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多元化特征視角下《女仙外史》研究

發(fā)布時(shí)間:2018-07-23 17:42
【摘要】:翻開中國古代文明的歷史篇章,能與周秦之際輝煌相映的,除了唐宋之交,只能是明清之際了。明末清初,由于明清易代、新舊鼎革,滿清統(tǒng)治者為了穩(wěn)固統(tǒng)治,籠絡(luò)人心,實(shí)行高度集中的封建專制統(tǒng)治,使得社會(huì)上各種弊端逐步顯露,各種矛盾日益尖銳。另外,伴隨著商品經(jīng)濟(jì)的進(jìn)一步發(fā)展,市民階層的進(jìn)一步壯大,新思想、新文化層出不窮,使得中國古代文明在明清之際這個(gè)特殊的歷史時(shí)期,無論是在思想文化層面、政治經(jīng)濟(jì)層面還是在社會(huì)生活層面,舊的傳統(tǒng)的思想觀念與新的先進(jìn)的價(jià)值理念都發(fā)生了猛烈的碰撞,從而使明末清初呈現(xiàn)出一種多元的、復(fù)雜的、矛盾的社會(huì)現(xiàn)狀。 成書于明末清初這個(gè)大變動(dòng)、大動(dòng)蕩時(shí)期的《女仙外史》,,以其宏富的知識涵蓋,歷史圖景式的方式縱斷描寫,將明清之際廣闊的社會(huì)畫面、多元的文化思潮、深厚的文化蘊(yùn)涵包容在小說的敘事之中。論文以多元化為著手點(diǎn),以小說成書之際多元的社會(huì)文化現(xiàn)狀為依據(jù),以明清之際小說家求新求異的創(chuàng)作旨趣為啟迪,深入分析《女仙外史》這部成書于明末清初的長篇小說的多元化特征。論文共分為七章,第一章概述,分析小說的研究現(xiàn)狀,對小說的成書時(shí)間及題材進(jìn)行定位;自第二章至第六章,分別論述了小說的作者創(chuàng)作心態(tài)、小說的題材類型、小說的結(jié)構(gòu)模式、小說的主題寓意及小說的文化蘊(yùn)涵上呈現(xiàn)的多元化內(nèi)涵及成因;第七章主要論述了《女仙外史》多元化特征的地位及影響,并分析了其在神魔小說發(fā)展歷程之中的重要作用。
[Abstract]:Apart from the Tang and Song dynasties, the history of ancient Chinese civilization can only be reflected in the Ming and Qing dynasties. In the late Ming and early Qing dynasties, due to the change of the Ming and Qing dynasties, the Manchu rulers in order to stabilize the rule, to win the hearts of the people, the implementation of a highly centralized feudal autocratic rule, so that all kinds of social abuses gradually revealed, various contradictions increasingly acute. In addition, with the further development of the commodity economy, the further expansion of the civil class, the emergence of new ideas and new cultures in endlessly, the ancient Chinese civilization in the Ming and Qing dynasties this special historical period, whether in the ideological and cultural level, The political and economic level is still in the social life level, the old traditional ideology and the new advanced value idea have had the violent collision, thus made the late Ming Dynasty and the early Qing Dynasty present a kind of multivariate, complex, contradictory social present situation. The great changes in the late Ming and early Qing dynasties, the "Foreign History of female Immortals" during the period of great upheaval, were written in a vertical way with their rich knowledge and historical pictures.The vast social picture of the Ming and Qing dynasties and the pluralistic cultural trends of thought were recorded in the end of the Ming and Qing dynasties. The profound cultural implication is contained in the narration of the novel. The thesis takes the diversification as the starting point, the pluralistic social and cultural situation of the novel as the basis, and the novelist's creative purport of seeking for the new and the different in the Ming and Qing dynasties as the inspiration. An in-depth analysis of the diversified features of the novel written in the late Ming and early Qing dynasties. The thesis is divided into seven chapters, the first chapter is an overview, analysis of the current situation of novel research, the novel of the book time and theme positioning, from the second chapter to the sixth chapter, respectively, discussed the author of the novel writing mentality, novel theme types, The structure mode of the novel, the theme implication of the novel and the pluralistic connotation and cause of formation in the cultural implication of the novel. The seventh chapter mainly discusses the status and influence of the pluralistic characteristics of the female Fairy Foreign History. It also analyzes its important role in the development of divine and evil novels.
【學(xué)位授予單位】:華東交通大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:I207.41

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