本文選題：宋代 + 宮詞�。� 參考：《遼寧大學(xué)》2014年碩士論文

【摘要】：宮詞創(chuàng)作是中國(guó)詩(shī)歌史上一個(gè)極為特殊的現(xiàn)象，它以宮廷中的日常生活為主要內(nèi)容，描寫宮中帝王、妃子、宮女的起居、游樂(lè)、服飾、禮俗等，此種詩(shī)體對(duì)后代學(xué)者研究當(dāng)時(shí)的社會(huì)歷史和倫理習(xí)俗具有重要意義。唐宮詞是宮詞發(fā)展的一個(gè)良好開(kāi)端，自王建《宮詞百首》后，后世的宮詞創(chuàng)作蔚然成風(fēng)。其創(chuàng)作主體上至帝王妃嬪，下至文官皆有所作。其內(nèi)容多為描寫歷代宮廷內(nèi)部生活，甚至包括一些在史書中都難以找到的封建皇室的軼事。其體制上采用了七絕聯(lián)章體的組詩(shī)結(jié)構(gòu)，對(duì)后世的組詩(shī)發(fā)展起到了重要作用�？v觀歷代宮詞創(chuàng)作，我們不難發(fā)現(xiàn)，宋代宮詞是繼唐代宮詞后發(fā)展的又一個(gè)高峰，大量的作品創(chuàng)作使宮詞更具獨(dú)特性、文學(xué)性和藝術(shù)性。 本文將從以下幾個(gè)方面對(duì)宋代宮詞進(jìn)行論述： 第一，梳理宮詞的研究情況及研究角度，系統(tǒng)論述歷代學(xué)者對(duì)宮詞詩(shī)體所持的觀點(diǎn)，在此基礎(chǔ)上，給宮詞做出鮮明的界定。 第二，從社會(huì)、政治、經(jīng)濟(jì)、文化等方面論述宋代宮詞創(chuàng)作的背景。與前代宮詞相比，宋代為宮詞創(chuàng)作提供了更為良好的歷史文化語(yǔ)境。 第三，從創(chuàng)作主體、創(chuàng)作內(nèi)容兩方面闡述宋代宮詞的創(chuàng)作情況。創(chuàng)作主體有所擴(kuò)大，內(nèi)容上，由以表現(xiàn)宮怨為主轉(zhuǎn)向?qū)憣m廷的日常生活，多寫宮中的人、事、景，具有真實(shí)性和趣味性。同時(shí)，也具備一定的敘事、詠史功能和“頌美”、“諷諫”的政治功能。 第四，論述宋代宮詞的詩(shī)藝呈現(xiàn)。七絕聯(lián)章體是宋代宮詞體制上的最大特色，為人們所推崇。華美的意象、疊詞的使用，使宮詞具有了一定的視覺(jué)效果。此外，宋代宮詞多采用“賦”的手法，白描在作品中無(wú)處不在。宮詞中豐穎的意象正是對(duì)漢賦“體物”之風(fēng)的繼承，宮廷景物、器物是宮詞創(chuàng)作不可或缺的靈感所在，同時(shí)，各類物象也是作者情感的寄托。 第五，分析宋代宮詞中所呈現(xiàn)的女性形象，并探究其與之前詩(shī)文中描繪的女性形象的異同。 第六，，在對(duì)宋代宮詞作品仔細(xì)研讀和分析的基礎(chǔ)上，本人將從宋代宮詞的貢獻(xiàn)和形制的缺失方面對(duì)其進(jìn)行客觀評(píng)價(jià)。
[Abstract]:The creation of palace ci is a very special phenomenon in the history of Chinese poetry. It takes the daily life of the palace as the main content, and describes the living, amusement, dress and custom of emperors, concubines, palace girls, etc. This poetic style is of great significance to the later generations of scholars to study the social history and ethical customs at that time. Tang Gong ci is a good beginning of the development of palace ci. Since Wang Jian, the creation of palace ci has become popular. Its creative subject up to imperial concubines, down to civil officials have done. Most of them describe the inner life of the imperial court, including some stories of feudal royal family which are difficult to find in the history books. Its system adopts the structure of the seven-absolute chapter form, which plays an important role in the development of the later generation. It is not difficult to find that the palace ci in Song Dynasty is another peak after the palace ci in Tang Dynasty, and a large number of works have made the palace ci more unique, literary and artistic. This article will discuss the Song Dynasty palace ci from the following aspects: First, combing the research situation and research angle of palace ci, systematically discusses the scholars' views on the poetry style of palace ci, and on this basis, makes a clear definition of palace ci. Second, from the social, political, economic, cultural and other aspects of the Song Dynasty palace ci creation background. Compared with the previous palace ci, the Song Dynasty provided a better historical and cultural context for the creation of palace ci. Thirdly, it expounds the creation of palace ci in Song Dynasty from the aspects of creation subject and content. The main body of creation has been expanded, and the content has changed from expressing palace malice to writing about the daily life of the palace, more people, things, scenery, authenticity and interest in the palace. At the same time, it also has the function of narration, the function of singing history and the political function of eulogizing beauty and satirizing remonstrance. Fourth, discusses the Song Dynasty palace ci poetry presentation. It is the greatest characteristic of the Song Dynasty's palace ci system that the seven absolute seal style is respected by people. Beautiful images and the use of overlapping words make palace ci have a certain visual effect. In addition, the Song Dynasty palace ci more use the "Fu" technique, the painting everywhere in the works. The image of Fengying in Palace ci is the inheritance of the style of "body and object" in Han Fu. Court scenery and utensils are the indispensable inspiration for the creation of palace ci. At the same time, all kinds of objects are the sustenance of the author's emotion. Fifthly, it analyzes the female images in Song Dynasty's palace ci, and probes into the similarities and differences between them and the previous poems. Sixth, on the basis of careful study and analysis of Song Dynasty Palace ci works, I will objectively evaluate the Song Dynasty Palace ci from the aspects of its contribution and lack of form.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I207.23

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本文編號(hào)：1938163