中國(guó)犀皮漆現(xiàn)狀研究
發(fā)布時(shí)間：2018-09-05 07:35
【摘要】：中國(guó)傳統(tǒng)文化之漆藝的發(fā)展,伴隨著政治、經(jīng)濟(jì)、歷史、軍事、社會(huì)生活的節(jié)奏譜寫(xiě)歷史的每一章,古人從認(rèn)識(shí)漆、使用漆、制造漆、研究漆藝、創(chuàng)新漆的技法、發(fā)揚(yáng)漆意中漆藝的技法研究不容忽視。所謂“技進(jìn)呼道”,同義“形而上者謂之器,形而下者謂之道”、“道器不二”。也就是說(shuō)“器”、“道”與“技”三者之間衍生關(guān)系與從屬關(guān)系,犀皮漆技法從屬于中國(guó)傳統(tǒng)文化漆藝技法,犀皮漆的技法離不開(kāi)漆、器與技。那么,犀皮漆是什么?出自于何處?與當(dāng)代藝術(shù)有何關(guān)系?具體犀皮漆誕生的原因、制作、工藝、影響、價(jià)值意義與傳承發(fā)展以及與其它漆藝、文化、設(shè)計(jì)之間的關(guān)系與聯(lián)系是什么?犀皮漆的概念的界定與產(chǎn)生的時(shí)代背景、歷史劃分及文物出現(xiàn)、文史資料的進(jìn)行梳理歸納。古人、現(xiàn)代與當(dāng)代對(duì)于犀皮漆的概念文獻(xiàn)梳理與總結(jié)、認(rèn)識(shí),研究其現(xiàn)狀。如此,犀皮漆與漆、造型、色彩、設(shè)計(jì)、工藝、美學(xué)、思想及傳統(tǒng)文化、現(xiàn)代生活與當(dāng)代設(shè)計(jì)有著各種介入話題與視覺(jué)的碰觸。本文試圖豐富犀皮漆技法的現(xiàn)狀研究與藝術(shù)特點(diǎn)。漆與犀皮漆技法,犀皮漆與庫(kù)路真、變涂工藝、絞胎,試圖構(gòu)架犀皮漆與傳統(tǒng)工藝文化的創(chuàng)新并有著必然聯(lián)系。結(jié)合市場(chǎng)調(diào)研目前犀皮漆分布現(xiàn)狀與如何開(kāi)發(fā)犀皮漆的利用與傳承傳統(tǒng)文化提出合理有效的建議。 為此,以傳承與保護(hù)中國(guó)傳統(tǒng)漆藝文化為基準(zhǔn),共同探討漆藝技法犀皮漆技法的理論依據(jù)與圖案設(shè)計(jì)的基本原理,以多元化的圖形設(shè)計(jì)在現(xiàn)代漆藝設(shè)計(jì)及其它領(lǐng)域的應(yīng)用為目標(biāo),結(jié)合漆藝的傳統(tǒng)技法藝術(shù)實(shí)踐為研究犀皮漆的發(fā)展提供有效的理論依據(jù)與有效的建設(shè)性方案,共同為現(xiàn)代漆藝的設(shè)計(jì)與綠色消費(fèi)及健康生活提供有效的建議。同時(shí),望能對(duì)于從事漆藝?yán)碚撆c文化研究的專(zhuān)家學(xué)者能有所裨益。
[Abstract]:With the development of lacquer art in Chinese traditional culture, with the rhythm of politics, economy, history, military, and social life, the ancients began to understand paint, use lacquer, make lacquer, study lacquer art, and innovate lacquer technique. The technique research of developing lacquer art in lacquer idea can not be ignored. The so-called "technical progress calls the Tao", synonymous with "metaphysical called the weapon, the form is called the way", "Tao is not two." That is to say, the relationship and subordinate relationship between "apparatus", "Tao" and "technique" are derived, and luteolin lacquer technique is subordinate to traditional Chinese culture lacquer technique, and luteolin lacquer technique cannot be separated from lacquer. So, what's the rhinoceros? From where? What does it have to do with contemporary art? What are the reasons, manufacture, craft, influence, value meaning, inheritance and development of specific luteolin lacquer and the relationship and relation with other lacquer art, culture and design? The definition and background of the concept of luteolin, the division of history and the appearance of cultural relics, and the sorting and summing up of literature and history materials. The ancient, modern and contemporary literature on the concept of luteolin lacquer is summarized, recognized and studied. Thus, luteolin lacquer and lacquer, modelling, color, design, craft, aesthetics, thought and traditional culture, modern life and contemporary design have a variety of topics and visual touch. This paper attempts to enrich the present situation of luteolin lacquer techniques and artistic characteristics. Lacquer and luteolin lacquer technique, luteolin lacquer and Kuluzhen, varnish changing technology, twisting tire, trying to frame luteolin lacquer and the innovation of traditional craft culture have inevitable relation. Based on market research, the paper puts forward some reasonable and effective suggestions on how to develop luteolin lacquer and how to inherit traditional culture. Therefore, based on the inheritance and protection of Chinese traditional lacquer culture, the theoretical basis of lacquer technique and the basic principle