時(shí)代鐘葵(馗)的本體為神獸,當(dāng)時(shí)有以仙佛神鬼鳥獸為名字的風(fēng)氣,其中寄寓有特別的意味。敦煌文書中有"中(鐘)夔"的寫法,"夔"為虛(耗)鬼,也是神獸,與名字中鐘葵(馗)的神獸觀念相契合,而且作為"鬼"的屬性一直保存在后世的鐘馗故事版本中,由此推斷,鐘馗的起源可能來自于"夔"的觀念。
[Abstract]:Zhong Kui's cultural program, recorded and constructed by the Song Dynasty, has a profound impact on later generations. Prior to the Song Dynasty, there were only sporadic fragments in the literature about Zhong Kui. It is recorded in the history books that there were several examples of Kui (Kui), dispelling evil spirits, and Bai Ze as names or characters in the Southern and Northern dynasties. Through the intertextual relationship between names and characters and analogy analysis, it was inferred that the Noumenon of Zhong Kui (Kui) was a fairy beast in its time. At that time, there was a custom named after the gods, ghosts, birds and beasts, among which there was a special meaning. In the Dunhuang documents, there is a way to write "Zhong Kui". "Kui" is a ghost, also a fairy beast, which coincides with the concept of the immortal beast in the name of Kui. Moreover, as the attribute of "ghost", it has always been preserved in the later version of Zhong Kui's story. From this, Zhong Kui's origin may come from "Kui" idea.
【作者單位】： 中央美術(shù)學(xué)院;
【分類號】：K207

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1 何凌霞;;“白澤”考論[J];云夢學(xué)刊;2013年06期

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