御書(shū)飛白與玉堂之署:宋代政治文化中的帝王書(shū)法觀察
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本文關(guān)鍵詞:御書(shū)飛白與玉堂之署:宋代政治文化中的帝王書(shū)法觀察 出處:《云南社會(huì)科學(xué)》2016年03期 論文類型:期刊論文
更多相關(guān)文章: 太宗 玉堂之署 御書(shū)飛白 政治文化
【摘要】:宋太宗在淳化二年賜給翰林學(xué)士院御書(shū)飛白"玉堂之署",這本是君臣在政事之余的翰墨雅事,卻在偶然的觀書(shū)會(huì)和群臣的詩(shī)歌唱和中被太宗塑造成了"儒墨之盛"的典范。在后人的追溯中,太宗的這一御書(shū)故事也變成了當(dāng)時(shí)的經(jīng)典,御書(shū)的神圣性被進(jìn)一步建構(gòu)。此后,兩宋諸帝不斷援引太宗"玉堂之署"的御書(shū)故事,屢次重摹太宗的御書(shū)或者重新書(shū)寫(xiě)"玉堂",這些行為或凸顯了"光紹祖宗"的意志,或是制造了"再造中興"的輿論。而文臣們也積極參與其中,并以此作為權(quán)力博弈的特殊資本。
[Abstract]:Song Taizong in the two years of Chunhua to the Imperial Academy of Hanlin to fly white book, "Yutang Office", this is the monarch in addition to political affairs in the calligraphy elegant matter. However, Taizong was shaped by Taizong into a model of "the prosperity of Confucianism and Mohism" in the occasional book-watching meeting and the poetry harmony of the ministers. In the tracing of later generations, the story of Taizong's imperial calligraphy also became the classic of that time. The sacred nature of the imperial script was further constructed. Since then, the emperors of the two Song dynasties have repeatedly quoted the stories of the imperial calligraphy of Taizong's "Jade Hall", repeatedly copying the imperial books of Taizong or rewriting the "Yutang". These behaviors either highlight the will of the "Guangshao ancestors" or create the public opinion of "remaking Zhonghong", and the ministers actively participate in them and take them as the special capital of the power game.
【作者單位】: 四川大學(xué)歷史文化學(xué)院;
【分類號(hào)】:K244
【正文快照】: 一直以來(lái),美術(shù)學(xué)界對(duì)帝王的書(shū)法研究興趣不減,并對(duì)歷代帝王書(shū)法的藝術(shù)風(fēng)格與成就進(jìn)行了比較全面的探討。近年來(lái),隨著美術(shù)史與歷史學(xué)等學(xué)科交叉與對(duì)話的深入,很多學(xué)者開(kāi)始逐步將注意力轉(zhuǎn)向帝王書(shū)法與政治文化的關(guān)系的研究,大量討論皇權(quán)對(duì)書(shū)法藝術(shù)的作用,譬如皇帝對(duì)某種書(shū)法風(fēng)格
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