of pattern design are discussed together. Aiming at the application of diversified graphic design in modern lacquer design and other fields, combined with the traditional art practice of lacquer art, it provides an effective theoretical basis and effective constructive scheme for the development of luteolin lacquer. Together for modern lacquer art design and green consumption and healthy life to provide effective advice. At the same time, hope to be able to engage in lacquer art theory and cultural research experts can benefit.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J527
本文編號(hào)：2223612
[Abstract]:With the development of lacquer art in Chinese traditional culture, with the rhythm of politics, economy, history, military, and social life, the ancients began to understand paint, use lacquer, make lacquer, study lacquer art, and innovate lacquer technique. The technique research of developing lacquer art in lacquer idea can not be ignored. The so-called "technical progress calls the Tao", synonymous with "metaphysical called the weapon, the form is called the way", "Tao is not two." That is to say, the relationship and subordinate relationship between "apparatus", "Tao" and "technique" are derived, and luteolin lacquer technique is subordinate to traditional Chinese culture lacquer technique, and luteolin lacquer technique cannot be separated from lacquer. So, what's the rhinoceros? From where? What does it have to do with contemporary art? What are the reasons, manufacture, craft, influence, value meaning, inheritance and development of specific luteolin lacquer and the relationship and relation with other lacquer art, culture and design? The definition and background of the concept of luteolin, the division of history and the appearance of cultural relics, and the sorting and summing up of literature and history materials. The ancient, modern and contemporary literature on the concept of luteolin lacquer is summarized, recognized and studied. Thus, luteolin lacquer and lacquer, modelling, color, design, craft, aesthetics, thought and traditional culture, modern life and contemporary design have a variety of topics and visual touch. This paper attempts to enrich the present situation of luteolin lacquer techniques and artistic characteristics. Lacquer and luteolin lacquer technique, luteolin lacquer and Kuluzhen, varnish changing technology, twisting tire, trying to frame luteolin lacquer and the innovation of traditional craft culture have inevitable relation. Based on market research, the paper puts forward some reasonable and effective suggestions on how to develop luteolin lacquer and how to inherit traditional culture. Therefore, based on the inheritance and protection of Chinese traditional lacquer culture, the theoretical basis of lacquer technique and the basic principle of pattern design are discussed together. Aiming at the application of diversified graphic design in modern lacquer design and other fields, combined with the traditional art practice of lacquer art, it provides an effective theoretical basis and effective constructive scheme for the development of luteolin lacquer. Together for modern lacquer art design and green consumption and healthy life to provide effective advice. At the same time, hope to be able to engage in lacquer art theory and cultural research experts can benefit.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J527
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