本文選題：有文在其手 + 讖緯�。� 參考：《文化遺產(chǎn)》2017年04期

【摘要】："有文在其手"一語(yǔ),本出自《左傳》,即指在人手中形成近似漢字的掌紋。從漢字的源流角度考察"有文在其手",在由"畫(huà)成其物"到筆劃規(guī)范的演進(jìn)過(guò)程中,漢字與人類手中掌紋產(chǎn)生的某些共性,為"有文在其手"的"存在"提供了客觀的條件。在中國(guó)古代,"有文在其手"呈現(xiàn)的意義與文字象形、讖緯信仰、姓氏文化、詩(shī)文用事有關(guān)。其所構(gòu)建的人文傳統(tǒng),是一個(gè)既具有內(nèi)在關(guān)聯(lián),同時(shí)卻存在非連續(xù)性的的意義序列。"有文在其手"的內(nèi)涵與外延,為傳統(tǒng)文化提供了充足的知識(shí)資源。
[Abstract]:The phrase "having a text in his hand", originally from Zuo Zhuan, refers to the palmprint of a Chinese character in the hand of a person.From the angle of the origin and stream of Chinese characters, the article is in its hand. In the process of evolution from "painting into its object" to the stroke norm, some commonalities between Chinese characters and human palmprint provide objective conditions for the "existence" of "having text in its hand".In ancient China, the meaning of "having a text in its hand" is related to the pictogram of characters, the belief of prophecy, the culture of surnames and the use of poetry and prose.The humanistic tradition it constructs is a sequence of meanings that is both intrinsically connected and discontinuous at the same time. "The intension and extension of the article in its hand provide sufficient knowledge resources for the traditional culture.
【作者單位】： 中山大學(xué)中文系;
【基金】：國(guó)家社科基金重大課題“中國(guó)古代文體學(xué)發(fā)展史”(課題編號(hào):10&ZD102) 中山大學(xué)2017年度高校基本科研業(yè)務(wù)費(fèi)青年教師培育項(xiàng)目“清人注清詩(shī)”(項(xiàng)目編號(hào):17wkpy89)的階段性成果
【分類號(hào)】：G122

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