宋代中元節(jié)俗研究
發(fā)布時間：2018-10-22 07:03
【摘要】：中國傳統(tǒng)節(jié)日作為華夏民族最寶貴的非物質文化遺產,是中華民族歷史文化成就的重要標志。本文以宋代的中元節(jié)為研究對象,探索了宋時中元節(jié)的主要節(jié)俗、文化內涵及其所表現(xiàn)的時代特征。中元節(jié)發(fā)展至宋代,在繼承儒、釋、道三家理念的基礎上,節(jié)日民俗文化內容更為豐富且趨于定式。當宋代“三教合一”的思想日趨演進,佛教、道教加快了各自的世俗化進程,中元節(jié)開始逐漸剝離宗教的外殼,演變?yōu)槊耖g節(jié)日,體現(xiàn)出了商業(yè)化、民俗化和娛樂化的節(jié)日特征。本文第一部分介紹中元節(jié)的起源流變與宋代的時代背景。第二部分借助筆記、小說、方志等史料記載,疏理宋代主要中元節(jié)俗。第三部分通過對比《東京夢華錄》所描述的東京節(jié)俗與《夢粱錄》所記載的臨安節(jié)俗,了解中元節(jié)俗在南北方的差異并分析其原因。第四部分以中元節(jié)為切點,放眼宋代的主流文化,即儒、釋、道三家,探討中元節(jié)俗蘊藏的文化內涵,歲時節(jié)日與宗教的關系,以及主流文化的時代特征。傳統(tǒng)節(jié)日的背后往往延續(xù)了人類在其文化傳承上的某種初衷,無論是精神,亦或是物質,皆與一個國家的凝聚力和認同感融為一體、密不可分。本文認為中元節(jié)建立在我國古老的歲時節(jié)令之上,后雖被更多地植入了宗教理念,但它最初側重表現(xiàn)人們對家庭的珍視之意,對祖先的崇敬之心,是我國孝悌之道的踐行。了解與中元節(jié)相關的民俗習慣,追溯過往,對我國傳統(tǒng)節(jié)日的保護與傳承具有重要意義。中元節(jié)作為一個文化內涵醇厚、節(jié)俗形式多樣的傳統(tǒng)節(jié)日,在現(xiàn)代化極速發(fā)展的今天響應著傳承民族記憶的時代召喚。若能守住這古老的節(jié)日傳統(tǒng),并不斷為其注入核心的時代元素,有利于提高傳承意識與加深族群認同感。
[Abstract]:As the most precious intangible cultural heritage of the Chinese nation, the Chinese traditional festival is an important symbol of the historical and cultural achievements of the Chinese nation. Taking Ghost Festival of Song Dynasty as the object of study, this paper explores the major customs, cultural connotations and the characteristics of the times of Ghost Festival in Song Dynasty. Ghost Festival developed to the Song Dynasty. On the basis of inheriting the three ideas of Confucianism, Buddhism and Taoism, the contents of festival folk culture were richer and more fixed. When the thought of "integration of the three religions" in the Song Dynasty evolved day by day, Buddhism and Taoism accelerated their respective secularization process, Ghost Festival began to gradually peel off the shell of religion, and evolved into a folk festival, which embodied commercialization. The holiday features of folklore and entertainment. The first part of this paper introduces the evolution of Ghost Festival's origin and the background of the Song Dynasty. The second part, with the help of notes, novels, local records and other historical records, the main Song Dynasty Ghost Festival vulgar. The third part analyzes the difference between Ghost Festival's customs in the south and the north by comparing the Tokyo festival customs described in Tokyo Meng Hua Lu with the Lin'an festival customs recorded in Dream Liang Records. The fourth part, taking Ghost Festival as the cutting point, looks at the mainstream culture of Song Dynasty, namely Confucianism, Buddhism and Taoism, discusses the cultural connotation contained in Ghost Festival's vulgar, the relationship between festivals and religion at the age of years, and the characteristics of the mainstream culture. The traditional festivals often continue the original intention of human beings in their cultural heritage. Both spirit and material are closely related to the cohesion and identity of a country. This paper holds that Ghost Festival was founded on the ancient age festival of our country, and although more religious ideas were implanted after it, it was the practice of filial piety in our country at the beginning, which focused on the expression of people's treasuring of family and the reverence of ancestors. Understanding the folklore and customs related to Ghost Festival and tracing back to the past are of great significance to the protection and inheritance of Chinese traditional festivals. Ghost Festival, as a traditional festival with rich cultural connotation and various customs and forms, responds to the call of the times of inheriting national memory in the rapid development of modernization. If we can keep this ancient festival tradition and inject the core elements of the times into it, it will help to enhance the sense of inheritance and the sense of ethnic identity.
【學位授予單位】：華中師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：K892.11;K244
本文編號：2286447
[Abstract]:As the most precious intangible cultural heritage of the Chinese nation, the Chinese traditional festival is an important symbol of the historical and cultural achievements of the Chinese nation. Taking Ghost Festival of Song Dynasty as the object of study, this paper explores the major customs, cultural connotations and the characteristics of the times of Ghost Festival in Song Dynasty. Ghost Festival developed to the Song Dynasty. On the basis of inheriting the three ideas of Confucianism, Buddhism and Taoism, the contents of festival folk culture were richer and more fixed. When the thought of "integration of the three religions" in the Song Dynasty evolved day by day, Buddhism and Taoism accelerated their respective secularization process, Ghost Festival began to gradually peel off the shell of religion, and evolved into a folk festival, which embodied commercialization. The holiday features of folklore and entertainment. The first part of this paper introduces the evolution of Ghost Festival's origin and the background of the Song Dynasty. The second part, with the help of notes, novels, local records and other historical records, the main Song Dynasty Ghost Festival vulgar. The third part analyzes the difference between Ghost Festival's customs in the south and the north by comparing the Tokyo festival customs described in Tokyo Meng Hua Lu with the Lin'an festival customs recorded in Dream Liang Records. The fourth part, taking Ghost Festival as the cutting point, looks at the mainstream culture of Song Dynasty, namely Confucianism, Buddhism and Taoism, discusses the cultural connotation contained in Ghost Festival's vulgar, the relationship between festivals and religion at the age of years, and the characteristics of the mainstream culture. The traditional festivals often continue the original intention of human beings in their cultural heritage. Both spirit and material are closely related to the cohesion and identity of a country. This paper holds that Ghost Festival was founded on the ancient age festival of our country, and although more religious ideas were implanted after it, it was the practice of filial piety in our country at the beginning, which focused on the expression of people's treasuring of family and the reverence of ancestors. Understanding the folklore and customs related to Ghost Festival and tracing back to the past are of great significance to the protection and inheritance of Chinese traditional festivals. Ghost Festival, as a traditional festival with rich cultural connotation and various customs and forms, responds to the call of the times of inheriting national memory in the rapid development of modernization. If we can keep this ancient festival tradition and inject the core elements of the times into it, it will help to enhance the sense of inheritance and the sense of ethnic identity.
【學位授予單位】：華中師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：K892.11;K244
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，本文編號：2286447
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