本文選題：馬克思主義 + 延安時期�。� 參考：《陜西師范大學(xué)》2014年碩士論文

【摘要】：在中國的現(xiàn)代化進程中,馬克思主義文藝思想一直扮演著十分重要的角色。一方面,作為我國文學(xué)藝術(shù)發(fā)展的指導(dǎo)思想,馬克思主義文藝思想規(guī)定了社會主義文學(xué)藝術(shù)的發(fā)展方向和繁榮社會主義文學(xué)藝術(shù)的基本方法,以及應(yīng)當(dāng)堅持的基本原則；另一方面,作為一種外來的文藝思想,馬克思主義文藝思想又不斷地同中國本土傳統(tǒng)的文藝思想相結(jié)合,并且積極地吸收其它外來文藝思想和當(dāng)代學(xué)術(shù)研究成果,堅持馬克思主義文藝思想中國化的歷程。 回顧馬克思主義文藝思想中國化的歷程,我們?nèi)〉昧瞬簧俚某煽?但是也存在很多問題。這些問題在當(dāng)代的集中表現(xiàn)就是：首先,我國馬克思主義文藝思想中的教條主義現(xiàn)象仍然較為嚴(yán)重,馬克思主義文藝思想創(chuàng)新能力不足。就對目前國內(nèi)大部分關(guān)于馬克思主義文藝思想的研究著作來看,更多的還是關(guān)于馬克思主義作家原典著作的詮釋和注解,具有自我創(chuàng)新性的和獨到見解的著作較少；其次,我國的馬克思主義文藝思想問題意識較為薄弱,不能很好地解決社會主義現(xiàn)代化建設(shè)中新出現(xiàn)的文學(xué)藝術(shù)問題。特別是進入后現(xiàn)代主義和消費社會,面對大眾文化的強勢沖擊,我們的文藝思想一度出現(xiàn)“失語”的癥狀；其三,本質(zhì)主義思想較為嚴(yán)重,民族化和地域化的特色不明顯。在當(dāng)代西方思潮中,宏大敘事和普遍真理的追求已經(jīng)逐漸的被人們所摒棄,反映在文學(xué)理論上就是,文學(xué)理論更多的是對于文學(xué)史和文學(xué)批評的研究。當(dāng)代西方一些比較具有代表性的文學(xué)理論著作,如拉曼·塞爾登等人合著的《當(dāng)代文學(xué)理論導(dǎo)讀》和特里·伊格爾頓的《二十世紀(jì)西方文學(xué)理論》(亦譯《文學(xué)理論導(dǎo)論》)很少涉及對某個文學(xué)問題和文學(xué)理論家的直接論述,都是對文學(xué)理論批評采取歷史梳理的方式來闡述文學(xué)理論問題。而我們的文學(xué)理論某種程度上仍在追求一種完美的、具有普適性的價值體系,仿佛可以窮盡文學(xué)藝術(shù)發(fā)展的一切規(guī)律和現(xiàn)象。這種本質(zhì)主義的思想嚴(yán)重地束縛了當(dāng)前文藝?yán)碚摰陌l(fā)展,從而也使得我們的文藝?yán)碚撋矸萆什幻黠@,缺少民族特色和地域特點。這就需要我們主動地總結(jié)馬克思主義文藝思想中國化歷史上的成功案例,積極地總結(jié)經(jīng)驗、吸取教訓(xùn),面對現(xiàn)實,為我國當(dāng)前的馬克思主義文藝思想建設(shè)做出貢獻。 文章主要探討的是“馬克思主義文藝思想中國化”這一課題,重點研究的是“延安時期馬克思主義文藝思想中國化”這一問題,藉此總結(jié)特點,挖掘經(jīng)驗,反思不足。最后,著重論述了延安時期馬克思主義文藝思想中國化對我國當(dāng)前文學(xué)理論建設(shè)的啟示。延安時期由于其在中國歷史上的關(guān)鍵地位(既是我國革命戰(zhàn)爭的關(guān)鍵時期,更是我國文學(xué)藝術(shù)發(fā)展的關(guān)鍵時期),不但新中國的政治、經(jīng)濟等很多制度在延安時期就已經(jīng)初步形成和得到了發(fā)展,而且,建國后很多文學(xué)藝術(shù)方面的方針政策、發(fā)展方向和具體方法在延安的時候都已經(jīng)初見萌芽,并且還得到了實踐,取得了收獲。