本文選題：河南漢畫　切入點(diǎn)：建鼓　出處：《文化遺產(chǎn)》2017年03期 　論文類型：期刊論文

【摘要】：建鼓作為樂器之一,承擔(dān)著祭祀的娛神功能以及宴飲或喪葬表演的娛人功能。在漢代厚葬之風(fēng)的浸淫下,建鼓進(jìn)入墓葬,成為漢代墓葬裝飾題材之一。建鼓圖的出土固然為文獻(xiàn)中的音樂記錄提供了比對的圖樣,但相較于著重記錄建鼓的起源、形制及演奏位置的文獻(xiàn),漢墓中的建鼓圖似乎更注重建鼓與諸如車馬出行、撈鼎圖或西王母等有特殊象征意義圖像的拼合及其在墓葬中的空間配置。這意味著漢墓中的建鼓圖雖然具有建鼓的普遍功能,但由于它與其它圖像的配合,致使整體圖像或強(qiáng)化建鼓的基本功能或呈現(xiàn)整合之后新圖像所具有的"求仙道"的象征意義。
[Abstract]:As one of the musical instruments, the building drum has the funerary function of sacrifice and the entertainment function of banquets and funerals. Under the wind of heavy burial in the Han Dynasty, Jian Drum entered the tomb. As one of the subjects of tomb decoration in the Han Dynasty, the unearthed pictures of the Jian Drum provide a comparative design for the music records in the literature, but compared with the documents which focus on recording the origin, shape and playing position of the Jian Drum, It seems that the building drum map in the Han tombs pays more attention to the combination of the building drum with the special symbolic images such as chariot and horse travel, salvage tripod map or western royal mother, and their space configuration in the tomb. This means that although the building drum map in the Han Dynasty tomb has the universal function of building the drum, However, because of its cooperation with other images, the whole image or the basic function of the building drum is enhanced or the new image has the symbolic meaning of "seeking the Immortals" after the integration.
【作者單位】： 武漢大學(xué)哲學(xué)學(xué)院;
【分類號】：K878;K892.9

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