【摘要】：遺產(chǎn)空間的生產(chǎn)和再現(xiàn)是不同主體的意義建構(gòu)過(guò)程,不僅構(gòu)成了群體對(duì)世界的表達(dá),而且也構(gòu)成了群體本身,涉及"我們是誰(shuí)"的問(wèn)題,是對(duì)歷史的選擇性記憶和共識(shí)性陳述。以色列馬薩達(dá)要塞曾一度成為現(xiàn)代以色列的象征,猶太民族形象的核心。在歷經(jīng)錫安主義運(yùn)動(dòng)、以色列建國(guó)、中東戰(zhàn)爭(zhēng)和現(xiàn)代旅游發(fā)展等不同階段,馬薩達(dá)"神話"也跟隨歷史經(jīng)歷了富有意味的變化。
[Abstract]:The production and reproduction of heritage space is a process of meaning construction of different subjects. It not only constitutes the expression of the world by groups, but also constitutes the group itself. The question of "who are we" is a selective memory and consensus statement of history. Israel's Massaadeh fortress once became the symbol of modern Israel, the core of the Jewish national image. At different stages, such as the Zionism movement, the establishment of Israel, the war in the Middle East and the development of modern tourism, Massaadeh's "mythology" has undergone significant changes with history.
【作者單位】： 中國(guó)傳媒大學(xué)傳播研究院;
【基金】：2008年-2011以色列外交部和中國(guó)中央電視臺(tái)電影頻道(CCTV6)合作的以色列專題紀(jì)錄片系列拍攝項(xiàng)目
【分類號(hào)】：K890
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本文編號(hào)：2335180