因而,對這段歷史經(jīng)驗的總結(jié)顯得尤為重要。文章分為四個章節(jié)： 引言部分主要涉及的內(nèi)容是選題的意義與目的、國內(nèi)外研究現(xiàn)狀和研究方法與內(nèi)容。反思延安時期馬克思主義文藝思想中國化這一問題,主要是由目前我國文藝?yán)碚摪l(fā)展的現(xiàn)實需求和國內(nèi)外對這一問題的研究現(xiàn)狀決定的。在研究方法上主要采用的是“歷史”與“情境”的方法,在還原歷史真實的前提下,注重理論闡釋與批評實踐的結(jié)合。 第一章的主要內(nèi)容是對馬克思主義文藝思想中國化的知識背景進行了介紹。探討了由對“馬克思主義”學(xué)說的研究到“馬克思主義中國化”問題的研究,再到“馬克思主義文藝思想中國化”問題研究的歷程,進而對馬克思主義文藝思想中國化的成因進行了初步總結(jié)。 第二章探討了延安時期馬克思主義文藝思想中國化的具體內(nèi)容。從文藝思想的翻譯和介紹、具體文藝?yán)碚搯栴}的探討和文學(xué)創(chuàng)作實踐等方面展開論述,目的是對延安時期馬克思主義文藝思想中國化有一個總體概觀。 第三章總結(jié)了延安時期馬克思主義文藝思想中國化的指導(dǎo)思想和具體原則,并討論了延安文藝思想對馬克思主義文藝思想中國化的影響問題。主要從三個方面展開：黨的文化領(lǐng)導(dǎo)權(quán)的建立,文藝思想理論基礎(chǔ)的規(guī)定和文學(xué)藝術(shù)核心問題的提出與確定,以及新的文化生產(chǎn)機制的建立。最后反思了這個過程中存在的問題和不足,以及我們應(yīng)該吸取的經(jīng)驗教訓(xùn)。 第四章總結(jié)和反思了延安時期馬克思主義文藝思想中國化建設(shè)對中國現(xiàn)階段文藝?yán)碚摻ㄔO(shè)的啟示,為當(dāng)前我國文藝?yán)碚摻ㄔO(shè)提供參考意義。
[Abstract]:In the course of China's modernization, Marx's thought of literature and art has always played a very important role. On the one hand, as the guiding ideology of the development of Chinese literature and art, Marx's literary and artistic thought stipulates the direction of the development of socialist literature and art and the basic method of prospering socialist literature and art, as well as the basis to be adhered to. On the other hand, as a kind of foreign literary and artistic thought, Marx's thought of literature and art is constantly combined with the traditional Chinese literature and art thought, and actively absorbs other foreign literary and artistic ideas and the achievements of contemporary academic research, and persists in the course of the Sinicization of Marx's literature and art.
