本文選題：山 + 水�。� 參考：《廣州大學(xué)》2014年碩士論文

【摘要】：“山水”是中國特有的一種審美觀念，它不同于“自然”與“風(fēng)景”，是指所有帶有人主觀情感感受的自然景物或人造景觀，是中國傳統(tǒng)文化中一種重要的審美情趣。本文通過對先秦漢魏晉南北朝詩歌中出現(xiàn)的“山”與“水”詞匯的整理分析，來探討“山水”一詞內(nèi)涵的由來。將“山”與“水”的詞匯按朝代先后分為先秦、兩漢、魏晉、南北朝，分別進(jìn)行整理和討論。發(fā)現(xiàn)“山”、“水”詞匯在魏晉南北朝時(shí)達(dá)到了發(fā)展的高潮，，在數(shù)量上和反映的內(nèi)容范圍上，都遠(yuǎn)超于唐代以前的其他朝代�！吧剿钡膶徝烙^念在此時(shí)逐漸形成。一方面，魏晉后，在文學(xué)審美觀發(fā)展的內(nèi)部驅(qū)動和政治、經(jīng)濟(jì)、社會風(fēng)氣等外部原因的促使下，“山”、“水”詞匯不斷積累，“山水觀”得以形成；另一方面，“山水觀”的形成，深化了詩歌中“山”、“水”詞匯的蘊(yùn)藉，促進(jìn)了山水詩的發(fā)展，從而又創(chuàng)造出新的“山”、“水”詞匯�？梢哉f，“山水觀”的形成過程影響著“山”、“水”詞匯的變化�！吧剿^”作為魏晉以后出現(xiàn)的一種新的社會思潮，它既得益于“山水”詞義本質(zhì)上的轉(zhuǎn)變（由單體確然概念轉(zhuǎn)化成整體的概然概念），又反作用于“山水觀”關(guān)照下的“山水”一詞，使“山水”的意境更加深遠(yuǎn)。所以，“山水”這一詞語，與山水審美觀念和社會思潮間的關(guān)系是互動的，它們相互作用相互影響，在一定條件下還會發(fā)生轉(zhuǎn)化。
[Abstract]:"Landscape" is a unique aesthetic concept in China. It is different from "nature" and "scenery". It refers to all the natural scenery or artificial landscape with subjective feelings, and it is an important aesthetic interest in Chinese traditional culture. Through the arrangement and analysis of the words "mountain" and "water" in the poems of the Qin, Han, Wei, Jin and Southern and Northern dynasties, this paper discusses the origin of the connotation of the word "landscape". The words of "Mountain" and "Water" were divided into pre Qin, Han Dynasty, Wei Jin and Southern and Northern dynasties according to the dynasties. It was found that the words "mountain" and "water" reached the climax of development in the Wei, Jin, Southern and Northern dynasties, and were far more than those of other dynasties before the Tang Dynasty in terms of quantity and reflecting content. The aesthetic concept of "landscape" gradually formed at this time. On the one hand, after the Wei and Jin dynasties, the internal driving force of the development of literary aesthetics and the external reasons such as politics, economy, social atmosphere and so on, the vocabulary of "mountain" and "water" accumulated continuously, and the "view of landscape" was formed; on the other hand, The formation of "view of landscape" deepens the meaning of "mountain" and "water" in poetry, promotes the development of landscape poetry, and creates new words of "mountain" and "water". It can be said that the formation process of landscape view affects the change of the words "mountain" and "water". As a new social trend of thought after the Wei and Jin dynasties, It not only benefits from the essential change of the meaning of "landscape" (from the single concept to the whole concept of possibility), but also reacts on the term "landscape" under the care of the "view of landscape", which makes the artistic conception of "landscape" more profound. Therefore, the relationship between the term "landscape" and the aesthetic concept and social trend of thought is interactive, and they interact with each other and change under certain conditions.
【學(xué)位授予單位】：廣州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：I207.22

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