Reviewing the course of the Sinicization of Marx's literary and artistic thought, we have made a lot of achievements, but there are also many problems. First, the dogmatism in Marx's literary and artistic thought in our country is still more serious, and the creative ability of Marx's literary and artistic ideas is insufficient. Most of the research works on Marx's literary and artistic ideas in China are still more about the interpretation and annotation of the original works of the Marx writers, and there are few works of self innovation and unique opinions. Secondly, the consciousness of Marx's literary and artistic ideas in our country is weak and can not solve the social owners well. The new literary and artistic problems appeared in the construction of the modernization of righteousness. Especially in the post modernism and the consumer society, facing the strong impact of the mass culture, our literary and artistic thoughts once appeared the symptoms of "Aphasia"; thirdly, the essentialism thought is more serious, the nationalization and regionalization are not obvious. The pursuit of narrative and universal truth has been gradually abandoned by people. It is reflected in the literary theory that literary theory is more of the study of literary history and literary criticism. Some contemporary western literary theories are representative of contemporary western literature, such as Raman Selden, the guide of contemporary literary theory and Terry Igor. The "Twentieth Century western literary theory >" ("Introduction to literary theory") rarely involves a direct discussion of a literary and literary theorist. It is a way to elaborate literary theory by a historical combing of literary theory criticism, and our literary theory is still in the pursuit of a perfect and universally applicable literary theory. The value system of sex seems to be able to exhaustion all the laws and phenomena of the development of literature and art. This essentialism seriously hindered the development of the current theory of literature and art, thus making the identity of our theory of literature and art not obvious, and the lack of national and regional characteristics. This requires us to actively summarize the Marx literature and art. It is a successful case in China's history, which actively summarizes experience, draws lessons and faces reality, and contributes to the current Marx's literary and artistic thought construction in China.
The article mainly discusses the issue of "the Sinicization of Marx's thought of literature and art", focusing on the issue of "the Sinicization of literary and artistic thought of Marx in the period of Yanan", by which the characteristics are summed up, experience is excavated, and the reflection is insufficient. Finally, the present article of the Chinese literature and art thought of Marx in the period of Yanan is emphasized. Because of its key position in the history of China (not only the critical period of our revolutionary war, but also the critical period of the development of Chinese literature and Art) in Yanan period, not only the political and economic systems of the new China have been initially formed and developed in the period of Yanan, but also a lot of literature and art after the founding of the people's Republic of China. The policy, the direction of development and the specific methods of the operation have been first seen in Yanan, and they have been practiced and gained. Therefore, the summary of this historical experience is particularly important. The article is divided into four chapters:
The main content of the introduction is the significance and purpose of the topic, the status quo and the research methods and contents of the research at home and abroad. The question of the Chinese literature and art thought of Marx during the period of Yanan is mainly determined by the current needs of the development of the theory of literature and art in our country and the present situation of the research at home and abroad. It mainly adopts the method of "history" and "situational", and pays attention to the combination of theoretical interpretation and critical practice under the premise of restoring historical truth.
The main content of the first chapter is the introduction of the knowledge background of the Sinicization of Marx's thought of literature and art, the study of the study of "Marx doctrine" to "the Sinicization of Marx doctrine", and the course of the study of "the Sinicization of Marx's thought of literature and art", and then to Marx's literature and art. A preliminary summary of the causes of the Sinicization of thought has been made.
The second chapter discusses the specific content of the Sinicization of Marx's literary and artistic thought in the period of Yanan, and discusses the translation and introduction of literary and artistic ideas, the discussion of the specific theory of literature and art and the practice of literary creation. The purpose is to have a general overview of the Sinicization of Marx's literary and artistic thought in the period of the period of Yanan.
The third chapter summarizes the guiding ideology and specific principles of the Sinicization of Marx's literary and artistic thought in the period of Yanan, and discusses the influence of Yanan's literary and artistic thought on the Sinicization of Marx's literary and artistic thought, mainly from three aspects: the establishment of the party's cultural leadership, the provisions of the theoretical basis of literary and artistic ideas and the core of the literature and art. The problem and the establishment of a new cultural production mechanism are put forward. Finally, the problems and shortcomings in this process are reflected and the lessons we should draw on.
The fourth chapter summarizes and introspection the Enlightenment of the construction of the Chinese literary and artistic thought of Marx in the period of Yanan to the present stage of Chinese literature and art, which provides a reference for the current Chinese literature and art theory construction.

【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：I0

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